A lesbian midsummer night’s dream with the goddesses of celibacy, love, and marriage competing for Sappho’s attention amid poetry contests, meteor showers, lessons on lesbian love-making, romantic trysting, mix-ups and disguises. Wet and wild romantic comedy!
Carolyn Gage is a lesbian feminist playwright, performer, director, and activist. The author of nine books on lesbian theatre and sixty-five plays, musicals, and one-woman shows, she specializes in non-traditional roles for women, especially those reclaiming famous lesbians whose stories have been distorted or erased from history. In 2011, her play Stigmata won the Maine Literary Award in Drama from the Maine Writers and Publishers Alliance. Also in 2011, her play The Ladies' Room was named national finalist for the prestigious Heideman Award, given to the winner of the National 10-Minute Play Contest of the Actors' Theatre of Louisville. Her collection of plays The Second Coming of Joan of Arc and Selected Plays won the 2008 Lambda Literary Award in Drama, the top LGBT book award in the US. In 2009, she was named one of the "Ten Most Intriguing People in Maine" by Portland Magazine, and was awarded a three-month residency at the Wurlitzer Foundation in Taos, New Mexico. In 2010, she was named one of the "Most Influential People in Portland" by the Portland Phoenix. Gage tours internationally in her award-winning, one-woman play, The Second Coming of Joan of Arc, offering performances, workshops, and lectures on lesbian theatre.
Really funny and sometimes very touching. Brought me close to tears a few times (but maybe that's just because I get worked up easily, YMMV). In the beginning, Carolyn Gage says she intended for most lesbians to be able to see themselves in some or all of the characters and their problems, and I think she succeeded. This play really got to me in a good way.