I didn’t originally know the story was written by the screenwriter for the 1989’s Batman film, but after reading the forward, I found myself intrigued with seeing how he interpreted the Dark Knight.
I like what I saw.
Batman is presented with a mystery involving a revolving line of ‘roided out goons with tech able to emit lethal supersonic sound waves. When defeated the goons elect for suicide, usually in an explosive fashion, taking with them a chance to discover the men behind the masks. Yet despite knowing he is facing different men, they all seem to share the same memory. At the same time, Bruce Wayne is introduced to Jeannie, a young woman searching for a long-lost brother she’s traced back to Wayne Enterprises. The long-lost brother, Roy, is the linchpin of both plots. Found on the street as an amnesiac vagabond, he is quickly bonded with Jeannie, and Bruce invites the two to move in.
For being a story about body-swapping, the stakes presented feel surprisingly grounded. The antagonist’s scheme is easy to follow, and his end goal makes sense. The mystery has a few fun, if obvious, reveals, and the character writing is spot on. Jeannie seems poised to be made into Bruce’s new love interest, but it becomes clear the interest is one sided. It’s really Roy who spends the lion’s share of the plot with Bruce— who gets to know Bruce in a way few people do (…giggity?)— which works. Bruce’s mental state is a major focus— he seems even more driven than usual. He’s harder, more critical of himself. At the end of the story we learn this takes place after Jason Todd’s death, so the timing really fits the depiction of Bruce— and the clear symptoms of PTSD he’s manifesting— throughout.
I thought this Bruce was very well done. The text’s willingness to engage with both the morality and need of Batman, alongside themes of self-sacrifice, familial love, and duty and devotion make it memorable. A happy ending is in sight toward the end, right before a massive swerve off a cliff to hit a few trees on the way down. It’s a bit of a downer but fits exactly with Bruce at probably the lowest point in his life. It’s easy to imagine the events of this story pushing Bruce into a Dark Knight Returns sort of universe.
It's a shame Sam Hamm doesn’t seem to have done a lot of comic work after this. He has a strong grasp on the character and the noir stylings of the time— able to go ghoulish when needed, but never reveling in misery for misery’s sake. There’s a thematic point to all the pain Bruce and the others endure, and even something to say about the way the homeless are devalued by society at large. It’s a smarter story than I expected, and one I could recommend to anyone interest in a more introspective look at our favorite Caped Crusader.