Words And Places
Larry Woiwode (b. 1941) is well-known for his novels and memoirs. He resides in North Dakota where he is the state Poet Laureate, and he teaches at Jamestown College. Several years ago, I read what probably remains Woiwode's best work, his 1975 novel, "Beyond the Bedroom Wall". My memories of that book, however, would not have prompted me to read Woiwode's new collection of essays, "Words made Fresh". Instead, the short descriptive note accompanying the Amazon Vine offering of the title indicated that Woiwode wrote about literary figures and culture from a distinctively Christian perspective. This is not a perspective that I share. But I was interested enough to want to hear a somewhat different voice and to read what Woiwode had to say.
The collection is relatively short and consists of ten essays published between the mid-1970s and about 2005. Each of the essays has been extensively reworked for this book. The essays vary considerably in interest. The most striking part of the book, for me, was the brief two paragraph introduction in which Woiwode explains what he is about. Woiwode writes that his title "Words Made Fresh" "is meant to echo the incarnation, because it was with the incarnation that writers outside the scope of the Hebrew or Greek texts began to understand how a metaphor of words could contain the lineaments and inner workings of a human being." He says in the book that Christianity was unique, as compared to its parent religion and to other religions, in showing that God could be incarnate on earth in the person of Jesus. His book is not simply religious -- Woiwode writes critically of thinkers who try to separate spirituality from religion or God from Biblical texts -- but distinctively Christian. He makes no attempt to proselytize but rather tries only to offer literary and cultural observations from this point of view. The book has in parts a certain combative tone, as Woiwode seems highly and overly aware that he is writing for an audience that may not share many of his convictions. His voice is generally quiet and thoughtful. It is valuable to read an author when one does not think his way.
The ten essays in part discuss Woiwode's own thoughts and experiences and in part discuss the writings of other authors. There is a great emphasis on the specifics of place and time in many of the essays, as Woiwode shows a great interest in knowing a small place intimately for oneself and working out. The essays vary in length from only 5-6 pages to over forty. The longer essays tend to be unfocused and to ramble. On the whole, the essays consisting of literary criticism are less successful than the essays in which Woiwode writes from his own thoughts, but it frequently is difficult to separate the two.
I enjoyed the opening essay, "Guns and Peace: On an American Icon" in which Woiwode reflects on his own experience and reactions to shooting a wounded deer to put it out of misery in northern Wisconsin. The essay called "Deconstructing God: On Views of Education" is a polemic in which Woiwode inveighs against what he with reason sees as the increased secularization and value-free character of American public education. This essay encourages reflection on what education should be about. Woiwode offers two essays on Wendell Berry "Homeplace, Heaven or Hell" and "Views of Wendell Berry" which combine effectively a discussion of Berry's writings from rural Kentucky with Woiwode's thoughts. Berry is a congenial writer to Woiwode.
Of the essays on literary criticism, the short essay on Reynolds Price "Gospels of Reynolds Price" was the most rewarding. Woiwode focuses on Price's lay translations of three of the Gospels rather than on his extensive novelistic output. He offers a sympathetic portrayal of Bob Dylan and on the figure of the literary troubadour in the essay "Dylan to CNN: on News and not News." Woiwode offers two essays exploring the work of John Gardner, the first of which is an overview and the second of which is a lengthy analysis of Gardner's final novel, "Mickelssohn's Ghosts".
I learned some interesting things about John Updike and his commitment to Christianity from Woiwode's long essay, "Updike's Sheltered Self: On America's Maestro". Although the essay tempted me to read more of Updike, it seemed to me too long and unfocused to work well. The final essay, "On the Faith of Shakespeare" did not seem to me to add a great deal to the welter of words available on this seminal figure.
Different perspectives are valuable. The book will be of interest students to students of Berry, Updike, Gardner, and other American writers. But I would have enjoyed hearing Woiwode speak more directly about his own religious convictions rather than to have his beliefs filtered through literary and cultural criticisms of other writers and cultural institutions.
Robin Friedman