The 39 Steps: Read 3 Sept - 6 Sept 2018.
I’ve always enjoyed John Buchan. In my teen years I read all of the Richard Hannay series, which involved some doing as many were out of print and hard to get. I saw this double titled volume in the library, and decided to re-read The 39 Steps, and to try an unknown The Power House. In part, I was reminded of 39 Steps from the Christie novel – The Secret Adversary – I had read earlier in the year.
What I found was The 39 Steps is not aging well as I mature as a reader. The actual suspense and espionage is very weak. The villains are clumsy in catching Hannay, and Hannay is way too trusting. The chase adventures becomes relentless long before it is over. The fun endearing aspect is the colloquial characters, many who have disappeared after two world wars and National Health.
The basic plans for assassination/ stealing of state secrets/ anarchist group is probably now regarded as a hackneyed trope, but it was fresh, exciting, and very topical immediately before the Great War. Buchan is one of the first to introduce this into literature and on reflection is what you would expect from one who was involved, at least peripherally, in diplomatic politics at the time.
Hannay of cours,e escapes the clutches of half of Britain, solves the cypher, and manages to convince remotely that he is the good guy and rushes to our enemy’s hideout. As we close in on our villainous society called Black Stone and those magic 39 steps, the denouement of capturing them is nothing short of farcical. It is interesting to note that right from the earliest dramatization of this story, the premise and characters of Scotland are retained, but much of the ending is reworked and has nothing resembling Buchan’s book.
So, although I am not that impressed with this novel on the 2nd reading, I know it is an important novel in the espionage canon. Being a prototype for many to come, other authors were able to work on the strengths of this novel – the suspense and adventure of villains with guns and murderous intent; but also the weaknesses: very few ever make the chase element so repetitive and unvarying, or a final scene that is so flawed - while others will suspend disbelief, this is one is a massive anti-climax.
For new readers, I say to you, go read the book, and try not to be too critical – after all without the early 1890’s cars, you can’t have a Porche, and once you have done this enjoy the Hitchcock film version and the clever nuances he added to it.
The Power House: Read 19 Sept - 22 Sept 2018
This was written immediately before the Thirty-Nine Steps and is another novel that describes the heightened tensions between the world superpowers of the day – Germany & Britain. Anarchists were a big deal then as well. For the most part they were groups that wanted to overthrow the old system of monarchy and aristocracy, and replace with a more egalitarian one – almost always, such as Conrad’s Secret Agent, and Under Western Eyes, via intelligent educated poor classes. Here we have a villain that is more in tune with later 20th Century villains as per in a Bond film – a group of highly intellectual people who wish to destroy the current society to mould a new one that suits their purpose and desired lifestyle.
Secret societies of intellectuals in various strata of society and influence make exciting villains as they can control all movements and direct resources to hunt out the thorn and remove it. Here, that is not so easily done – our hero is one of their own: a lawyer and Tory MP. The difference here is that Leithen is a man who doesn’t like or wish to be involved in adventure and thrills, unlike Hannay in 39 Steps. Some terrible clichés that have arisen over the years appear here (maybe for the 1st time). Some shockers include the mastermind criminal divulging his entire plans to our hero who then escapes and can thwart the plot; and, being chased across a famous city and using the knowledge of a local to avoid the thugs.
With contemporary eyes, this book is weak and full of plot holes. The language, as to be expected, is impeccable and a delight, making reference to many aspects of the day in European politics and the impending threat of war. Coupled with The Thirty-Nine Steps, as this volume is, makes it a colourless poor sibling, highlighting the shortcuts Buchan used in characters and adventure narrative. However, there is also the subtly of the themes Buchan was interested in at the time ie: the international threat of a way of life, and that the civilisation all hold dear are mere thin threads that construct a veneer. He obviously felt that protecting what is important could be done at the mass and organisational level, but that the single or common man, by just one act of defiance, could also protect what was good for the safety of all. This book really should be read for completion sake of Buchan’s novels, or if you have an interest (as I obviously do) in early espionage novels.