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The Apprenticeship of Victor Frankenstein #1
This Dark Endeavor
Included in this edition of This Dark Endeavor, enjoy a free edition of Mary Shelley's classic Frankenstein. The purest intentions can stir up the darkest obsessions. In this prequel to Mary Shelley’s gothic classic, Frankenstein, 16-year-old Victor Frankenstein begins a dark journey that will change his life forever. Victor’s twin, Konrad, has fallen ill, and no doctor is able to cure him. Unwilling give up on his brother, Victor, his beautiful cousin Elizabeth, and best friend Henry begin a treacherous search for the ingredients to create the forbidden Elixir of Life. Impossible odds, dangerous alchemy, and a bitter love triangle threaten their quest at every turn. Victor knows he must not fail. But his success depends on how far he is willing to push the boundaries of nature, science and, love -- and how much he is willing to sacrifice.
298 pages, Kindle Edition
First published August 1, 2011
263 people are currently reading
18207 people want to read
About the author
Kenneth Oppel
84 books2,725 followersI was born in 1967 in Port Alberni, a mill town on Vancouver Island, British Columbia but spent the bulk of my childhood in Victoria, B.C. and on the opposite coast, in Halifax, Nova Scotia...At around twelve I decided I wanted to be a writer (this came after deciding I wanted to be a scientist, and then an architect). I started out writing sci-fi epics (my Star Wars phase) then went on to swords and sorcery tales (my Dungeons and Dragons phase) and then, during the summer holiday when I was fourteen, started on a humorous story about a boy addicted to video games (written, of course, during my video game phase). It turned out to be quite a long story, really a short novel, and I rewrote it the next summer. We had a family friend who knew Roald Dahl - one of my favourite authors - and this friend offered to show Dahl my story. I was paralysed with excitement. I never heard back from Roald Dahl directly, but he read my story, and liked it enough to pass on to his own literary agent. I got a letter from them, saying they wanted to take me on, and try to sell my story. And they did.
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Displaying 1 - 30 of 1,798 reviews
November 8, 2013
I don’t often request an advance reading copy of a book. In fact, I’m usually declining ARCs because I’m offered more than I could possibly read. However, when I heard about Oppel’s latest project, a prequel to Mary Shelley’s Frankenstein, I immediately asked if I could read an advance copy, and I was lucky enough to get it.
I’m a big fan of Oppel’s previous series that began with Airborn. I’m also a fan of the Romantics, like the Shelleys. It’s no coincidence that Percy Jackson is named Percy. Short for Perseus, yes, but Percy Shelley, who was enamored with Greek myths and wrote extensively about them, also liked to fancy that his name was derived from the old Greek hero. In one letter, his wife calls him “my own Perseus.” But I digress . . .
For many years, I’ve thought the Frankenstein story was ripe for retelling as a YA novel. It’s one of those ideas that I toyed with but never had time to pursue. I’m very glad Oppel beat me to it, because he does it beautifully.
This Dark Endeavour introduces 15-year-old Victor Frankenstein. Oppel has taken the liberty of giving Victor a twin brother Konrad, and while you may be thinking, ‘oh, lord, not the old twin brother plot device,’ it works well in this book and comes across as fresh and perfectly plausible. In fact, it’s vital to the story. When Konrad falls ill, Victor is driven to find a cure, even if that means turning to the forbidden secrets of alchemy. And so, from the best of motives, a dark obsession is born – to unlock the secrets of life and death.
There is much more to the story, though. Victor’s search for ingredients sends him and his friends on many harrowing adventures. I won’t give any spoilers, especially since the book isn’t out yet, but I can tell you this is a true page-turner.
Most importantly, there is Elizabeth, the distant cousin of the Frankenstein family – a spirited, fiercely independent young woman, devoutly Catholic, beautiful, headstrong, and drawn to both Konrad and Victor for very different reasons. It’s the love triangle between these three multidimensional characters that really drives the narrative. There are no easy answers, no true villains and heroes. I found myself cheering for Victor, and yet hating him at times. Konrad comes across as noble, and yet insufferably perfect. Elizabeth is mercurial, yet perfectly true to her convictions. Oppel really brings them to life, which in a Frankenstein novel has many levels of meaning, I suppose.
The book explores faith and science, loyalty and hypocrisy, love and jealousy – all the things that young readers, and even older readers, struggle with. In his earlier work Airborn, Oppel updated the classic Jules Verne/Robert Louis Stevenson adventures and pioneered what would later be called ‘steampunk.’ In This Dark Endeavor, Oppel has reinvented the gothic thriller for modern readers. The narrative crackles with tension, emotions run high, and the atmosphere is perfectly dark and brooding. The Shelleys would be proud. I definitely recommend you check out the book when it’s published August 23. I anticipate This Dark Endeavor will get a lot of attention, and rightly so.
I’m a big fan of Oppel’s previous series that began with Airborn. I’m also a fan of the Romantics, like the Shelleys. It’s no coincidence that Percy Jackson is named Percy. Short for Perseus, yes, but Percy Shelley, who was enamored with Greek myths and wrote extensively about them, also liked to fancy that his name was derived from the old Greek hero. In one letter, his wife calls him “my own Perseus.” But I digress . . .
For many years, I’ve thought the Frankenstein story was ripe for retelling as a YA novel. It’s one of those ideas that I toyed with but never had time to pursue. I’m very glad Oppel beat me to it, because he does it beautifully.
This Dark Endeavour introduces 15-year-old Victor Frankenstein. Oppel has taken the liberty of giving Victor a twin brother Konrad, and while you may be thinking, ‘oh, lord, not the old twin brother plot device,’ it works well in this book and comes across as fresh and perfectly plausible. In fact, it’s vital to the story. When Konrad falls ill, Victor is driven to find a cure, even if that means turning to the forbidden secrets of alchemy. And so, from the best of motives, a dark obsession is born – to unlock the secrets of life and death.
There is much more to the story, though. Victor’s search for ingredients sends him and his friends on many harrowing adventures. I won’t give any spoilers, especially since the book isn’t out yet, but I can tell you this is a true page-turner.
Most importantly, there is Elizabeth, the distant cousin of the Frankenstein family – a spirited, fiercely independent young woman, devoutly Catholic, beautiful, headstrong, and drawn to both Konrad and Victor for very different reasons. It’s the love triangle between these three multidimensional characters that really drives the narrative. There are no easy answers, no true villains and heroes. I found myself cheering for Victor, and yet hating him at times. Konrad comes across as noble, and yet insufferably perfect. Elizabeth is mercurial, yet perfectly true to her convictions. Oppel really brings them to life, which in a Frankenstein novel has many levels of meaning, I suppose.
The book explores faith and science, loyalty and hypocrisy, love and jealousy – all the things that young readers, and even older readers, struggle with. In his earlier work Airborn, Oppel updated the classic Jules Verne/Robert Louis Stevenson adventures and pioneered what would later be called ‘steampunk.’ In This Dark Endeavor, Oppel has reinvented the gothic thriller for modern readers. The narrative crackles with tension, emotions run high, and the atmosphere is perfectly dark and brooding. The Shelleys would be proud. I definitely recommend you check out the book when it’s published August 23. I anticipate This Dark Endeavor will get a lot of attention, and rightly so.
October 30, 2011
Light, fluffy and completely forgettable.
Don’t miscomprestand me, there’s some diversionary entertainment value here and the pace is pretty perky, but I still reached the end with "what's the point?" swirling in my head causing a nagging itch that the book never scratched. It left me with a mild case of the Mehs. Granted, not a full dose of Meh, but Meh nonetheless.
Call it Meh-lite.
Now I shan’t go a-bashing as the book committed no major literary felonies. It's just all the pre-release hyping had teased my expectations with its seductive, titillating premise and then left me cold, unsatisfied and sporting a painful case of blue brains. I ended up having to rub my scalp for an hour to release the tension…it was like High School all over again.
PLOT SUMMARY
Konrad and Victor Frankenstein are a pair of privileged 19th century Winklevoss twins living the dream in Chateau Richboy.
Konrad, the older twin (by several minutes), is the darling social butterfly that excels at everything and basks in the warm glow of the people’s admiration. Victor is the brilliant, conversationally awkward “also ran” who broods in the shadow of his brother’s perfection. When Konrad develops a life-threatening disease, Victor is desperate to save him. His search for a cure leads him to the Bibliotheca Obscura (i.e., Dark Library) of his family where he eventually discovers an encrypted recipe for the mysterious “Elixir of Life” rumored to cure any illness. Thus, begins Victor’s journey into the world of the forbidden.
*yawn*
From there the story becomes a very, very, VEEEEEEERY by the numbers YA quest tale of clue-searching, mini-mysteries, some dangerously boring excursions ending in a fat batch of knowledge and all converging on a final confrontation and a "shock" ending that we could see coming from page one. Nothing bad here, just nothing terribly new. A 30cc injection of Meh.
It’s well written and the characters are decent, but I never really connected or engaged with any of them. My favorite would have to be Victor and Konrad’s cousin,Hermione Elizabeth, who I thought had real pluck. She also seemed the most genuine and had some interesting shades to her personality. Conversely, I found nothing in the portrayal of Victor that went beyond the second dimension or that added any depth to his older, more famous, more manic persona. Further, I saw nada in the narrative that expanded upon or provided any insight into the established Frankenstein mythos.
A seriously wasted opportunity.
Overall, I was just disappointed that there was not more of substance to this story and I can’t see recommending it except as a quick bit of distraction. If your looking for a little Young Frankenstein, might I suggest:
It’s smarter, funnier and has an enormous Schwanzstucker…but "that goes without saying."
2.0 to 2.5 stars.
Don’t miscomprestand me, there’s some diversionary entertainment value here and the pace is pretty perky, but I still reached the end with "what's the point?" swirling in my head causing a nagging itch that the book never scratched. It left me with a mild case of the Mehs. Granted, not a full dose of Meh, but Meh nonetheless.
Call it Meh-lite.
