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中国基督教年鉴（16开精装 全二十四册 原箱装）
《中国基督教年鉴》是每一年度中国基督教各地教会动态及各项事务的汇编，由季理斐（MacGillivray）等人主编，自1910年起逐年岀版，其中1910—1926年间英文名为The China Mission Year Book（《中国传教使团年鉴》），1927—1939年间名为The China Christian Year Book，期间1920—1922年未出版，前后共计出版21卷。此外，本书还收入《中国传教使团手册》（The China Mission Handbook, 1896）及《基督教新教在华传教百年史》（A Century of Protestant Mission in China, 1807-1907）两书，堪称一套全面记录和展示在华新教传教使团活动的大百科全书。
42000 pages, Hardcover
Published December 1, 2012
About the author
MacGillivray
13 books2 followersMacGillivray is a Scottish writer and artist. Her poetry inhabits a rich artistic universe encompassing performance art, song-writing and the use of visual media such as sculpture and photography. Her multi-disciplinary practice gives her words an imaginative scope which few young poets in the UK can rival.
MacGillivray's work summons forth a pantheon of muses, outlaws and showmen from the dark corners of Scottish and American history, animating their world with an incantatory free verse that is shockingly contemporary and hauntingly ritualistic. The poems excavate passion and transgression with precision and sympathy, allowing the reader to witness history from surprising new angles.
Under her birth name Kirsten Norrie, she has a Doctorate in Performance and Scottish Identity, for which she studied at the Ruskin School of Drawing and Fine Art, Oxford University. Her thesis is titled Cloth, Cull and Cocktail; Anatomising the Performer Body of 'Scotland'. The wealth of academic research she undertook as part of this finds further expression in her debut collection, The Last Wolf of Scotland. This work treads a fine line between surreal reality and imaginative abstraction, in order to trace the violence through which national mythologies are forged and perpetuated, from the wilderness of the Scottish Highlands to the piratical showmanship of the wild west.
Her poetry has been published in ASLS New Scottish Writing and Magma; her art criticism in Performance Research and several editions of Art Monthly. She has performed alongside writers such as Alan Moore, Don Paterson, Brian Catling and Iain Sinclair. The Last Wolf of Scotland was published in October 2013.
MacGillivray's work summons forth a pantheon of muses, outlaws and showmen from the dark corners of Scottish and American history, animating their world with an incantatory free verse that is shockingly contemporary and hauntingly ritualistic. The poems excavate passion and transgression with precision and sympathy, allowing the reader to witness history from surprising new angles.
Under her birth name Kirsten Norrie, she has a Doctorate in Performance and Scottish Identity, for which she studied at the Ruskin School of Drawing and Fine Art, Oxford University. Her thesis is titled Cloth, Cull and Cocktail; Anatomising the Performer Body of 'Scotland'. The wealth of academic research she undertook as part of this finds further expression in her debut collection, The Last Wolf of Scotland. This work treads a fine line between surreal reality and imaginative abstraction, in order to trace the violence through which national mythologies are forged and perpetuated, from the wilderness of the Scottish Highlands to the piratical showmanship of the wild west.
Her poetry has been published in ASLS New Scottish Writing and Magma; her art criticism in Performance Research and several editions of Art Monthly. She has performed alongside writers such as Alan Moore, Don Paterson, Brian Catling and Iain Sinclair. The Last Wolf of Scotland was published in October 2013.
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