Rating: 3.5 stars
I came to this book via the manifesto of one of Malaysia's local publishers, which mentions the types of books they publish and includes this series as an example. Then I saw it in the library's ebook collection and marked it to read. After years, I finally decided to pick it's up. This book has its ups and downs and I'm trying to sort them out in my head as I write this review.
The book starts with a creepy scene, a family murdered, embalmed, and posed in a manner you see during Chinese New Year celebrations in Malaysia and Singapore, when families gather to toss Yee Sang while wishing for good luck, prosperity, and anything else they want for the coming year. This is the hook for the reader, and it's a good one. Can you imagine walking into that crime scene?
Then there's Inspector Mislan, a chain smoking police officer juggling a demanding job and being a single father to a 6-year old. The case gains immediate media attention because one of the victims is a renowned owner of a fashion house. With forensics, plain clothes officers, meetings with the brass, computer technicians, surveillance, and suspect interviews, it's a fairly typical police procedural.
The first 200 pages felt slow to me. They weren't making any progress in the investigation and the pressure on Mislan to hand over the case to another officer increases as they hit multiple roadblocks. But it's such a comfort to read a book set in Malaysia, where people speak like me, in a mixture of English, Malay, various Chinese dialects, and Tamil; they have recognizable names, places, and behaviour; and eat the same food. So I continued reading.
The next 250 pages is where the action is, when Mislan makes a crucial connection in the case and then the book becomes propulsive. But I kept asking myself what the author is exploring with this story. This question becomes even more important after I turned the last page.
*Minor spoilers ahead*
Crime novels and police procedurals revolve around 5W1H: What, who, where, when, why, and how. Why, or the motive, is often said to be the most important part of any crime. But what does it mean when the author doesn't give a motive for the crime? Was this an oversight , just bad writing as some reviewers have suggested, or is there something more to it? Or am I reading too much into it and these reviewers are right?
I think the story isn't about the crime itself but an exploration of police corruption, high-handedness, and brutality; the power wealthy business people have over the police and the judicial system; and the political system's failings and influence on crime-fighing. It shows what happens when people with no crime fighting skills get promoted due to connections and not experience or competence. Usually someone innocent ends up paying for it with their life. In many ways it's a book very specific to Malaysia, yet these problems are present in many countries, if not all. That said, it does bother me to not know why the family was murdered, and, more curiously, why were they so elaborately posed/staged. Did I miss something? If you've read the book and picked up some clues, do let me know!
I liked that it doesn't bother explaining our food and places. Why bother if your primary intended audience is Malaysian? The author is a local and the publisher is a local indie.No Malaysian would ever explain nasi lemak, nasi padang, and maggi goreng to another. That would be beyond ridiculous. I count this as the author's strength. On the other hand, the language is a little stilted but if you're not particularly bothered about POVs or care more about the plot, this should be okay.
I also love the Head of Major Crimes, Superintendent Samsiah. She has a sense of humour, and is calm and collected under pressure. She trusts Mislan to do the right thing but steps in to fight for him when the situation calls for it. She knows there are many ways to get justice and plans for it without breaking the law. It felt good to read about a strong, intelligent woman in a leadership role in the predominantly male police hierarchy.
What didn't sit right with me was Mislan's casual sexism towards the police PR personnel and fatphobia towards Hubble. That wasn't necessary, but Mislan isn't perfect and this book came out in 2011. I'm hoping later books in the series address these issues. Additional content warning for physical (between Mislan and another officer) and gun violence during a police raid, resulting in several deaths.
Read alike: I don't read many procedurals, but this book reminded me of Six Four by Hideo Yokoyama.