Recently I reviewed the nearly forgotten F. M Busby's 1973 science fiction novel 'Cage a Man' (this collection of short stories includes what may be a 'lost chapter' from that book) and produced a decidedly mixed review. This short story collection is better.
'Cage A Man' was a peculiar mixture of violent and even potent recreation of extreme experience in an alien world and somewhat standard issue space opera pulp. The first half was dominated by the visceral and the sensitive and the second half by the formulaic.
Not having read his other novels, I do not know whether it is right that Busby was better at the short story format than the extended novel but it sure looks that way so far. This collection is not helped by having a very weak 'go back and shoot grandad' time travel story from 1957 at the start.
However, the rest of the collection is more mature - 19 stories from 1972 to 1975 which may vary in quality but which can be very good on occasions. There is little space opera here. Even the 'lost chapter' of 'Cage A Man' is essentially a psychological tale. The cover of the book is misleading.
If there is a dominant theme it is a concern with consciousness, thought experiments in the philosophy of mind. He explores with more success than most what it might be like to be an alien life form through its eyes and not that of the silent human in each story (three stories).
There are other capable stories about time and consciousness. Some of his explorations are as difficult to grasp as a philosophy text although narratively readable. He is interested in psychedelics and there is a repeated 'silent' background of polyamory and free love.
We have a sensitive love story about people who live their lives shooting back and forwards through their life span with their chronology disrupted. In another tale a man finds he is born as a woman with memories of the past intact: it is perhaps a happy tale of the 'eternal return'.
A student in the well written title story (although the twist at the end is hackneyed) takes a drug only to find that he exists outside his body and must find his way back to it through a tortuous process of jumping from person to person, engineering himself to sleep as near to them as possible.
The skill he shows in inventing alien minds is applied to describing the personalities of the people the student is forced to inhabit - most notably with a kindly homosexual in an unsympathetic male society. Busby might have been a fine novelist if he could have sustained his imagination.
There is some dystopianism in another tale with a future California that is uncannily close to the California of today although restrictions on people are down to the fear of population explosion more than need for Net Zero. Either way, diesel is on the way out and violent crime is on the way in.
There are oddities. A witty, cynical parody of Kubrick's '2001' movie. A rather silly rant against God. Busby does not like God very much - he gets two short strikes at Him or Her. There are two 'aliens ex machina' tales, one darkly humorous.
The sexual violence and rage of 'Cage A Man' is also present. 'Tell Me All About Yourself' about misogynistic necrophilia probably could not be published today. The desperate survivalist dog-like rape of a human by aliens in 'Misconception' will shock most people.
Overall, Busby is not a great of science fiction but when he is good he is very good both as a transgressive writer and as an explorer of consciousness, especially alien. His interest in science fiction as thought experiment was deliberate and his occasional 1970s male rage is the real thing.