Now I shan’t go a-bashing as the book committed no major literary felonies. It's just all the pre-release hyping had teased my expectations with its seductive, titillating premise and then left me cold, unsatisfied and sporting a painful case of blue brains. I ended up having to rub my scalp for an hour to release the tension…it was like High School all over again.
PLOT SUMMARY
Konrad and Victor Frankenstein are a pair of privileged 19th century Winklevoss twins living the dream in Chateau Richboy.
Konrad, the older twin (by several minutes), is the darling social butterfly that excels at everything and basks in the warm glow of the people’s admiration. Victor is the brilliant, conversationally awkward “also ran” who broods in the shadow of his brother’s perfection. When Konrad develops a life-threatening disease, Victor is desperate to save him. His search for a cure leads him to the Bibliotheca Obscura (i.e., Dark Library) of his family where he eventually discovers an encrypted recipe for the mysterious “Elixir of Life” rumored to cure any illness. Thus, begins Victor’s journey into the world of the forbidden.
*yawn*
From there the story becomes a very, very, VEEEEEEERY by the numbers YA quest tale of clue-searching, mini-mysteries, some dangerous
It’s well written and the characters are decent, but I never really connected or engaged with any of them. My favorite would have to be Victor and Konrad’s cousin,
A seriously wasted opportunity.
Overall, I was just disappointed that there was not more of substance to this story and I can’t see recommending it except as a quick bit of distraction. If your looking for a little Young Frankenstein, might I suggest:
It’s smarter, funnier and has an enormous Schwanzstucker…but "that goes without saying."
2.0 to 2.5 stars.
April 16, 2020
huh. i had never heard of this kenneth oppel fellow, but i guess he's some big deal in YA publishing. i have so much to learn.
i liked this book very much. but more important than my enjoyment, this is going to be a great book for reluctant boy readers. that's a big problem in the world of educators and librarians: "why won't the boys reeeeead??" and from where i'm standing, i get it. most of the YA stuff is all girls girls girls. and although there are some fantastic books for boys, i have read a bunch of them, there need to be more, all the time, to keep up with all the unicorn hunters and vampire love triangles that may as well be push-up bras and powder puffs and make boys feel outnumbered, when confronted with a YA fiction department in a bookstore or library...
this book is perfect for those poor overwhelmed boys. don't get me wrong, girls are going to love it, too, but it's just full of adventure and alchemy and monsters and it all leads up to frankenstein. eventually, i guess. not so much in this book.
this book is about victor frankenstein, aged 15. and his twin brother konrad and their cousin, elizabeth. when konrad becomes deathly ill, victor and elizabeth secretly become involved with a creepy doctor and the quest to mix up the elixir of life to save him.
there are...difficulties.
his writing is great - it takes the suspenseful bits and drags them out enough to be gripping, but not so much that it frustrates one of those reluctant boy readers. it's good stuff, truly. there are some great action scenes, and some more tender moments, and all the characters come alive in their own way. the beginning part reminded me of the peggy parish books i used to love, in which liza, bill, and jed had their adventures and followed the clues to wonderful conclusions. that is high praise - those books saw me through many years of my youth.
my only grump with this is the discomfort i feel when dealing with the fictitious childhood of a fictitious character, where there are streets named wollstonekraft alley and doctors named polidori. it's cute to have these references, but it complicates things a little, no?? but, then i remember that this book is intended for ages twelve and up, and i should stop thinking too hard and just enjoy this as a well-written adventure story with some great takes on loyalty and love, and the complications therein.
this book of his looks very good - i am definitely going to check it out as well: Half Brother.
but you read this one, yeah?
come to my blog!
i liked this book very much. but more important than my enjoyment, this is going to be a great book for reluctant boy readers. that's a big problem in the world of educators and librarians: "why won't the boys reeeeead??" and from where i'm standing, i get it. most of the YA stuff is all girls girls girls. and although there are some fantastic books for boys, i have read a bunch of them, there need to be more, all the time, to keep up with all the unicorn hunters and vampire love triangles that may as well be push-up bras and powder puffs and make boys feel outnumbered, when confronted with a YA fiction department in a bookstore or library...
this book is perfect for those poor overwhelmed boys. don't get me wrong, girls are going to love it, too, but it's just full of adventure and alchemy and monsters and it all leads up to frankenstein. eventually, i guess. not so much in this book.
this book is about victor frankenstein, aged 15. and his twin brother konrad and their cousin, elizabeth. when konrad becomes deathly ill, victor and elizabeth secretly become involved with a creepy doctor and the quest to mix up the elixir of life to save him.
there are...difficulties.
his writing is great - it takes the suspenseful bits and drags them out enough to be gripping, but not so much that it frustrates one of those reluctant boy readers. it's good stuff, truly. there are some great action scenes, and some more tender moments, and all the characters come alive in their own way. the beginning part reminded me of the peggy parish books i used to love, in which liza, bill, and jed had their adventures and followed the clues to wonderful conclusions. that is high praise - those books saw me through many years of my youth.
my only grump with this is the discomfort i feel when dealing with the fictitious childhood of a fictitious character, where there are streets named wollstonekraft alley and doctors named polidori. it's cute to have these references, but it complicates things a little, no?? but, then i remember that this book is intended for ages twelve and up, and i should stop thinking too hard and just enjoy this as a well-written adventure story with some great takes on loyalty and love, and the complications therein.
this book of his looks very good - i am definitely going to check it out as well: Half Brother.
but you read this one, yeah?
come to my blog!
December 10, 2018
Los retellings no suelen ser de mi agrado pero Frankenstein es mi debilidad, es de mis clásicos predilectos y si el aura puede volverse incluso más oscura que la historia original yo estaré más que dispuesta a leer.
Víctor y Conrad poseen elementos similares pero que con el pasar de las páginas se van separando pata tomar su propio ritmo, crecimiento y formas de ser, lo cual le aporta mucho a la trama. Por mucho el menor de los hermanos es quien se roba el libro, sus cualidades como protagonista-antagonista son impecables y el proceso con el que comienza a corroerse te dejan muy claro que esa semilla perturbadora y perversa está ahí, y será cuestión de tiempo y de la continuidad de la saga para descubrir como se convertirá en ese ser escalofriante que todos conocemos.
Víctor y Conrad poseen elementos similares pero que con el pasar de las páginas se van separando pata tomar su propio ritmo, crecimiento y formas de ser, lo cual le aporta mucho a la trama. Por mucho el menor de los hermanos es quien se roba el libro, sus cualidades como protagonista-antagonista son impecables y el proceso con el que comienza a corroerse te dejan muy claro que esa semilla perturbadora y perversa está ahí, y será cuestión de tiempo y de la continuidad de la saga para descubrir como se convertirá en ese ser escalofriante que todos conocemos.
October 13, 2023
4.0 Stars
After finally reading Frankenstein, I am eager to read more retellings. I really enjoyed this one. While classified as young adult, I feel like this one has all ages appeal, avoiding many of the YA tropes. I loved the writing and atmosphere, with a brooding Gothic tone.
After finally reading Frankenstein, I am eager to read more retellings. I really enjoyed this one. While classified as young adult, I feel like this one has all ages appeal, avoiding many of the YA tropes. I loved the writing and atmosphere, with a brooding Gothic tone.
September 13, 2012
Most people know my obsession with Frankenstein so I wanted to give This Dark Endeavour a go; since the author Kenneth Oppel calls this a prequel. Victor’s brother Konrad, has fallen ill and no doctor has been able to cure him. Victor’s determination to save his brother has turned to alchemy to find the forbidden Elixir of Life and save his twin brother. With the help of his beautiful cousin Elizabeth and best friend Henry; Victor pushes the boundaries of nature and science in a treacherous search for the ingredients to help Konrad.
This is book one in The Apprenticeship of Victor Frankenstein series which I believe is being made into a trilogy. My first thoughts were; a YA novel about Victor Frankenstein was that this is never going to work, but then after a bit of a look at the book I decided to give it a go anyway. I thought maybe if he’s research of Frankenstein is in-depth enough and he keeps to the dark and gothic elements of the original classic it might work. I really should have stuck to my first thoughts because from the very start I hated this book.
First of all this book follows the same old paranormal young adult formula; which means not so much dark and gothic elements but lots and lots to do with a love triangle. I really hate love triangles in books at the moment that felt like the entire plot of this book. Sure they search for the Elixir of Life but there was more to do with Victor’s feelings toward Elizabeth than the actual alchemy.
Personally I wish I never read this book, it really did nothing for the Frankenstein story and love triangles are always annoying. There is a small steampunk element in this book but that felt like the author was jumping on the bandwagon to help market this book to the readers that want Steampunk, Paranormal, Love Triangle filled Young Adult romance. If want gothic and dark YA like I do, then this book is not for you. But if you like the idea of a romance with paranormal elements in it, then maybe give this book a go.
This is book one in The Apprenticeship of Victor Frankenstein series which I believe is being made into a trilogy. My first thoughts were; a YA novel about Victor Frankenstein was that this is never going to work, but then after a bit of a look at the book I decided to give it a go anyway. I thought maybe if he’s research of Frankenstein is in-depth enough and he keeps to the dark and gothic elements of the original classic it might work. I really should have stuck to my first thoughts because from the very start I hated this book.
First of all this book follows the same old paranormal young adult formula; which means not so much dark and gothic elements but lots and lots to do with a love triangle. I really hate love triangles in books at the moment that felt like the entire plot of this book. Sure they search for the Elixir of Life but there was more to do with Victor’s feelings toward Elizabeth than the actual alchemy.
Personally I wish I never read this book, it really did nothing for the Frankenstein story and love triangles are always annoying. There is a small steampunk element in this book but that felt like the author was jumping on the bandwagon to help market this book to the readers that want Steampunk, Paranormal, Love Triangle filled Young Adult romance. If want gothic and dark YA like I do, then this book is not for you. But if you like the idea of a romance with paranormal elements in it, then maybe give this book a go.
December 30, 2018
I loved that this book was centered on twin brothers. Being a Twin myself I enjoyed that immensely. The closeness, feeling each other's pain as if it were our own, the lengths we would go for the other was all perfectly depicted in this book. The Gothic feel of the book was wonderful and the eeriness that Victor starts to show was cleverly done. I have never read the book Frankenstein before. Being that this book is sort of like the prequel I think I might have to read it soon. I highly recommend this book.
