Gontran de Poncins arrives in King William Land, in the Canadian high arctic, as an anthropologist who appears bent on describing the peoples he encounters there in terms of the differences between them and those where he comes from. Even the title of the book - Kabloona ("White Man", in the language of the Netsilik) reflects this perspective. In the first part, he seems agitated and is quite hasty to resort to stereotype. Much of what he perceives as adverse differences between the Netsilik natives with whom he lives and himself, a Kabloona, would be attributable to any people living the way of life they lead: extremely hard, in one of the coldest and bleakest environments on Earth, in what a westerner would describe as extreme poverty, and with no formally structured education... Ironically, as a result of de Poncins' own preconceptions, the early sections of the book become as much an anthropological study of an early 20th century French anthropologist as they are of the Netsilik people of King William Land.
However, I get the impression that the book was written from the notebooks he kept while he was there, and he seems to write in a voice that is faithful to the mood he felt in the moment he describes. So, as it progresses, there is a tangible mellowing in his thoughts, and in the tone of his narration, as he becomes more accepted, and acquiesces to the ways of those he is among. This makes his earlier moments of uptightness and disdain for them appear as manifestations of his own shortcomings - the impatience, helplessness and suppressed desperation he felt upon first arriving in this place. The reading becomes far more relaxed at this point. That the Inuit succeed in the circumstances he describes is miraculous, and the enormous pride they feel in their way of life, and the extreme care and attention to detail with which they must live in order to survive, are conveyed well. When the physical surroundings are described they are hard to imagine, such is their other-worldliness: perpetual night, hunting seal by moonlight, haunting ice-scapes, weeks spent travelling by dog sled through vast emptiness, eating what is caught along the way, hastily erecting igloos in blizzards that it seems that nobody could survive... these are all part of normality.
He spends time with three separate groups of Inuit, amongst whom are scattered a handful of other westerners - trappers, missionaries and Hudson Bay traders. The tales he brings back are priceless, and are what make this book so special. Barely mentioned, but notable, is the fact that it is the fashions of Paris, London and New York that are the sole reason for the presence of the Kabloona (other than the missionaries, but even they rely to some extent on the traders for survival) in these places. It is implied knowledge that the pelt of the White Fox is the de facto currency in those lands, even though the Inuit regard it as useless - it will eventually finds its way into the boutiques of the big cities. In that vein, there is surprisingly little treatment given to the wildlife in general, other than as a source of food or skins, although the sled dogs, by virtue of their forming an integral part of the arctic community, get some mention. In the end, it is the people that fascinate him, and it is their honesty, generosity and selfless acceptance of him that eventually win him over and help him to rid himself of his initial egoism.
Overall, Kabloona gives a phenomenal insight into a unique and vanished way of life, one whose essence should not be left to fade with time. This is a book that will stay on my shelves indefinitely.
Luke F. D. Marsden (author of Wondering, the Way is Made)