I recently became a Ron Hansen fan after reading his historical novel The Assassination of Jesse James By the Coward Robert Ford, one of the best reads I've enjoyed in years. I fell in love with Hansen's simplistic, descriptive style--by his colorful reliance on similes that makes the reader smile with recognition. So with great anticipation I began Hansen's novel ATTICUS, a story about 67-year-old Atticus Cody, a quiet, unassuming Colorado rancher with a problematic prodigal son. When Atticus receives the news that his son committed suicide outside a Mexican resort, he journeys south to retrieve his son's body--only to find clues and disturbing signs his son was murdered. The novel is broken into two narratives: a third person account of Atticus's experiences in Resureccion, Mexico; and a first person account of a most unpleasant person, Scott Cody, Atticus's son.
I encountered several problems as I plodded through this novel. Unlike Hansen's "The Assassination of Jesse James" the prose in ATTICUS I often found awkward and confusing--as was the timeline. Yet even more bothersome than the mechanics was the lack of character development. Yes, Atticus Cody is a simple man, but the reader never really gets inside his head, finds out what he's truly thinking. We know he's a widower, that his wife was killed several years ago in a car accident, with Scott the driver. We never know how this tragedy shaped his feelings for his son, because we really don't know what his feelings are. Yes, we know he's grieving over the news of Scott's suicide, but the grief is never fully vetted because he's walking around looking for clues--yet what's motivating him to get to the truth is blurry and undeveloped. In summary, this is a novel with a protagonist going through the motions.
An unexpected plot twist launches the Scott Cody narrative, a plot twist making the story even more distasteful and disturbing. Because of his dysfunctional, self-centered actions--because he not only ruins his own life, but the lives of so many others--I found this portion of the novel literally repulsive. Yet here, Hansen has no difficulty having Scott relate his feelings and emotions, but as the reader I was unmoved because I didn't care for the character at all. Much of what transpires in this narrative is farfetched and requires too much suspension of disbelief, and then ATTICUS just ends with very little resolution. One of the most disappointing reads I've had the displeasure to finish.