February 15, 2013
3.5 stars
I read Scarlett as a teen and I decided it had put me off this prequel/sequel written by someone else business for life. (Really, can you blame me? That book is the worst.) Then they went and made Anne of Green Gables: The Continuing Story and I could have rage-cried from the whole ’have we learned nothing?!’ of it.
And yet here I am, reviewing a prequel to Frankenstein, and as far as I’m concerned, Kenneth Oppel can have at it because this was good and it really works as a YA complement to Shelley’s gothic classic.
I say this because while reading Frankenstein is not strictly a pre-requisite for enjoying This Dark Endeavour, it does heighten appreciation for how skilfully Oppel has entwined his novel with the original work. He doesn’t simply borrow from the source material; but creates a story that both stands solidly on its own merits, and also weaves the characterisation and thematic elements of the original with his own.
Despite my initial misgivings at the idea of inventing an identical twin (Konrad) that didn’t exist in Shelley’s work, Oppel won me over with his dedication to writing a Victor that could plausibly evolve into the man Shelley had envisioned. Teenage-Victor is not an archetypal YA hero. He is sympathetic, but he is coloured with the shades of ambition, drive and selfishness that define him as an adult. Teenage-Victor is not above manipulation, and experiences complicated feelings of jealously and covetousness towards his twin. There’s clear internal conflict between Victor’s desire for recognition and glory, and his deep fraternal bond with Konrad. It’s the collision of these feelings that direct much of the plot of This Dark Endeavour.
The Apprenticeship of Victor Frankenstein is Oppel’s take on Victor’s introduction to the dark sciences, and his thirst for knowledge that won’t be satiated. Stumbling upon a concealed library of forbidden texts on alchemy – initially a source of amusement – takes on serious significance when Konrad falls ill . Fearing for Konrad’s life, Victor and his companions embark on a quest to create the Elixir of Life, aided by shunned former alchemist Julius Polidori. Complicating an already tense situation is the fact that the practice of alchemy has been outlawed in Geneva, a decree Victor’s magistrate father had part in enforcing.
The novel had more of an adventure-style storyline than I was expecting, as the teens (Victor and Konrad, their adopted sister Elizabeth Lavenza and close friend Henry Clerval) endeavour to source each ingredient of the Elixir as Konrad’s health wanes. Victor leads much of the venture, driven by both his need to see his brother return to health, and his desire to step out of Konrad’s shadow and be recognised for greatness on his own.
Elizabeth is possibly the biggest departure in characterisation from Shelley’s work, though this is no bad thing. While not a complete reimagining, Oppel gives Elizabeth a strong, feminist sensibility in his novel, and she plays an active role in the quest. There is a love triangle of sorts in the novel (a little literary cousin-love doesn’t bother me), but rather than being a tacked-on romantic subplot, Oppel uses it effectively to drive certain aspects of the story, and highlight elements of each character’s personalities. While Konrad apparently loves Elizabeth for her generous and warm nature, Victor is drawn her spirited and animalistic side. In a similar manner, we see the conflict of Elizabeth’s faith (she is the only member of the family who believes in God) and Victor’s belief in science, when Konrad’s life hangs in the balance. As such, there is some interesting discussion in the novel about science, spirituality, medicine and “magic” and how the lines between them (at least in context of this story) are blurred.
The novel isn’t without anachronisms, particularly in its rendering of the characters and the way they act, but I can more readily forgive this is a novel with clearly fantastical elements, as opposed to a work of strict historical fiction. The teens’ escapades require significant suspension of belief, but not in a way that detracts from enjoying the story. It’s such a fun story to get caught up in that I don’t find the fluidity between the possible and impossible a negative aspect.
Though I did just call this a “fun” story, it’s also quite dark. Not in a ”won’t somebody think of the children” way, but in the sense that the story doesn’t shy away from the darker side of human nature. As I mentioned earlier, I found Victor sympathetic, but he is also somewhat morally ambiguous at times, and his choices present an interesting and complicated conflict for the reader.
This Dark Endeavour is a fitting lead in to the nightmare of ethics to come in Frankenstein, and a skilful foreshadowing of Victor’s impending obsession.
* * * * *
Okay, can someone please fix the synopsis for this edition because it's f#@&*^g PIQUE not peak.
I read Scarlett as a teen and I decided it had put me off this prequel/sequel written by someone else business for life. (Really, can you blame me? That book is the worst.) Then they went and made Anne of Green Gables: The Continuing Story and I could have rage-cried from the whole ’have we learned nothing?!’ of it.
And yet here I am, reviewing a prequel to Frankenstein, and as far as I’m concerned, Kenneth Oppel can have at it because this was good and it really works as a YA complement to Shelley’s gothic classic.
I say this because while reading Frankenstein is not strictly a pre-requisite for enjoying This Dark Endeavour, it does heighten appreciation for how skilfully Oppel has entwined his novel with the original work. He doesn’t simply borrow from the source material; but creates a story that both stands solidly on its own merits, and also weaves the characterisation and thematic elements of the original with his own.
Despite my initial misgivings at the idea of inventing an identical twin (Konrad) that didn’t exist in Shelley’s work, Oppel won me over with his dedication to writing a Victor that could plausibly evolve into the man Shelley had envisioned. Teenage-Victor is not an archetypal YA hero. He is sympathetic, but he is coloured with the shades of ambition, drive and selfishness that define him as an adult. Teenage-Victor is not above manipulation, and experiences complicated feelings of jealously and covetousness towards his twin. There’s clear internal conflict between Victor’s desire for recognition and glory, and his deep fraternal bond with Konrad. It’s the collision of these feelings that direct much of the plot of This Dark Endeavour.
The Apprenticeship of Victor Frankenstein is Oppel’s take on Victor’s introduction to the dark sciences, and his thirst for knowledge that won’t be satiated. Stumbling upon a concealed library of forbidden texts on alchemy – initially a source of amusement – takes on serious significance when Konrad falls ill . Fearing for Konrad’s life, Victor and his companions embark on a quest to create the Elixir of Life, aided by shunned former alchemist Julius Polidori. Complicating an already tense situation is the fact that the practice of alchemy has been outlawed in Geneva, a decree Victor’s magistrate father had part in enforcing.
The novel had more of an adventure-style storyline than I was expecting, as the teens (Victor and Konrad, their adopted sister Elizabeth Lavenza and close friend Henry Clerval) endeavour to source each ingredient of the Elixir as Konrad’s health wanes. Victor leads much of the venture, driven by both his need to see his brother return to health, and his desire to step out of Konrad’s shadow and be recognised for greatness on his own.
Elizabeth is possibly the biggest departure in characterisation from Shelley’s work, though this is no bad thing. While not a complete reimagining, Oppel gives Elizabeth a strong, feminist sensibility in his novel, and she plays an active role in the quest. There is a love triangle of sorts in the novel (a little literary cousin-love doesn’t bother me), but rather than being a tacked-on romantic subplot, Oppel uses it effectively to drive certain aspects of the story, and highlight elements of each character’s personalities. While Konrad apparently loves Elizabeth for her generous and warm nature, Victor is drawn her spirited and animalistic side. In a similar manner, we see the conflict of Elizabeth’s faith (she is the only member of the family who believes in God) and Victor’s belief in science, when Konrad’s life hangs in the balance. As such, there is some interesting discussion in the novel about science, spirituality, medicine and “magic” and how the lines between them (at least in context of this story) are blurred.
The novel isn’t without anachronisms, particularly in its rendering of the characters and the way they act, but I can more readily forgive this is a novel with clearly fantastical elements, as opposed to a work of strict historical fiction. The teens’ escapades require significant suspension of belief, but not in a way that detracts from enjoying the story. It’s such a fun story to get caught up in that I don’t find the fluidity between the possible and impossible a negative aspect.
Though I did just call this a “fun” story, it’s also quite dark. Not in a ”won’t somebody think of the children” way, but in the sense that the story doesn’t shy away from the darker side of human nature. As I mentioned earlier, I found Victor sympathetic, but he is also somewhat morally ambiguous at times, and his choices present an interesting and complicated conflict for the reader.
This Dark Endeavour is a fitting lead in to the nightmare of ethics to come in Frankenstein, and a skilful foreshadowing of Victor’s impending obsession.
* * * * *
Okay, can someone please fix the synopsis for this edition because it's f#@&*^g PIQUE not peak.
March 11, 2025
A cousin incest love triangle, a poorly-represented disabled villain, and a protagonist who sexually assaults a character twice? Yeah, nah.
➸ Trigger warnings for .
▷ Representation: Polidor (sc) is a wheelchair user.
Blog • Trigger Warning Database • StoryGraph
➸ Trigger warnings for .
▷ Representation: Polidor (sc) is a wheelchair user.
Blog • Trigger Warning Database • StoryGraph
January 21, 2019
This Dark Endeavor (The Apprenticeship of Victor Frankenstein #1) by Kenneth Oppel is definitely an underrated prequel to Mary Shelley's classic Frankenstein. Personally, I think it was a great decision to begin reading this novel after watching The Ghost of Frankenstein on Svengoolie. If you're a fan of retellings and prequels, I highly recommend starting this duology. Now, I need to read book two, Such Wicked Intent.
Want to read
October 29, 2015This was recommended to me because I love Uncle Rick's The Monstrumologist series...
March 15, 2018
This YA book starts off slow but picks up a little before the middle. This story is about the Frankenstein's during Victor's teenage years, when he first learns of alchemy. It was ok.
August 30, 2017
“You see, when medicine works, it is blessed science, and when it fails, it is witchcraft. - Polidori”
― Kenneth Oppel, This Dark Endeavor
This book I s a v o r e d.
Kenneth Oppel has such a way with words that I was drawn in right from the beginning. This is a fictional prequel to Mary Shelley’s gothic classic Frankenstein. And because this book was published a few years ago and reviewed many times, I won’t go into too many details. But here is the description of the book from Amazon, just as a refresher:
Victor and Konrad are the twin brothers Frankenstein. They are nearly inseparable. Growing up, their lives are filled with imaginary adventures...until the day their adventures turn all too real.
