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848 pages, Kindle Edition
First published January 1, 2011
But seriously it’s been a pleasure reading the series and getting to the end.
Clearing things up
To clear up any confusion, the Death Works series was originally released as a trilogy, I reviewed the first two books earlier thisyear (Death most Definite and Managing Death).
Business of Death was to be the title of the third book. But to my knowledge it was never released as a single volume. Instead Orbit decided to release the third and final book in the series as part of a Omnibus edition(including the other two novels). Business of Death became the title for the Omnibus as well as the title of the third instalment.
The Story continues…
At the end of Managing Death, Stephen De Selby ended up being the Orcus, the 13 Regional Managers in one. He held the Hungry Death within him and managed to finish off his nemesis Rillman. Now he hears the heartbeat of the world, feels each of the departed souls that his minions pomp.
But this is Stephen we are talking about and he’s got that lackadaisical, “avoid the uncomfortable part of the job until the last minute” thing going. If he wasn’t trying to avoid asking Lissa to marry him I fear nothing would get done.
But things need to be done, hell is beginning to freeze over, the Stirrer god is coming - now appearing in the sky as a blazing comet. If this wasn’t enough he’s pissed off the Death of the Water. To say things are looking bleak is an understatement.
Ultimately Stephen grows up and begins directing action rather than letting circumstance dictate it. It’s a heroic ending and like all heroic endings infused with some tragedy.
What I enjoyed…
Stephen’s growth as a character. From loser to reluctant participant to world saving demi god. I really did think he’d come of age be the end of the book. I also liked and was frustrated by his relationship with Lissa. I had to refrain from yelling at the character to just “ask her already”.
I appreciated the subtle referencing and remixing of myth and legend- Charon building an Ark.There was a distinct impression that the events in the book had all happened before, that echoes had reverberated down through history. I felt centred me as a reader while still being treated to a fresh and original backdrop.
What I didn’t…
I didn't enjoy the ending, it was perfectly executed though. I just wanted it to end differently (an old romantic at heart). The ending is what made the story more dark/urban fantasy than paranormal for me.
Recommendations
I heartily recommend the whole trilogy to anyone who wants to read some fast paced, original, Australian flavoured urban fantasy. I found the book to be visually enticing and think it would translate well to television. Jamieson manages to deliver something that is both mile-a-minute and morbidly evocative.
This copy was provided to me at no cost by the publisher.
The ultimate horror, a thing that seeks not only your death but to consume your soul. Reaming your most essential essence that makes you who your are. It draws ever closer. Everything that Steven de Selby has faced in just a few months won't make a difference.
As our story winds to a close, Steven has nigh ultimate power. Even so, the approaching deity has even more. Steven was given a tremendous ace in the hole in the last novel and yet, the problems that he must face are almost more than he can bear. The darkness is coming and Steve must rally the troops and lead them against an unstoppable force.
His world is spirally into unreality and yet the real worries on his mind are whether or not to propose. To some this might seem like your standard paranormal romance pablum. On the contrary, Steve doesn't waste time analyzing his feelings for Lissa or hers for him. In light of everything they've been through, they are sure of their love for one another so the "normal" paranormal romance rules don't really apply here. Steve's worries are more adult. He worries more about responsibility, a growing dependence on alcohol and his job.
This is a dark and gritty series. Jamieson pulls it off much better than others writing today. The darkness doesn't revolve around Steve's determination to be darker or edgier or to do whatever it takes no matter who it hurts. Part of it has to do with Steve being offered up as a sacrificial lamb and instead of living down to the expectations of slackerdom that his family and co-workers had of him, he learns and grows and lives up to the demands of his ever-growing responsibilities.