Update: Review time.
As I write this I've had somewhere between 30 minutes to an hour of sleep, much of it spent thinking about this book.
Mirabilis is about a young woman named Bonne Tardieu (the last part means "God's bastard") in medieval France. Her mother, Blanche Mirabilis, was hailed as a saint in her lifetime and seems to have conceived Bonne virginally, though throughout the book it mentions dissenters. Blanche and many of her followers were burned alive in an old church after the priests believe Blanche to be a heretic. In the present, Bonne now lives with Godfridus, an ascetic sculptor who wishes to create a perfect statue for a new church and to be like Christ, who says he's her uncle. Both Godfridus and Bonne know this isn't true, but he is her guardian. Eventually, a dwarf named Hercule comes to join them after fleeing a chateau where he and his kind were mocked and treated horrible.
While all three of them have their secrets, Bonne possesses an ability that is known to everyone. She can produce an abundant amount of breast milk--yes, you read that right--a nurses mostly adults, especially Godfridus. Everything changes when Bonne saves Hercule from a bear and dogs with her breast milk (it was a weird, descriptive scene; don't ask) as shortly after a rich widow named Radegonde Putemmonoie seeks her services for being a wet nurse for her expectant child. Radegonde herself eventually drinks from Bonne's breasts as well and something more grows between them. The English lay siege to the city and food starts to become scarce. In the wake of it all, the statue that Godfridus completes resembles Bonne and the priests and local are enthralled, but they also fear Radegonde. She is the one person who holds most of the remaining food and she is reluctant to give it, making everyone fear she is a witch. Bonne decides to offer her breastmilk for the people and things escalate from there.
I have to admit, going into this book I had some strange feelings. I heard about the breastmilk imagery and scenes and thought it was weird. Also, as someone who loves studying medieval history and religion, I was worried that this would be another tropey, typical story from a modern author: angry, sexually repressed priest(s), some woman or women are accused of being witch for doing just about anything, people who have extra-marital affairs are more moral and less repressed than everyone else, everyone is an asshole because apparently that's all everyone was during those times, and then, jarringly, some proto-Enlightenment philosophy is inserted into the narrative and people question their beliefs.
While I would say this book is neither reverent nor irreverent, it subverted my expectations. The book is a long study in the power of the female body in all its aspects, maternity both humane and divine, the mysterious workings of God, and the fusion of divine love with sexual love. Many authors have written about the last point, but Susann Cokal is the first I've seen to not let one win over the other. There are genuine miracles and unexplained events in the book.
Bonne retains her faith throughout the book. She believes her mother and secluded grandmother were both touched by God and she believes her nourishing breastmilk itself is a blessing from God. Or the Virgin Mary; another part of the story is the possibilities surrounded the miraculous nature of the Virgin Mary and how it compares or even sometimes, rather blasphemously, overpowers God's. I was worried Godfridus might be another sexually repressed ascetic who eventually assaults someone, but Cokal avoided that. Yes, he is tempted at some points and tries to view the female body less sexually but he is hardly a hypocrite. He does however go mad for time and nearly kills Bonne; he stops and admonishes himself and she forgives him. I'm making it simpler than the book did.
Hercule was one of the dissatisfying things of the book. His entire purpose just seemed to be a devious asshole to everyone. Radegonde was a more complex character, neither heroine or villainess. Radegonde's wealth and food supplies puts her at odds with the town and its clergy and sometimes even Bonne. She and Bonne become lovers; Bonne is bisexual as she at first desires Godfridus--and...nearly sexually assaults him at one point--but eventually falls for Radegonde. At times though, the love feels one sided, as if Radegonde was using Bonne and Bonne was just so desperate for love. Anyway, Radegonde doesn't fear being seen as a witch. After her arrest and the nearing end of her pregnancy, she experiences visions and many believe that she, like Bonne, is a new saint that they once persecuted.
This was a strange little book about faith, women, sustenance, and sexuality. Food is constantly mentioned throughout the book along with images of hunger or characters hungering for something. Cokal has done her research as many of the religious visions and rites that Bonne and Radegonde experience are what medieval holy women experienced in their time: stigmata, holy breastmilk, Jesus putting His heart into them. I also enjoyed the nuance. Not all the priests or inquisitors in the book are overly superstitious, gullible, money hungry, repressed men. Thank you, Cokal, for Etienne. There is a genuine desire to see the inherent sacredness of the female body.
This book won't be for everyone, but it will get you thinking.