They stumble upon the Dark Library and discover secret books of alchemy and ancient remedies. Father forbids them from ever entering the room again, but when Konrad falls gravely ill, Victor is drawn back to the Dark Library where he uncovers an ancient formula for the Elixir of Life. Victor, along with his beautiful cousin Elizabeth and friend Henry, immediately set out to find a man who was once known for his alchemical works to help them create the formula.
Determined to save Konrad, the three friends scale the highest trees in Strumwald, dive into the deepest lakes, and even make an unthinkable sacrifice in their quest for the elixir’s ingredients. And as if their task was not complicated enough, a new realm of danger—that of illicit love—threatens to end the ordeal in tragedy.
So, the story begins just so very innocently and just so proper. It has this gothic charm and flair to it while the characters are introduced and established. That was just fine for me because all I expected was a little alchemy and mischief.
Surprisingly the story turned into this adventure filled quest with charlatan doctors, dark cellars, potions, fantastical creatures, danger, love, betrayal and…..(more I cannot give away!) And I just ate it up! There was this “surgery” part that made me cringe to the depths of my tummy and I was not sure if I could read through it. Admittedly, I am not one who enjoys horror!
I came across this book by accident, and did not think I would enjoy it this much. This YA novel is a page turner and I would hope that it would pique the interest of young readers to try the actual Frankenstein novel. For that I loved it. If it doesn’t, then I don’t know what can. Looking forward to reading book II, Wicket Intent.
― Kenneth Oppel, This Dark Endeavor
This book I s a v o r e d.
Kenneth Oppel has such a way with words that I was drawn in right from the beginning. This is a fictional prequel to Mary Shelley’s gothic classic Frankenstein. And because this book was published a few years ago and reviewed many times, I won’t go into too many details. But here is the description of the book from Amazon, just as a refresher:
Victor and Konrad are the twin brothers Frankenstein. They are nearly inseparable. Growing up, their lives are filled with imaginary adventures...until the day their adventures turn all too real.
They stumble upon the Dark Library and discover secret books of alchemy and ancient remedies. Father forbids them from ever entering the room again, but when Konrad falls gravely ill, Victor is drawn back to the Dark Library where he uncovers an ancient formula for the Elixir of Life. Victor, along with his beautiful cousin Elizabeth and friend Henry, immediately set out to find a man who was once known for his alchemical works to help them create the formula.
Determined to save Konrad, the three friends scale the highest trees in Strumwald, dive into the deepest lakes, and even make an unthinkable sacrifice in their quest for the elixir’s ingredients. And as if their task was not complicated enough, a new realm of danger—that of illicit love—threatens to end the ordeal in tragedy.
So, the story begins just so very innocently and just so proper. It has this gothic charm and flair to it while the characters are introduced and established. That was just fine for me because all I expected was a little alchemy and mischief.
Surprisingly the story turned into this adventure filled quest with charlatan doctors, dark cellars, potions, fantastical creatures, danger, love, betrayal and…..(more I cannot give away!) And I just ate it up! There was this “surgery” part that made me cringe to the depths of my tummy and I was not sure if I could read through it. Admittedly, I am not one who enjoys horror!
I came across this book by accident, and did not think I would enjoy it this much. This YA novel is a page turner and I would hope that it would pique the interest of young readers to try the actual Frankenstein novel. For that I loved it. If it doesn’t, then I don’t know what can. Looking forward to reading book II, Wicket Intent.
June 14, 2012
This book is sort of crap, but it does a reasonably good job of hiding the fact most of the time. I'm not really sold on the notion of visiting parts of the life of an old fictional character to fill in the gaps the original author chose to leave to the imagination, to begin with. Frankly I don't see why this book had to be about Victor Frankenstein at all; it could have been the story of any young, remarkable and enterprising boy raised in a well-to-do, enlightened late eighteenth-century European family, and the book might have even been better for it. I suppose the chief success here is that after finishing this, I want to read Shelley's original novel again and look for allusions Oppel might have made to the older text that I missed. I certainly don't remember Mary mentioning a twin brother.
Oppel's book had a problem maintaining my focus and attention. The first several dozen pages are chiefly written to establish the situation, and I'm afraid it's rather dull: two brothers who love each other deeply but have a sort of rivalry, although Konrad seems rather oblivious to the feelings of jealousy of his twin, Victor. They also have a tag-along friend who fancies himself a playwright, and a fiery female cousin who has lived with them since childhood and who wants to marry Konrad. Of course, Victor loves her too, and this feeds the predictable brotherly rivalry. Konrad then falls ill and none of the medical science of the time seems able to help him. When Victor and his friends make contact with an impoverished, crippled alchemist, things finally get a little more interesting. However, the whole book basically rides on peaks and troughs like this; nearly the entire second third consists of the trio wandering around looking for ingredients for this Elixir of Life, and it just isn't all that exciting.
The main problem, I think, is that there really isn't much conflict in the book at all. Sure, Victor has flashes of rage directed against his brother, and he wants Elizabeth for himself, but there's never any real doubt in his mind that he wants Konrad cured and his fraternal love doesn't really turn to the kind of hate foreshadowed by the play depicted at the novel's outset. Toward the final pages, it's as if Oppel suddenly woke up and realised there just wasn't enough tension in his narrative, so
Congruent with the central issue of a lack of substantial conflict is the feeling that it was all for nothing. I recognise that this is sort of the point, and yes, this book has a surprisingly downbeat ending for a so-called young adult novel, but it feels rather like an empty prequel film made after the big blockbuster to cash in, if you know what I mean. The sequel being, of course, The Modern Prometheus, justifiably considered a classic by a great many. I think Oppel bit off altogether too much here; the book had to proceed this way, and yet feels so empty as a result. Again, I get the sense that if he had not been bound to the extant Frankenstein mythos, things might have turned out better.
A more minor gripe I have with this book is that the writing occasionally seems sloppy. Usually Oppel seems to be putting in an effort at verisimilitude, and while I'm not entirely convinced that I'm reading a true narrative from the early 1800s , neither am I put off. However, every so often he seems to slip, and a turn of phrase pops out that I would consider to be too modern to have come from any of these characters' mouths or pens. There are also a few grammatical errors that someone really should have caught. Finally, it occurs to me that these people are just a bit too progressive, and "enlightened" in the current sense, to be entirely realistic.
I do see that Oppel tried to create a flawed protagonist in Victor, and he somewhat succeeded. Victor does not believe in God and scoffs at Elizabeth's churchgoing and stolid faith. I'd be on Victor's side in this matter, myself, though perhaps a little nicer about it if I was trying to woo my cousin; but Victor places an intense, unreasonable faith in this Elixir of Life. He believes that it works without even having seen the slightest bit of evidence. Not only this, but he basically finds Paracellsus's elixir completely at random; it's stated several times in the text that there are many such formulae, and no doubt had he first happened upon some other recipe by John Dee or someone or other, his faith would have been equally blind. Thus, Victor is just as much a hypocrite as his father, and of course has too much hubris to realise this himself. I suppose this was the most interesting facet of the book, all told.
While this book generally failed to get much of a reaction from me one way or another, there was one scene that had me squirming and made me say, "ah, well done, you've hit upon one of my greatest fearful obsessions". That was
I wish I could recommend this, but it pains me to say that it all feels a bit like a hollow shell.
Oppel's book had a problem maintaining my focus and attention. The first several dozen pages are chiefly written to establish the situation, and I'm afraid it's rather dull: two brothers who love each other deeply but have a sort of rivalry, although Konrad seems rather oblivious to the feelings of jealousy of his twin, Victor. They also have a tag-along friend who fancies himself a playwright, and a fiery female cousin who has lived with them since childhood and who wants to marry Konrad. Of course, Victor loves her too, and this feeds the predictable brotherly rivalry. Konrad then falls ill and none of the medical science of the time seems able to help him. When Victor and his friends make contact with an impoverished, crippled alchemist, things finally get a little more interesting. However, the whole book basically rides on peaks and troughs like this; nearly the entire second third consists of the trio wandering around looking for ingredients for this Elixir of Life, and it just isn't all that exciting.
The main problem, I think, is that there really isn't much conflict in the book at all. Sure, Victor has flashes of rage directed against his brother, and he wants Elizabeth for himself, but there's never any real doubt in his mind that he wants Konrad cured and his fraternal love doesn't really turn to the kind of hate foreshadowed by the play depicted at the novel's outset. Toward the final pages, it's as if Oppel suddenly woke up and realised there just wasn't enough tension in his narrative, so
Congruent with the central issue of a lack of substantial conflict is the feeling that it was all for nothing. I recognise that this is sort of the point, and yes, this book has a surprisingly downbeat ending for a so-called young adult novel, but it feels rather like an empty prequel film made after the big blockbuster to cash in, if you know what I mean. The sequel being, of course, The Modern Prometheus, justifiably considered a classic by a great many. I think Oppel bit off altogether too much here; the book had to proceed this way, and yet feels so empty as a result. Again, I get the sense that if he had not been bound to the extant Frankenstein mythos, things might have turned out better.
A more minor gripe I have with this book is that the writing occasionally seems sloppy. Usually Oppel seems to be putting in an effort at verisimilitude, and while I'm not entirely convinced that I'm reading a true narrative from the early 1800s , neither am I put off. However, every so often he seems to slip, and a turn of phrase pops out that I would consider to be too modern to have come from any of these characters' mouths or pens. There are also a few grammatical errors that someone really should have caught. Finally, it occurs to me that these people are just a bit too progressive, and "enlightened" in the current sense, to be entirely realistic.
I do see that Oppel tried to create a flawed protagonist in Victor, and he somewhat succeeded. Victor does not believe in God and scoffs at Elizabeth's churchgoing and stolid faith. I'd be on Victor's side in this matter, myself, though perhaps a little nicer about it if I was trying to woo my cousin; but Victor places an intense, unreasonable faith in this Elixir of Life. He believes that it works without even having seen the slightest bit of evidence. Not only this, but he basically finds Paracellsus's elixir completely at random; it's stated several times in the text that there are many such formulae, and no doubt had he first happened upon some other recipe by John Dee or someone or other, his faith would have been equally blind. Thus, Victor is just as much a hypocrite as his father, and of course has too much hubris to realise this himself. I suppose this was the most interesting facet of the book, all told.
