There's a few things that Bernard Cornwell always does in this series.
Number one. The great action scenes. I think these were the highlight of this book for me. To start with, it was quite nice to have a change of scenery with Sharpe - to start off with in London, and then in Denmark. I didn't really know the history of the British invasion of Denmark (I knew about Nelson and Copenhagen but that was a few years before the events of this book), and I definitely didn't know we bombed the hell out of it. Yikes. As always, Bernard Cornwell writes really fast-paced and brutal battle scenes - whether that is Sharpe caught up with the Danish militia or the actual siege/bombardment of the city. I really like his ability to really keep up the pace, and spread those action scenes out well.
Number two. Sharpe's character and emotions. There are two sides to this part of the series, both good and bad. I love his anti-hero persona, and the fact that he wakes up each morning and chooses chaotic violence. Like, the man is a loose cannon and I love that he is not sanitised by Bernard Cornwell at all, but he is angry and bitter and vengeful. The whole bit where he returns to his home in London was fabulous, I actually liked that there wasn't a cliche 'make peace with your past' segment, and he just went ham and took his revenge on his horrible former master. Plus, it was interesting to see his history, which has only been alluded to briefly before.
The part that is always unnecessary, though, because you know it's not gonna happen, is Bernard Cornwell trying to spin the idea of Sharpe settling down at the end of the book. He always tries to make the reader believe that maybe Sharpe will give up his life as a soldier, and make a life with the first woman he sees. This is partially another issue, which I'll get onto in a minute, but it's just like,,, Bernard, I know he won't. There's like a thousand more Sharpe books, and I know they're not gonna be about Sharpe becoming a merchant in Copenhagen or whatever.
Number three. The complete lack of any diverse characterisation for women in this series. We even went one-up from the previous books in this one, and we had a fridge, ladies and gentlemen. What male writers ALWAYS do to further their male protagonist's story arc. The good ol' fridge cliche. Lady Grace, who was introduced in Sharpe's Trafalgar, was, yep, you guessed it, dead by the start of this book. That relates back up top to the way there's no point in putting in a 'settling-down' arc for Sharpe, but also how Bernard Cornwell's inability to write female characters is almost laughable. Here we had another doe-eyed, innocent young woman, Astrid, who seemed to not feel anything but cookie-cutter sweet sanitised emotions, and was just there as a prop for Sharpe, a consummate simp, to lust over. You know, it doesn't even offend me at this point, I just kinda shake my head and laugh.
Number four. The way there is ALWAYS an absolutely incredible set-up for a potential m/m story arc. This is also always very funny. I don't know if Bernard Cornwell realises he has at least one of these in every Sharpe book. Sharpe's Tiger still has my favourite scenario, but this had a great one. Sharpe has to protect a guardsman who is repeatedly described as incredibly handsome, and who is continuously vying for Sharpe's friendship, but is from the complete opposite end of society than Sharpe? And then he betrays him because of political intrigue? The chemistry between Sharpe and any of these upper-crust handsome officers is always insane. And that's usually because Bernard Cornwell actually bothers to write interesting men with believable emotions. Also, I loved Lord Pumphrey who is, I'm guessing, another gay-coded character, and gave me major Lord Beckett vibes. (I say 'another' because no one can convince me that Mr. Lawford is straight).
ANYWAY. I enjoyed this one, despite its usual flaws, and it was great to have a little, almost standalone, book in a different location. They're always incredibly easy to read, and a lot of fun. Now, as I've already read Sharpe's Rifles, I think I'll be going back in time of publication and to...Portugal I think?