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استحضار المكان: دراسة في الفن التشكيلي الفلسطيني المعاصر
268 pages, Paperback
Published January 1, 2000
About the author
Kamal Boullata
15 books6 followersKamal Boullata was a Palestinian writer, artist and art historian.
He worked primarily with acrylic and silkscreen. His work was abstract in style, focusing on the ideas of division in Palestinian identity and separation from homeland. He expressed these ideas through geometric forms as well as through the integration of Arabic words and calligraphy.
Boullata wrote poetry and exhibit reviews, and studied and wrote about art history, art theory, and Palestinian arts. He was published often by the Journal of Palestine Studies (JPS). He has written introductions and exhibit reviews for other artists such as Sophie Halaby, Steve Sabella, and ‘Asim Abu Shaqra.
One of Boullata’s most highly regarded books is Palestinian Art: From 1850 to the Present. It is broken into four parts, Part 1: From Religious to Secular Painting, Part 2: Memory and Resistance, Part 3: Art from the Ghetto, and Part 4: The Evocation of Place. This work represents three decades of Boullata’s scholarly research on Palestinian art and is celebrated as the most comprehensive study on modern Palestinian art.
He worked primarily with acrylic and silkscreen. His work was abstract in style, focusing on the ideas of division in Palestinian identity and separation from homeland. He expressed these ideas through geometric forms as well as through the integration of Arabic words and calligraphy.
Boullata wrote poetry and exhibit reviews, and studied and wrote about art history, art theory, and Palestinian arts. He was published often by the Journal of Palestine Studies (JPS). He has written introductions and exhibit reviews for other artists such as Sophie Halaby, Steve Sabella, and ‘Asim Abu Shaqra.
One of Boullata’s most highly regarded books is Palestinian Art: From 1850 to the Present. It is broken into four parts, Part 1: From Religious to Secular Painting, Part 2: Memory and Resistance, Part 3: Art from the Ghetto, and Part 4: The Evocation of Place. This work represents three decades of Boullata’s scholarly research on Palestinian art and is celebrated as the most comprehensive study on modern Palestinian art.
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