While this book generally failed to get much of a reaction from me one way or another, there was one scene that had me squirming and made me say, "ah, well done, you've hit upon one of my greatest fearful obsessions". That was
I wish I could recommend this, but it pains me to say that it all feels a bit like a hollow shell.
October 22, 2023
درود بر دوستان گودریدزی
ریویوی این کتاب رو در لینک زیر مشاهده کنید 😙
https://youtu.be/zTjgoXEPRSw?si=D3qos...
ریویوی این کتاب رو در لینک زیر مشاهده کنید 😙
https://youtu.be/zTjgoXEPRSw?si=D3qos...
October 6, 2025
Had a copy of this book for as long as I can remember So I decided to give it a try. Serving as a prequel to the original novel, This Dark Endeavor tells the untold story of what leads young Victor Frankenstein to create his monster.
While Victor very much struggles with his angsty dark desires (bad), he tirelessly searches for the alchemic Elixir of Life to save his twin brother (good). A brother who is more talented than Victor, has the heart of his love interest, and Victor believes everyone prefers over himself.
What brings Victor down to this is his relationship with Elizabeth. It’s born out of jealousy from her loving his twin rather than genuine affection. Even if this retelling makes Elizabeth a feisty, pants-wearing independent female (to lessen the possessive undertones Victor exhibits, I presume? Read it and judge for yourself), the relationship does nothing positive for his character. Tricking someone into kissing you is a jerk move, bro.
While Victor very much struggles with his angsty dark desires (bad), he tirelessly searches for the alchemic Elixir of Life to save his twin brother (good). A brother who is more talented than Victor, has the heart of his love interest, and Victor believes everyone prefers over himself.
What brings Victor down to this is his relationship with Elizabeth. It’s born out of jealousy from her loving his twin rather than genuine affection. Even if this retelling makes Elizabeth a feisty, pants-wearing independent female (to lessen the possessive undertones Victor exhibits, I presume? Read it and judge for yourself), the relationship does nothing positive for his character. Tricking someone into kissing you is a jerk move, bro.
August 1, 2016
Read more of my reviews at Cornerfolds.com!
Confession: I have never read Mary Shelley's Frankenstein. I've also never been a huge fan of Frankenstein apart from maybe Young Frankenstein, which I watched way too many times growing up, thanks to my parents. Recently I watched Victor Frankenstein (there's probably a review of that coming soon) and really, really wanted to read more about Frankenstein's story. When I saw the gorgeous cover of This Dark Endeavor and saw that it was a prequel story, I knew I had to read it!
This is the story of Victor and Konrad Frankenstein, along with their cousin, Elizabeth, and good friend, Henry. Although each of these characters is important in their own way, Victor is undoubtedly the star of the show and he is incredible in the strangest way. I knew going in that Victor would be a... unique character. I wasn't disappointed.
Victor is passionate and odd and has just a little bit of darkness in him. He wants what he wants and does not let anything stand in his way. At times I wondered whether he was entirely stable or whether he lacked the ability to truly care about anyone other than himself and sometimes he even made me a little uncomfortable. But despite all of his shortcomings, he was a wonderful character to get to know. His love for his brother could not be doubted, even if he had a strange way of showing it at times.
Elizabeth is the love interest here, if there must be one. Yes, there is something of a love triangle, but I really didn't find that it detracted that much from the story. In fact, I thought it really added to my understanding of Victor as a character. Elizabeth was also a really interesting character to get to know. It seemed as if a bit of Victor's curiosity and passion had also rubbed off on her and she did not always know what to make of her own actions. I honestly cannot wait to get to know more about her in the second book in this duology.
I found the plot to be extremely intriguing. Perhaps some of Victor Frankenstein's backstory is given in the original book, but having never read that, I only have secondhand sources to go by. I knew that something had happened to Victor's brother, but to see Konrad's illness and Victor's determination to save him shed a lot of light on his later life. Admittedly, I don't know much about alchemy, but following along with Victor and Co. as they worked towards creating the Elixir of Life was both informative and exciting!
The setting that was painted by Kenneth Oppel was also really well done! I don't read much gothic fiction, but I definitely felt like he did a wonderful job of placing me into the Frankenstein house in Geneva. As a book worm, my favorite part was obviously the Dark Library!
The one bit I didn't really enjoy (which, unfortunately, was kind of a big part of the story) was the old alchemist who helped Victor create the elixir. I felt that he (along with his cat) was predictable and just a little too eccentric for the story. I feel like if his character could have been toned down just a bit, this would have been a much better read.
Overall I really enjoyed This Dark Endeavor! Although it wasn't a perfect read, I thought it was a fantastic prequel story to the Frankenstein I've grown up with through the movies. I can't wait to read the next one and, perhaps, even read the classic all of this was based on!
Actual rating: 4.5 stars
Confession: I have never read Mary Shelley's Frankenstein. I've also never been a huge fan of Frankenstein apart from maybe Young Frankenstein, which I watched way too many times growing up, thanks to my parents. Recently I watched Victor Frankenstein (there's probably a review of that coming soon) and really, really wanted to read more about Frankenstein's story. When I saw the gorgeous cover of This Dark Endeavor and saw that it was a prequel story, I knew I had to read it!
This is the story of Victor and Konrad Frankenstein, along with their cousin, Elizabeth, and good friend, Henry. Although each of these characters is important in their own way, Victor is undoubtedly the star of the show and he is incredible in the strangest way. I knew going in that Victor would be a... unique character. I wasn't disappointed.
Victor is passionate and odd and has just a little bit of darkness in him. He wants what he wants and does not let anything stand in his way. At times I wondered whether he was entirely stable or whether he lacked the ability to truly care about anyone other than himself and sometimes he even made me a little uncomfortable. But despite all of his shortcomings, he was a wonderful character to get to know. His love for his brother could not be doubted, even if he had a strange way of showing it at times.
Elizabeth is the love interest here, if there must be one. Yes, there is something of a love triangle, but I really didn't find that it detracted that much from the story. In fact, I thought it really added to my understanding of Victor as a character. Elizabeth was also a really interesting character to get to know. It seemed as if a bit of Victor's curiosity and passion had also rubbed off on her and she did not always know what to make of her own actions. I honestly cannot wait to get to know more about her in the second book in this duology.
I found the plot to be extremely intriguing. Perhaps some of Victor Frankenstein's backstory is given in the original book, but having never read that, I only have secondhand sources to go by. I knew that something had happened to Victor's brother, but to see Konrad's illness and Victor's determination to save him shed a lot of light on his later life. Admittedly, I don't know much about alchemy, but following along with Victor and Co. as they worked towards creating the Elixir of Life was both informative and exciting!
The setting that was painted by Kenneth Oppel was also really well done! I don't read much gothic fiction, but I definitely felt like he did a wonderful job of placing me into the Frankenstein house in Geneva. As a book worm, my favorite part was obviously the Dark Library!
The one bit I didn't really enjoy (which, unfortunately, was kind of a big part of the story) was the old alchemist who helped Victor create the elixir. I felt that he (along with his cat) was predictable and just a little too eccentric for the story. I feel like if his character could have been toned down just a bit, this would have been a much better read.
Overall I really enjoyed This Dark Endeavor! Although it wasn't a perfect read, I thought it was a fantastic prequel story to the Frankenstein I've grown up with through the movies. I can't wait to read the next one and, perhaps, even read the classic all of this was based on!
Actual rating: 4.5 stars
October 23, 2020
This is the best Frankenstein retelling I've read.
This is not a compliment.
I mean, this is a solid two stars higher than The Dark Descent of Elizabeth Lavenza and gags Cadaver and Queen, but this was still pretty thoroughly "meh."
Elizabeth definitely gave me "r/menwritingwomen" vibes, although less in the sexualized way and more in the "*constantly being told/seen her 'inner wildcat'" way.
Clerval was...there, I suppose. He pulled his weight at the end but was otherwise sort of boring. Whatever you think of the bond between Clerval and Frankenstein in the book, it certainly wasn't there. But what was there?
A FUCKING LOVE SQUARE!
Well, more of a triangle since Henry and the reader both know that Elizabeth won't get with him, but still. Every Frankenstein retelling that tries to have ~romantic drama~between Elizabeth and Clerval makes me lose 5 years of my life, I swear to God. Victor/Elizabeth and Konrad/Elizabeth both have no chemistry whatsoever. Not to mention that Elizabeth is still their cousin in this retelling.
Victor was...fine. Too much of a hormonal teenage boy for my liking, but I suppose he is supposed to be sixteen. And I just didn't give a fuck about Konrad, he bored me.
The part that got me the most was when and the twist involving Poligori threw me by surprise too.
In short, it was too heterosexual for my tastes and the characters weren't used to their full potential (seriously, Justine was mentioned once, and I kept waiting for her to be relevant again, but she never showed up), but it was a decent enough "prequel", if a bit cringy and predictable.
Although if I ever have to read about someone's "inner wolf/inner wildcat" I swear to God-
This is not a compliment.
I mean, this is a solid two stars higher than The Dark Descent of Elizabeth Lavenza and gags Cadaver and Queen, but this was still pretty thoroughly "meh."
Elizabeth definitely gave me "r/menwritingwomen" vibes, although less in the sexualized way and more in the "*constantly being told/seen her 'inner wildcat'" way.
Clerval was...there, I suppose. He pulled his weight at the end but was otherwise sort of boring. Whatever you think of the bond between Clerval and Frankenstein in the book, it certainly wasn't there. But what was there?
A FUCKING LOVE SQUARE!
Well, more of a triangle since Henry and the reader both know that Elizabeth won't get with him, but still. Every Frankenstein retelling that tries to have ~romantic drama~between Elizabeth and Clerval makes me lose 5 years of my life, I swear to God. Victor/Elizabeth and Konrad/Elizabeth both have no chemistry whatsoever. Not to mention that Elizabeth is still their cousin in this retelling.
