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INTRODUCTION GUIDE TO LOCKPICKING: Every beginners guide to lockpicking: Types of Locks How to Pick them
This is the question I get most asked, "What lockpick do I need to pick this lock?"
Let's first look at the various lock types, before we learn how to pick them. There are many lock types, but I believe we should concentrate on the most common, which is the type you will likely encounter in real life. These locks could be the first lock you pick.
It can be a bit confusing because it is important to determine whether we are talking about the locking mechanism or the lock housing. The term "padlock" refers to the housing for a lock mechanism. However, padlocks can be made with many locking mechanisms. This guide will focus on the locking mechanism and how it works inside. And, most importantly, what picks are required to pick an internal lock mechanism.
Let's first look at the various lock types, before we learn how to pick them. There are many lock types, but I believe we should concentrate on the most common, which is the type you will likely encounter in real life. These locks could be the first lock you pick.
It can be a bit confusing because it is important to determine whether we are talking about the locking mechanism or the lock housing. The term "padlock" refers to the housing for a lock mechanism. However, padlocks can be made with many locking mechanisms. This guide will focus on the locking mechanism and how it works inside. And, most importantly, what picks are required to pick an internal lock mechanism.
49 pages, Paperback
Published January 30, 2022
About the author
William Sutton
33 books28 followersWilliam Sutton was born in Scotland in 1970 and appeared in pantomime at the age of nine.
He learned blues harmonica from his Latin teacher, drove to California in a VW beetle and studied classics at Oxford. Besides writing radio plays and short stories, he has acted in the longest play in the world, tutored the Sugababes and played cricket for Brazil.
After living in Brazil and Italy, teaching English and singing in ice cream shops, he has returned to the UK where he teaches Latin and plays accordion.
Lawless and the Devil of Euston Square is a literary mystery set beneath the smoggy cobblestones of Victorian London. The Scotsman newspaper said: William Sutton's first novel is a fine, extravagant and thoroughly enjoyable example of Victorian Crime fiction. It somewhat resembles Boris Akunin's Fandòrin international bestsellers, and there is no good reason why Sutton's Worms of Euston Square shouldn't also do very well.
One of the joys of the novel is the language employed by Worm and his friends, part authentic Victorian slang, part thieves' cant, and part - I rather think - invented ... The action moves with dizzying speed from the highest quarters in the land to the vilest slums and low dives of the teeming city. ... A tale of this sort requires fine villains, and Sutton obliges us with a couple ... This is a world enveloped in smoke and fog. The fun is fast and furious.
We are told that William Sutton is now at work on another Campbell Lawless mystery. If he can maintain this standard of invention, this mastery of linguistic tone, he is on to a winner. (Allan Massie, The Scotsman)
He learned blues harmonica from his Latin teacher, drove to California in a VW beetle and studied classics at Oxford. Besides writing radio plays and short stories, he has acted in the longest play in the world, tutored the Sugababes and played cricket for Brazil.
After living in Brazil and Italy, teaching English and singing in ice cream shops, he has returned to the UK where he teaches Latin and plays accordion.
Lawless and the Devil of Euston Square is a literary mystery set beneath the smoggy cobblestones of Victorian London. The Scotsman newspaper said: William Sutton's first novel is a fine, extravagant and thoroughly enjoyable example of Victorian Crime fiction. It somewhat resembles Boris Akunin's Fandòrin international bestsellers, and there is no good reason why Sutton's Worms of Euston Square shouldn't also do very well.
One of the joys of the novel is the language employed by Worm and his friends, part authentic Victorian slang, part thieves' cant, and part - I rather think - invented ... The action moves with dizzying speed from the highest quarters in the land to the vilest slums and low dives of the teeming city. ... A tale of this sort requires fine villains, and Sutton obliges us with a couple ... This is a world enveloped in smoke and fog. The fun is fast and furious.
We are told that William Sutton is now at work on another Campbell Lawless mystery. If he can maintain this standard of invention, this mastery of linguistic tone, he is on to a winner. (Allan Massie, The Scotsman)
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