When I think of the magic of childhood, certain images come into my head. There’s a sort of sparkle, warmth, and yet there is always danger. However, childhood magic has an incomparable sweetness to it. There are few books that manage to touch on this nigh-indescribable feeling of childhood magic. The Princess and the Goblin is such a book.
The story is a fairytale, in the same order as Jack and the Beanstalk and The Goose Girl. There is a princess, a peasant boy, a castle and, of course, goblins. These elements do not automatically make magic, but they do in the hands of mater storyteller George MacDonald.
The characters in the story are charming. Princess Irene is a smart, spunky little girl, even though she is slightly spoiled (she is a princess after all). McDonald’s ability to write from her point of view is astounding. While reading the book I wanted to say, “I remember thinking things just like that when I was little!” This is especially amazing when one considers Irene’s age. Few authors manage to write fantasy with heroines so young. Yet, Irene is as compelling as any fantasy heroine, and perhaps even more so due to her sweetness and close-to-babyhood charm. Curdie, the brave peasant boy, is also well developed. I enjoyed his enthusiasm as well as his courage. I love to read about courageous children. However, he is far from perfect. For example, he has a hard time believing Princess Irene’s story about her mysterious great great grandmother. Both Irene and Curdie, then, are all the more real because of their flaws. And perhaps even more lovable.
The imagery used in the story is also delightful. McDonald’s creative abilities are known among all avid readers of fantasy, but some of his beautiful images used in this book are almost too good to be true. Scene after scene is just bursting with magic. This is enhanced by the child’s POV used throughout the tale.
The story itself has an excellent plotline about good vs. evil. There are some genuinely suspenseful moments. McDonald knows how to build atmosphere, too. The scenes in the mines, the goblin court and the forest are all hauntingly memorable. The dark quality of the old fairytales is present here, and the danger of childhood make-believe is just about perfect.
The symbolism of the story is also lovely. Like Narnia or The Lord of the Rings, Christian elements as well as bits of mythology are woven seamlessly together into a beautiful story. Parents and teachers (and older siblings) should enjoy discussing these books with children and pointing out the symbolic parts: the thread, the orb, the great great grandmother herself…
Charming and beautifully told, this is a fairytale that should find its place right next to the Brother’s Grimm and Anderson’s works.