Victor was...fine. Too much of a hormonal teenage boy for my liking, but I suppose he is supposed to be sixteen. And I just didn't give a fuck about Konrad, he bored me.
The part that got me the most was when and the twist involving Poligori threw me by surprise too.
In short, it was too heterosexual for my tastes and the characters weren't used to their full potential (seriously, Justine was mentioned once, and I kept waiting for her to be relevant again, but she never showed up), but it was a decent enough "prequel", if a bit cringy and predictable.
Although if I ever have to read about someone's "inner wolf/inner wildcat" I swear to God-
March 28, 2011
I was interested in reading this book partially because of the hype. This first I’d ever heard of this title came in the form of an announcement that Summit Films had acquired the screen rights. You can read that here.
I also liked the cover (sorry, it’s a weakness). But you have to admit, it’s just kind of a cover just made to appeal to a bookstalker like me, with a keyhole to peep through and everything. And the plot also appealed to my bookstalking nature…a forbidden library! Yeah! This one had my name written all over it.
I’ve never been that into the Frankenstein story—it’s not one of my personal favorites. However, I finished This Dark Endeavor wanting to revisit Mary Shelley’s classic. I have a feeling many teens will finish this book and go on to read Frankenstein for the first time. Any book that encourages kids to read a classic is a good thing, but This Dark Endeavor is also good in its own right.
One of the things I really loved about This Dark Endeavor was the pacing. There is no lag in the middle. Action scene follows action scene, and the suspense in some of them is painful. Oppel hooks you from the opening scene and does not let go until the conclusion. Dark, claustrophobic caves! Giant, should-be-extinct aquatic creatures! Nightmarish scavengers! Preternaturally clever mammals! Secrets, plots, betrayals! Whew…
Victor and Konrad are both sympathetic characters. Victor’s motivations, given his personality and complex feelings for his brother, are believeable. Konrad is almost angelic in his goodness, generosity, and fair-mindedness, but Victor has plenty of flaws to balance Konrad out. Elizabeth, the distant cousin the boys’ age who was adopted into the family, is as fiery and strong-willed as you could want a heroine to be—and it’s believable that both Konrad and Victor would fall for her. Their parents are the kind of progressive thinkers that cook dinner for their servants once a week and stress the importance of an equal education for Elizabeth, despite the fact she is female. The reader gets enough of a glimpse into this loving, seemingly perfect family that we can appreciate how devastating it is for all of them when their beloved Konrad falls ill.
I can’t say much more about the plot without spoiling it. I will say I really did not like one scene due to what happened in it—but the scene was not gratuitous and part of the reason I was upset is because Oppel wrote it so skillfully. So I can’t fault him for it even if it did make me mad. It served the story.
Conclusion? I highly recommend this book for anyone who loves gothic stories, enjoys books like The Monstrumologist and its sequel, and for fans of Shelley’s Frankenstein. Die-hard fans may not approve of what Oppel has done with the story—as with any fans approaching a new take on something they feel strongly about—but I think they will find it compelling nonetheless.
I also liked the cover (sorry, it’s a weakness). But you have to admit, it’s just kind of a cover just made to appeal to a bookstalker like me, with a keyhole to peep through and everything. And the plot also appealed to my bookstalking nature…a forbidden library! Yeah! This one had my name written all over it.
I’ve never been that into the Frankenstein story—it’s not one of my personal favorites. However, I finished This Dark Endeavor wanting to revisit Mary Shelley’s classic. I have a feeling many teens will finish this book and go on to read Frankenstein for the first time. Any book that encourages kids to read a classic is a good thing, but This Dark Endeavor is also good in its own right.
One of the things I really loved about This Dark Endeavor was the pacing. There is no lag in the middle. Action scene follows action scene, and the suspense in some of them is painful. Oppel hooks you from the opening scene and does not let go until the conclusion. Dark, claustrophobic caves! Giant, should-be-extinct aquatic creatures! Nightmarish scavengers! Preternaturally clever mammals! Secrets, plots, betrayals! Whew…
Victor and Konrad are both sympathetic characters. Victor’s motivations, given his personality and complex feelings for his brother, are believeable. Konrad is almost angelic in his goodness, generosity, and fair-mindedness, but Victor has plenty of flaws to balance Konrad out. Elizabeth, the distant cousin the boys’ age who was adopted into the family, is as fiery and strong-willed as you could want a heroine to be—and it’s believable that both Konrad and Victor would fall for her. Their parents are the kind of progressive thinkers that cook dinner for their servants once a week and stress the importance of an equal education for Elizabeth, despite the fact she is female. The reader gets enough of a glimpse into this loving, seemingly perfect family that we can appreciate how devastating it is for all of them when their beloved Konrad falls ill.
I can’t say much more about the plot without spoiling it. I will say I really did not like one scene due to what happened in it—but the scene was not gratuitous and part of the reason I was upset is because Oppel wrote it so skillfully. So I can’t fault him for it even if it did make me mad. It served the story.
Conclusion? I highly recommend this book for anyone who loves gothic stories, enjoys books like The Monstrumologist and its sequel, and for fans of Shelley’s Frankenstein. Die-hard fans may not approve of what Oppel has done with the story—as with any fans approaching a new take on something they feel strongly about—but I think they will find it compelling nonetheless.
May 4, 2015
Yay for talented Canadian authors.
I will certainly be watching this film.
I have an intense fear of giant birds, water and fish of any size, specifically sharks and prehistoric looking things like this one, and loss of limbs or permanent body mutilation. Thank you Kenneth, for bringing all of my fears together in one place that was so fascinating I will never be able to forget them, unfortunately.
I have read the Airborn series and Darkwing, and Oppel never lets his readers down. All of his adventures are unique and dark. This is probably one of the best stories I’ve ever had the pleasure of reading.
I was thoroughly disturbed and involved in all three of the ventures made by the children.
Why?????????????????????
Thinking of rereading this one soon.
I will certainly be watching this film.
I have an intense fear of giant birds, water and fish of any size, specifically sharks and prehistoric looking things like this one, and loss of limbs or permanent body mutilation. Thank you Kenneth, for bringing all of my fears together in one place that was so fascinating I will never be able to forget them, unfortunately.
I have read the Airborn series and Darkwing, and Oppel never lets his readers down. All of his adventures are unique and dark. This is probably one of the best stories I’ve ever had the pleasure of reading.
I was thoroughly disturbed and involved in all three of the ventures made by the children.
Why?????????????????????
Thinking of rereading this one soon.
December 31, 2017
2.5
this is was ok. I thought it was gonna be a much darker story with Victor spiraling out control. I wanted to see more alchemy, and Victor going batshit crazy but alas that didn't happen. I also didn't like the "love triangle" if you can call it that. I though it was unnecessary and so out of the blue that Victor suddenly found himself in love with Elizabeth ok whatever, dude. I did enjoy the writing.
this is was ok. I thought it was gonna be a much darker story with Victor spiraling out control. I wanted to see more alchemy, and Victor going batshit crazy but alas that didn't happen. I also didn't like the "love triangle" if you can call it that. I though it was unnecessary and so out of the blue that Victor suddenly found himself in love with Elizabeth ok whatever, dude. I did enjoy the writing.
July 28, 2022
Just have fun with this book. So fantastic and such a good story to write about.
April 8, 2025
This Dark Endeavor is an incredible book! I don't know where Kenneth Oppel got the idea to write a prequel to Mary Shelley's Frankenstein starring a teenage version of the eponymous character, but what an ingenious idea!
Truth be told, I never read Frankenstein in high school or college (different track, I guess). Basically, my knowledge of the source material has come from Kenneth Branagh's film version, and Mel Brooks.
Still, even I could recognize the level of detail, skill and panache that Kenneth Oppel put into this fascinating novel. And for those of you who did read Frankenstein, have you ever wondered what might have happened to make Victor Frankenstein the man who actually dared to create life? Here, it's simple: Victor has a brilliant, charismatic and practically perfect twin brother, Konrad. Light to his shadow, and all that. When Konrad falls ill with a rare condition, Victor takes it upon himself to find a cure, believing that practical science has failed. His course of study is the dark arts of alchemy - the first of many such introductions into dark and creepy arts. Joining him in his "studies" are his cousin, Elizabeth Lavenza (yes, *the* Elizabeth Lavenza...) and best friend Henry Clerval (yes, *the* Henry Clerval...not like we don't know what eventually...oh, you know).
I loved the way Oppel chose to portray Victor. It must have been hard to try and make one of literature's most megalomaniac characters into a sympathetic boy, eager-to-please and desperate for attention. I actually liked the guy! It was easy to root for him in his endeavors (dark and twisty as they may be) and I found myself even making excuses for him on several occasions. Even though you know, ultimately, that Victor Frankenstein is a completely doomed character, you still want him to succeed. That's powerful writing, and hats off to Kenneth Oppel for making me care about a character I never thought I could admire. And I loved seeing Victor gradually become more and more twisted, more aggressive, more desperate, and *still* remain sympathetic. I guess I'm drawn to characters with delusions of grandeur who want to prove their worth. Those must be the characters that leave an impression on me. :)
This Dark Endeavor was simply unputdownable, and I rarely say that. My little ADD-self can put down the most thoroughly interesting of books, too, so that should say something to this novel's overwhelming power of intrigue. If you haven't yet, I highly recommend picking up this novel. It clocks in at slightly under 300 pages, so it would be a quick read. And like I said, it's practically unputdownable
Truth be told, I never read Frankenstein in high school or college (different track, I guess). Basically, my knowledge of the source material has come from Kenneth Branagh's film version, and Mel Brooks.
Still, even I could recognize the level of detail, skill and panache that Kenneth Oppel put into this fascinating novel. And for those of you who did read Frankenstein, have you ever wondered what might have happened to make Victor Frankenstein the man who actually dared to create life? Here, it's simple: Victor has a brilliant, charismatic and practically perfect twin brother, Konrad. Light to his shadow, and all that. When Konrad falls ill with a rare condition, Victor takes it upon himself to find a cure, believing that practical science has failed. His course of study is the dark arts of alchemy - the first of many such introductions into dark and creepy arts. Joining him in his "studies" are his cousin, Elizabeth Lavenza (yes, *the* Elizabeth Lavenza...) and best friend Henry Clerval (yes, *the* Henry Clerval...not like we don't know what eventually...oh, you know).
