Everything you needed to know about Factory Records but were too afraid to ask. A comprehensive and entertaining retrospective of the legendary record company which wasn't. Many books are available on the subject, none better than this. James Nice writes with sensitivity and objectivity never succumbing to the 'I was there' egotism of many other biographers of this era and an organisation which meant so much to so many but which was perhaps doomed to failure from the outset.
Avoiding the glib '24 hour party people' cliches, rather we are taken through 14 years of struggle by the the acts, the management and their associates to make sense of, and make money in, an industry that not only pitted them against the rest but frequently against each other. What shines through the narrative is the unswerving belief held by the likes of Rob Gretton, Alan Erasmus and Tony Wilson that the musicians and their work mattered and that what they were creating together was greater than the sum of its parts: An Ideal for Living.
Their legacy is the bizarrely eclectic Factory catalogue and a generation of people whose lives were touched by the Factory roster and the music it produced.
A tale of incompetence and genius, naivety and chutzpah, brilliance and bullshit. Musicians, art directors, producers, managers, journalists and Manchester itself all play their part in an authoritative exploration of one of the most significant record labels in the history of British music.