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Blue Money: Stories
A union organizer returns to her hometown and her high school sweetheart, only to discover unexpected peril. A middle-aged man walks to meet his wife at work one day and loses her forever. A young writer's stage fright destroys her work and her marriage but offers her a new life. In Blue Money, Susan Hubbard creates a world in which the most ordinary things can be magical, and the most ordinary people can be extraordinary.
"Selling the House" is the enchanting story of Marianne, a young housewife whose life is altered forever by a mysterious stranger. He suddenly appears on her doorstep one morning, offers to buy her home, quotes poetry, and just as suddenly disappears. Marianne soon discovers, however, that the stranger wants more than her house—he wants her. Although she does not accept the man's proposition, Marianne has been changed by it. His words echo throughout her life. "If she sometimes had trouble sleeping, if she spent more time reading poetry or staring out the window . . . well, those were small aberrations in an otherwise quite satisfactory life."
Strangers appear and disappear in Blue Money. Shoes charm and cure. A soiled shirt conjures conscience, and a clean one promises new identity. Hubbard brilliantly weaves these fantastic elements into the fabric of her fiction.
Women's relationships with men—whether they be fathers, lovers, or strangers—are a prominent theme of Hubbard's collection. "What Friends Are For" captures this theme at its most humorous and bizarre in the strange mishaps of two young girls trying to rid their lives of the stepfathers they despise. When their plan fails miserably, the girls are forced to accept the unwanted men, but not without finding brief comfort in the humor of their failure. "Then I start laughing too--a laugh I've never laughed before, like some exotic bird, high and shrill and free—and now [we're] laughing so hard that the voices outside fade away entirely."
Praised by Ploughshares as "an assured storyteller and a complex narrative stylist," Hubbard excels at writing spare yet powerfully evocative prose. Haunting in its suspense and subtle grace, Blue Money celebrates Hubbard's marvelous ability to explore the power of imagination.
"Selling the House" is the enchanting story of Marianne, a young housewife whose life is altered forever by a mysterious stranger. He suddenly appears on her doorstep one morning, offers to buy her home, quotes poetry, and just as suddenly disappears. Marianne soon discovers, however, that the stranger wants more than her house—he wants her. Although she does not accept the man's proposition, Marianne has been changed by it. His words echo throughout her life. "If she sometimes had trouble sleeping, if she spent more time reading poetry or staring out the window . . . well, those were small aberrations in an otherwise quite satisfactory life."
Strangers appear and disappear in Blue Money. Shoes charm and cure. A soiled shirt conjures conscience, and a clean one promises new identity. Hubbard brilliantly weaves these fantastic elements into the fabric of her fiction.
Women's relationships with men—whether they be fathers, lovers, or strangers—are a prominent theme of Hubbard's collection. "What Friends Are For" captures this theme at its most humorous and bizarre in the strange mishaps of two young girls trying to rid their lives of the stepfathers they despise. When their plan fails miserably, the girls are forced to accept the unwanted men, but not without finding brief comfort in the humor of their failure. "Then I start laughing too--a laugh I've never laughed before, like some exotic bird, high and shrill and free—and now [we're] laughing so hard that the voices outside fade away entirely."
Praised by Ploughshares as "an assured storyteller and a complex narrative stylist," Hubbard excels at writing spare yet powerfully evocative prose. Haunting in its suspense and subtle grace, Blue Money celebrates Hubbard's marvelous ability to explore the power of imagination.
200 pages, Paperback
First published March 1, 1999
1 person is currently reading
14 people want to read
About the author
Susan Hubbard
26 books191 followersSusan Hubbard, born in upstate New York, is the author of two collections of short fiction, both winners of national prizes, and four novels. The Society of S was published in May 2007 by Simon & Schuster, and The Year of Disappearances, a sequel, was released in May 2008. The U.S. paperback edition of The Year of Disappearances was published in 2009.
The third volume in the Ethical Vampire series, The Season of Risks, was published in July 2010.
Hubbard's books have been translated and published in more than 15 countries. Her short stories have appeared in TriQuarterly, The Mississippi Review, The North American Review, America West, Kalliope, Ploughshares, and other journals. She is coeditor of 100% Pure Florida Fiction, an anthology.
She has received teaching awards from Syracuse University, Cornell University, the University of Central Florida, and the South Atlantic Adminstrators of Departments of English. She has been awarded residencies at Yaddo, the Djerassi Resident Artists Project, the Virginia Center for Creative Arts, and Cill Rialaig.
Hubbard has led writing workshops at universities and arts programs across the United States and the United Kingdom. A former president of Associated Writing Programs, she has served as an assessor and curriculum consultant to several colleges and universities.
Hubbard currently is a Professor of English at the University of Central Florida. She is an advocate for animal rights, social justice, academic etiquette, and literacy. Her hobbies include running, salvaging, and collecting items of questionable taste.
The third volume in the Ethical Vampire series, The Season of Risks, was published in July 2010.
Hubbard's books have been translated and published in more than 15 countries. Her short stories have appeared in TriQuarterly, The Mississippi Review, The North American Review, America West, Kalliope, Ploughshares, and other journals. She is coeditor of 100% Pure Florida Fiction, an anthology.
She has received teaching awards from Syracuse University, Cornell University, the University of Central Florida, and the South Atlantic Adminstrators of Departments of English. She has been awarded residencies at Yaddo, the Djerassi Resident Artists Project, the Virginia Center for Creative Arts, and Cill Rialaig.
Hubbard has led writing workshops at universities and arts programs across the United States and the United Kingdom. A former president of Associated Writing Programs, she has served as an assessor and curriculum consultant to several colleges and universities.
Hubbard currently is a Professor of English at the University of Central Florida. She is an advocate for animal rights, social justice, academic etiquette, and literacy. Her hobbies include running, salvaging, and collecting items of questionable taste.
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Displaying 1 of 1 review
August 12, 2009
There were a couple of appealing "stories" in this book.. but for the most part they were just "moments in time" with no beginning, middle or end. I just didn't get this. It would be like me saying... " I took out the book, opened it and turned the page. When I got to the next chapter I gasped in shock"..... and then that would be it... that's all I would tell you. What's the book? Why did I take it out? What made me gasp? etc....
This was all but a couple of the "stories".
I did like how some of them were done in retro times... 50's, 60's etc.. and I thought the writing itself was decent.
This was all but a couple of the "stories".
I did like how some of them were done in retro times... 50's, 60's etc.. and I thought the writing itself was decent.
Displaying 1 of 1 review