I loved the way Oppel chose to portray Victor. It must have been hard to try and make one of literature's most megalomaniac characters into a sympathetic boy, eager-to-please and desperate for attention. I actually liked the guy! It was easy to root for him in his endeavors (dark and twisty as they may be) and I found myself even making excuses for him on several occasions. Even though you know, ultimately, that Victor Frankenstein is a completely doomed character, you still want him to succeed. That's powerful writing, and hats off to Kenneth Oppel for making me care about a character I never thought I could admire. And I loved seeing Victor gradually become more and more twisted, more aggressive, more desperate, and *still* remain sympathetic. I guess I'm drawn to characters with delusions of grandeur who want to prove their worth. Those must be the characters that leave an impression on me. :)
This Dark Endeavor was simply unputdownable, and I rarely say that. My little ADD-self can put down the most thoroughly interesting of books, too, so that should say something to this novel's overwhelming power of intrigue. If you haven't yet, I highly recommend picking up this novel. It clocks in at slightly under 300 pages, so it would be a quick read. And like I said, it's practically unputdownable
February 10, 2012
I’m rarely disappointed in a book by Ken Oppel, but his latest, This Dark Endeavor: The Apprenticeship of Victor Frankenstein, may be my favorite yet.
Yes, it’s the story of a teenage Victor Frankenstein, and normally I’m not a fan of these “before they were famous” retellings of classic figures from myth or literature (for that matter, I’m not a big fan of reboots and reimaginings in general). But I’m making an exception in this case, if only because the book is so masterfully plotted and written.
Victor Frankenstein has always lived in the shadow of his twin, Konrad Frankenstein. To make matters even more infuriating, Konrad is a genuinely great guy. It just makes sense that their mutual friend Elizabeth would be more attracted to Konrad. One point, not quite intending to be cruel, she says outright that although Victor and Konrad are identical, they’re nothing alike.
So it also stands to reason that when Konrad falls victim to a mysterious illness, Victor would be particularly driven to explore the secret library in the bowels of his father’s castle searching for a cure. Finally, he has an opportunity to both win Konrad’s respect and Elizabeth’s love.
This being the foreshadow-y retelling one of the most tragic figures in all of literature, things don’t go quite as planned, of course.
And this is perhaps what I liked most about the book: it gives us a plausible, yet mostly unexpected explanation as to how Victor ended up where we all know he does. He wasn’t born to play God — he had to be driven there. The book does a smashing job of showing us, in big and small ways, how Victor, a very flawed character to begin with, does things that, well, make a lot of sense at the time.
Like the best flawed characters, he’s sympathetic. There but for the grace of God (and hopefully a little less ego) go I.
There are two big twists in the book, the first of which caught me completely by surprise — even though it had been telegraphed strongly and cleanly. I love it when that happens.
Oppel is perhaps most well-known for the steampunk Airborn books (the first of which won the Printz Award). This Dark Endeavor isn’t quite steampunk, although it takes place in a sort of an alternative 19th century Switzerland, at the cusp of the age of science (directly after an age of alchemy). This was a wise (but subtle) artistic choice: writing in 1818, Mary Shelley, of course, set the original Frankenstein in the “real” world, but science soon eclipsed the novel. The only way the story can be taken seriously now is in exactly the alternative dimension described here, which is perfectly executed.
One quibble: as much as I think the title is evocative and wonderfully representative of the genre, I can never remember the damn thing!
The story continues in Such Wicked Intent, coming in August, and a major movie version (from the producers of the Twilight films, alas) is reportedly in the works.
Yes, it’s the story of a teenage Victor Frankenstein, and normally I’m not a fan of these “before they were famous” retellings of classic figures from myth or literature (for that matter, I’m not a big fan of reboots and reimaginings in general). But I’m making an exception in this case, if only because the book is so masterfully plotted and written.
Victor Frankenstein has always lived in the shadow of his twin, Konrad Frankenstein. To make matters even more infuriating, Konrad is a genuinely great guy. It just makes sense that their mutual friend Elizabeth would be more attracted to Konrad. One point, not quite intending to be cruel, she says outright that although Victor and Konrad are identical, they’re nothing alike.
So it also stands to reason that when Konrad falls victim to a mysterious illness, Victor would be particularly driven to explore the secret library in the bowels of his father’s castle searching for a cure. Finally, he has an opportunity to both win Konrad’s respect and Elizabeth’s love.
This being the foreshadow-y retelling one of the most tragic figures in all of literature, things don’t go quite as planned, of course.
And this is perhaps what I liked most about the book: it gives us a plausible, yet mostly unexpected explanation as to how Victor ended up where we all know he does. He wasn’t born to play God — he had to be driven there. The book does a smashing job of showing us, in big and small ways, how Victor, a very flawed character to begin with, does things that, well, make a lot of sense at the time.
Like the best flawed characters, he’s sympathetic. There but for the grace of God (and hopefully a little less ego) go I.
There are two big twists in the book, the first of which caught me completely by surprise — even though it had been telegraphed strongly and cleanly. I love it when that happens.
Oppel is perhaps most well-known for the steampunk Airborn books (the first of which won the Printz Award). This Dark Endeavor isn’t quite steampunk, although it takes place in a sort of an alternative 19th century Switzerland, at the cusp of the age of science (directly after an age of alchemy). This was a wise (but subtle) artistic choice: writing in 1818, Mary Shelley, of course, set the original Frankenstein in the “real” world, but science soon eclipsed the novel. The only way the story can be taken seriously now is in exactly the alternative dimension described here, which is perfectly executed.
One quibble: as much as I think the title is evocative and wonderfully representative of the genre, I can never remember the damn thing!
The story continues in Such Wicked Intent, coming in August, and a major movie version (from the producers of the Twilight films, alas) is reportedly in the works.
October 19, 2018
4 Stars
Review:
Having already completed both books in this duology, it’s hard for me to separate the two, but I can safely say I enjoyed this ominous Frankenstein-inspired story.
Both books had this great undercurrent of darkness and ominousness throughout, but the first was the more adventurous of the two. The plot was a bit formulaic with how the characters needed to go on a sort of mini-quest to obtain each of the ingredients they needed to make the Elixir of Life, but each quest was filled with something dangerous or disturbing, and altogether it was well-written and made for a good story.
One thing I really thought the author did a great job with was Victor’s feelings toward his twin, how he loved Konrad and couldn’t imagine life without him, but how he also envied him in ways and felt like the inferior twin. Also Victor’s character growth, his spiral into darker thoughts, doing the wrong things, or doing the right things for the wrong reasons. I found myself thinking, “Oh, Victor, no,” more and more frequently. I felt for him though. He had some darkness in him, but he fought against it, and I think his heart was ultimately in the right place.
Most of all though, this book was gripping. Maybe it could’ve been a little darker and explored certain things more, but I didn’t want to put it down once I started, and that’s always the sign of a good book.
I also want to mention that the blurb mentions a love triangle, and there kind of was one since both Victor and Konrad had feelings for Elizabeth, but I wouldn’t call it a true love triangle. I wouldn’t even say there’s a romance subplot in the duology. Victor’s romantic feelings influence some of his thoughts and actions, but that’s about it.
So overall, I was gripped by this book, I really liked the bit of darkness and complexity in Victor’s character and his relationship with his twin, and I knew I wanted to continue with the next book as soon as I finished!
Recommended For:
Anyone who likes ominous books, Frankenstein retellings, and twin relationships.
Original Review @ Metaphors and Moonlight
Review:
Having already completed both books in this duology, it’s hard for me to separate the two, but I can safely say I enjoyed this ominous Frankenstein-inspired story.
Both books had this great undercurrent of darkness and ominousness throughout, but the first was the more adventurous of the two. The plot was a bit formulaic with how the characters needed to go on a sort of mini-quest to obtain each of the ingredients they needed to make the Elixir of Life, but each quest was filled with something dangerous or disturbing, and altogether it was well-written and made for a good story.
One thing I really thought the author did a great job with was Victor’s feelings toward his twin, how he loved Konrad and couldn’t imagine life without him, but how he also envied him in ways and felt like the inferior twin. Also Victor’s character growth, his spiral into darker thoughts, doing the wrong things, or doing the right things for the wrong reasons. I found myself thinking, “Oh, Victor, no,” more and more frequently. I felt for him though. He had some darkness in him, but he fought against it, and I think his heart was ultimately in the right place.
I was not so lovable as Konrad, no. I would never have his charm, or grace or patience or effortless skill at things. But I had the same fine body, and what mine contained had more grit and determination and passion.
Were these not things worth loving?
Most of all though, this book was gripping. Maybe it could’ve been a little darker and explored certain things more, but I didn’t want to put it down once I started, and that’s always the sign of a good book.
I also want to mention that the blurb mentions a love triangle, and there kind of was one since both Victor and Konrad had feelings for Elizabeth, but I wouldn’t call it a true love triangle. I wouldn’t even say there’s a romance subplot in the duology. Victor’s romantic feelings influence some of his thoughts and actions, but that’s about it.
So overall, I was gripped by this book, I really liked the bit of darkness and complexity in Victor’s character and his relationship with his twin, and I knew I wanted to continue with the next book as soon as I finished!
Recommended For:
Anyone who likes ominous books, Frankenstein retellings, and twin relationships.
Original Review @ Metaphors and Moonlight
December 14, 2014
Well, this book was certainly interesting....and disturbingly entertaining.
This Dark Endeavor is a sort-off "retelling/prequel" to the famous Frankenstein. We follow Victor Frankenstein, who's trying to find the elixir of life, a cure for his brother's illness.
