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In "Noa and Noah," for example, an Israeli bride finds herself hard-pressed to adjust to British life, even if her new husband does sport an Old Testament moniker and a kippa. In fact, Noah's charms have almost entirely evaporated after a year of marriage, and what once appeared to be endearments turn out to be a form of erotic cheerleading:
She had also by now finally deciphered and demystified her husband's sexy mumblings which invariably accompanied their lovemaking: the words Arsenal and Tottenham came up a lot, with very unsexy adjectives describing various players and plaintive remarks about their technique. When she had first grasped this remarkable fact, Noa simply asked Noah why he had to think and talk about football during sex. He had answered, without the slightest hint of embarrassment, that he thought about football all the time, and saying his thoughts out loud during sex helped him slow down.It would be unfair to disclose Noa's response to her increasing disillusionment. Suffice it to say that it involves a neighborhood butcher and some very nonkosher behavior in the boudoir. Not all of Lappin's characters hit upon such delectable (and surprisingly low-fat!) solutions. In "Peacocks," a similarly distraught émigrée falls back on cab driving and a spot of extortion to maintain her mental health. "Bad Writing" features a German transplant, also a woman, who neutralizes the nastiness of her marriage by turning it into prose. Not every story in Foreign Brides quite clicks. But Lappin is a funny and formidable talent, and her next project--a novel with the intriguing, Gogolian title of The Nose--should be worth sniffing out as soon as it hits the shelves. --Anita Urquhart
252 pages, Paperback
First published January 1, 1999