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Apprentices #3

Moss and Blister

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It is Christmas Eve. Moss the midwife and Blister her apprentice are hurrying to Glass House Yard, where Mrs Greening, wife of the master mirror-silverer, is in labour. Blister, a skinny foundling girl who knows nothing about anything but delivering babies, scurries about following Moss's instructions, while Joram, the weasel-like youth who is the Greening's apprentice, hovers helpfully by the bedside.

48 pages, Hardcover

First published January 1, 1976

8 people want to read

About the author

Leon Garfield

120 books49 followers
Leon Garfield FRSL (14 July 1921 – 2 June 1996) was a British writer of fiction. He is best known for children's historical novels, though he also wrote for adults. He wrote more than thirty books and scripted Shakespeare: The Animated Tales for television.

Garfield attended Brighton Grammar School (1932-1938) and went on to study art at Regent Street Polytechnic, but his studies were interrupted first by lack of funds for fees, then by the outbreak of World War II. He married Lena Leah Davies in April, 1941, at Golders Green Synagogue but they separated after only a few months. For his service in the war he joined the Royal Army Medical Corps. While posted in Belgium he met Vivien Alcock, then an ambulance driver, who would go on to become his second wife (in 1948) and a well-known children's author. She would also greatly influence Garfield's writing, giving him suggestions for his writing, including the original idea for Smith. After the war Garfield worked as a biochemical laboratory technician at the Whittington Hospital in Islington, writing in his spare time until the 1960s, when he was successful enough to write full-time. In 1964, the couple adopted a baby girl, called Jane after Jane Austen, a favourite writer of both parents.

Garfield wrote his first book, the pirate novel Jack Holborn, for adult readers but a Constable & Co. editor saw its potential as a children's novel and persuaded him to adapt it for a younger audience. In that form it was published by Constable in 1964. His second book, Devil-in-the-Fog (1966), won the first annual Guardian Prize and was serialised for television, as were several later works (below). Devil was the first of several historical adventure novels, typically set late in the eighteenth century and featuring a character of humble origins (in this case a boy from a family of traveling actors) pushed into the midst of a threatening intrigue. Another was Smith (1967), with the eponymous hero a young pickpocket accepted into a wealthy household; it won the Phoenix Award in 1987. Yet another was Black Jack (1968), in which a young apprentice is forced by accident and his conscience to accompany a murderous criminal.

In 1970, Garfield's work started to move in new directions with The God Beneath the Sea, a re-telling of numerous Greek myths in one narrative, written by Garfield and Edward Blishen and illustrated by Charles Keeping. It won the annual Carnegie Medal for British children's books. Garfield, Blishen, and Keeping collaborated again on a sequel, The Golden Shadow (1973). The Drummer Boy (1970) was another adventure story, but concerned more with a central moral problem, and apparently aimed at somewhat older readers, a trend continued in The Prisoners of September (1975) republished in 1989 by Lions Tracks, under the title Revolution!, The Pleasure Garden (1976) and The Confidence Man (1978). The Strange Affair of Adelaide Harris (1972) was a black comedy in which two boys decide to test the plausibility of Romulus and Remus using one of the boys' baby sister. Most notable at the time was a series of linked long short stories about apprentices, published separately between 1976 and 1978, and then as a collection, The Apprentices. The more adult themed books of the mid-1970s met with a mixed reception and Garfield returned to the model of his earlier books with John Diamond, which won a Whitbread Award in 1980, and The December Rose (1986). In 1980 he also wrote an ending for The Mystery of Edwin Drood, unfinished at the 1870 death of Dickens, an author who had been a major influence on Garfield's own style.

He was elected a fellow of the Royal Society of Literature in 1985. On 2 June 1996 he died of cancer at the Whittington Hospital, where he had once worked.

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Displaying 1 - 4 of 4 reviews
Profile Image for Colin.
1,323 reviews31 followers
June 30, 2025
Three books in and Leon Garfield’s Apprentices series is really taking off. Characters from earlier books are starting to make appearances. This happened in a small way in the second book but by the third the reader is starting to get a sense of the relationships and interdependencies of a whole community of young apprentices. Moss and Blister is set on a frozen Christmas Eve night as Moss the midwife and her anxious but hopeful apprentice Blister set off to deliver a baby at Greening’s the mirror silverer we met in Mirror Mirror. Greening’s apprentice, Bosun, has expectations of marriage to one of his master’s two daughters, expectations that are scotched by the events of the night. Blister, too, has hopes that look like coming to fruition when the two midwives and Bosun are called to another birth in a stable in Three Kings Court…
Faith Jaques takes over illustration duties from Antony Maitland in this book; her work, although more precise in style, is equally effective and evocative of the book’s Georgian setting.
I read this chilly book on the hottest day of the year!
Profile Image for Mathew.
1,560 reviews220 followers
July 10, 2018
The first in my collection of four (the title I have is not available on Goodreads). Set in 18th century London, this first story tells of two apprentices - one, a midwife and the other, a 'silverer of mirrors' who meet one night intrigued by the fact that they might be part of the second coming. The story here is touching and sweet and the dialogue and character comes across as something straight out of Dickens and Stevenson. Wonderful language throughout.
29 reviews
March 9, 2013
This children's book is theoretically a Christmas book; however, it can be enjoyed year round as it is a mystery with "robust humour" (Cited from summary on front leaf of book cover).
Displaying 1 - 4 of 4 reviews

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