I really liked the book. It was gripping, had an adventure feel to it, dark and some cringe-worthing scenes. I really liked the story, but the thing that stuck out most to me was the eerie feeling I got from both the setting of the book, but the characters as well. Victor Frankenstein is a interesting character, and he developed a lot through this short book. I loved his motives, and I was really intrigued by some of the dark sides that we got to see from him. His love for his brother and devotion to do anything to save him was really brave. To see his struggles throughout the book was also very interesting.
I'm really curious to read the second book, because there were some answers unattended for. I also really want to read Frankenstein as well. If you're in the mood for something dark, gothic and entertaining then you should really pick up this book. It was really good!
This Dark Endeavor is a sort-off "retelling/prequel" to the famous Frankenstein. We follow Victor Frankenstein, who's trying to find the elixir of life, a cure for his brother's illness.
I really liked the book. It was gripping, had an adventure feel to it, dark and some cringe-worthing scenes. I really liked the story, but the thing that stuck out most to me was the eerie feeling I got from both the setting of the book, but the characters as well. Victor Frankenstein is a interesting character, and he developed a lot through this short book. I loved his motives, and I was really intrigued by some of the dark sides that we got to see from him. His love for his brother and devotion to do anything to save him was really brave. To see his struggles throughout the book was also very interesting.
I'm really curious to read the second book, because there were some answers unattended for. I also really want to read Frankenstein as well. If you're in the mood for something dark, gothic and entertaining then you should really pick up this book. It was really good!
May 6, 2025
We are unfashioned creatures, but half made up, if one wiser, better, dearer than ourselves — such a friend ought to be — do not lend his aid to perfectionate our weak and faulty natures.
Setting:Geneva, Switzerland; the early 1800s
Coverly Love?:Yes! I love the eeriness of it, with just the man and the big, glooming estate in the background. It gives the reader a sense of the atmosphere in which the novel will be about.
Plot:In this imaginative prequel to Mary Shelley's Gothic classic novel, Frankenstein, we are introduced to a sixteen year old Frankenstein. When his identical twin brother Konrad falls gravely ill with a mysterious ailment no doctor seems to be able to cure, Victor, his best friend Henry and his cousin Elizabeth go on a treacherous journey to gather the ingredients for the Elixir of Life, a potent liquid that promises to cure Konrad before it's to late. Will they succeed?
Mr. Oppel has done a remarkable job reimagining the early life of Frankenstein, and what he might have been like as a teenager. While he's added a few new details to the retelling, he remarkably keeps the key elements to the original tale and provides reasonable explanations as to why Victor turned out the way he was.
The plot was very fast-paced and action driven; never a dull moment! It as chock full of action, adventure, and a little bit of romance.
Characters:The first main character is (duh!) Victor Frankenstein himself. I haven't yet read the original novel, so this is the first time I've read about him. Victor I brash, arrogant, occasionally pigheaded, sometimes selfish and greedy, but ferociously loyal. He feels that he is always second best to his twin, something he resents greatly. At times, I wanted to bop him over the head because he was acting so stupid, but he managed to redeem himself in the end of the novel, and you can tell he truly cares about his twin.
Konrad is Victor's identical twin brother, but other then appearance, he and Victor are complete opposites personality wise. Konrad is logical, compassionate, selfless and more mature than his two minutes younger twin. While we don't get to see much of him due to his condition keeping him bedridden, he is a good supporting character and foil to his twin.
Elizabeth is the younger cousin to Victor and Konrad. A feisty, brave, brash young lady, she has no qualms speaking her mind, especially when it comes to Victor's atheist beliefs. But she also has a good heart, and (though she would never admit it), is more like Victor then she realizes.
Henry is the trio's best friend. He's not as brave as the rest of them in the beginning, but in the end proves his worth and friendship.
Pros:I loved the reimagining and the worldbuilding Mr. Oppel did! It had so much adventure and action, and it made me want to pick up the original novel.
Cons:At times, Victor could be uber-annoying to the point of insanity. He also came off as selfish and brash, and several times I questioned his motives as to if he really wanted to save his brother or just take all the glory for the potion himself.
Love Triangle?:Yep; in an interesting twist, it's twin vs. twin. In this case, Konrad vs. Elizabeth vs. Victor. For a second I was getting worried we would have another love square on our hands (barf!)
Insta-Love?:Nope!
Romance?:Elizabeth is in love with Konrad (the good, nice twin), but soon, Victor starts to fall in love with her as well. . But with the fierce competition between the brothers, you have to wonder if Victor only loves Elizabeth because Konrad loves her.
Conclusion:A great read even with an occasionally frustrating protagonist. Recommended for those who like literary retellings, lovers of Frankenstein, and for those who love lots of action and adventure.
Read This!:Frankentein by Mary Shelly, Such Wicked Intent by Kenneth Oppel, Angelmonster by Veronica Bennet
Setting:Geneva, Switzerland; the early 1800s
Coverly Love?:Yes! I love the eeriness of it, with just the man and the big, glooming estate in the background. It gives the reader a sense of the atmosphere in which the novel will be about.
Plot:In this imaginative prequel to Mary Shelley's Gothic classic novel, Frankenstein, we are introduced to a sixteen year old Frankenstein. When his identical twin brother Konrad falls gravely ill with a mysterious ailment no doctor seems to be able to cure, Victor, his best friend Henry and his cousin Elizabeth go on a treacherous journey to gather the ingredients for the Elixir of Life, a potent liquid that promises to cure Konrad before it's to late. Will they succeed?
Mr. Oppel has done a remarkable job reimagining the early life of Frankenstein, and what he might have been like as a teenager. While he's added a few new details to the retelling, he remarkably keeps the key elements to the original tale and provides reasonable explanations as to why Victor turned out the way he was.
The plot was very fast-paced and action driven; never a dull moment! It as chock full of action, adventure, and a little bit of romance.
Characters:The first main character is (duh!) Victor Frankenstein himself. I haven't yet read the original novel, so this is the first time I've read about him. Victor I brash, arrogant, occasionally pigheaded, sometimes selfish and greedy, but ferociously loyal. He feels that he is always second best to his twin, something he resents greatly. At times, I wanted to bop him over the head because he was acting so stupid, but he managed to redeem himself in the end of the novel, and you can tell he truly cares about his twin.
Konrad is Victor's identical twin brother, but other then appearance, he and Victor are complete opposites personality wise. Konrad is logical, compassionate, selfless and more mature than his two minutes younger twin. While we don't get to see much of him due to his condition keeping him bedridden, he is a good supporting character and foil to his twin.
Elizabeth is the younger cousin to Victor and Konrad. A feisty, brave, brash young lady, she has no qualms speaking her mind, especially when it comes to Victor's atheist beliefs. But she also has a good heart, and (though she would never admit it), is more like Victor then she realizes.
Henry is the trio's best friend. He's not as brave as the rest of them in the beginning, but in the end proves his worth and friendship.
Pros:I loved the reimagining and the worldbuilding Mr. Oppel did! It had so much adventure and action, and it made me want to pick up the original novel.
Cons:At times, Victor could be uber-annoying to the point of insanity. He also came off as selfish and brash, and several times I questioned his motives as to if he really wanted to save his brother or just take all the glory for the potion himself.
Love Triangle?:Yep; in an interesting twist, it's twin vs. twin. In this case, Konrad vs. Elizabeth vs. Victor. For a second I was getting worried we would have another love square on our hands (barf!)
Insta-Love?:Nope!
Romance?:Elizabeth is in love with Konrad (the good, nice twin), but soon, Victor starts to fall in love with her as well. . But with the fierce competition between the brothers, you have to wonder if Victor only loves Elizabeth because Konrad loves her.
Conclusion:A great read even with an occasionally frustrating protagonist. Recommended for those who like literary retellings, lovers of Frankenstein, and for those who love lots of action and adventure.
Read This!:Frankentein by Mary Shelly, Such Wicked Intent by Kenneth Oppel, Angelmonster by Veronica Bennet
June 13, 2019
i cannot express how utterly terrible this book is.
What most upsets me, other than the love triangle between VICTOR, HIS TWIN, AND THEIR COUSIN, is that this unlikeable little goblin gets everything he wants in the end, apart from his brother dying. It’s also implied that the reason he makes his monster is to bring back Konrad, which is singlehandedly the most insulting thing about this book. All of these characters are completely unlikeable, including the love interest, who has no flaws whatsoever and has a harem of male main characters after her. The one good thing about this book is the environments and the “magic.” I swear, Mary Shelley is spinning in her grave.
EDIT: also I forgot most of the descriptions Victor has of Elizabeth are??? Super rapey??? He keeps talking about stealing her from his brother when she CLEARLY DOESNT LIKE HIM and then keeps talking about her “womanly body” 🤮 AND THEN SHE KISSES HIM AT THE END??? WHAT???
thank god im reading a good book after this to cleanse my soul
What most upsets me, other than the love triangle between VICTOR, HIS TWIN, AND THEIR COUSIN, is that this unlikeable little goblin gets everything he wants in the end, apart from his brother dying. It’s also implied that the reason he makes his monster is to bring back Konrad, which is singlehandedly the most insulting thing about this book. All of these characters are completely unlikeable, including the love interest, who has no flaws whatsoever and has a harem of male main characters after her. The one good thing about this book is the environments and the “magic.” I swear, Mary Shelley is spinning in her grave.
EDIT: also I forgot most of the descriptions Victor has of Elizabeth are??? Super rapey??? He keeps talking about stealing her from his brother when she CLEARLY DOESNT LIKE HIM and then keeps talking about her “womanly body” 🤮 AND THEN SHE KISSES HIM AT THE END??? WHAT???
thank god im reading a good book after this to cleanse my soul
This entire review has been hidden because of spoilers.
August 29, 2019
I just love this book so much! Normally a YA book with a love triangle is entirely not my thing but I feel like Victor Frankenstein throwing an absolute fit because the girl he likes wants his twin brother instead of him is just so wildly in-character that I can't actually be mad about it. Plus I love all the stuff about alchemy and the writing style is very good as well. I can't say I really like Luke Daniels' narration here, but that's mostly because I find it baffling that they chose someone with an American accent for this. Would definitely recommend this to people who have enjoyed Mackenzi Lee's This Monstrous Thing.
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