What do you think?
Rate this book
Assaracus Issue 01: A Journal of Gay Poetry
Magazine. Poetry. LGBT Studies. ASSARACUS is a quarterly journal of gay poetry, features a substantial collection of work by ten gay poets. ISSUE 01 features poetry by Shane Allison, Jay Burodny, Gavin Dillard, Christopher Hennessy, Matthew Hittinger, James Kangas, Raymond Luczak, Frank J Miles, Stephen Mills, and Eric Norris. Edited by poet Bryan Borland, author of the American Library Association-honored My Life as Adam .
- GenresPoetry
128 pages, Paperback
First published January 1, 2011
22 people want to read
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
Displaying 1 - 3 of 3 reviews
June 17, 2011
A Brave New World: Sibling Rivalry Press
Bryan Borland, a gifted port and judge of fine poetry, has created a small publishing house called Sibling Rivalry Press and for its first years in existence it is proving to be a very fine, classy leader in ferreting out excellent writers to publish. The current publication is Issue No. 1 of ASSARACUS: A JOURNAL OF GAY POETRY and contains a generous sampling of the poems by Shane Allison, Jay Burodny, Gavin Dillard, Christopher Hennessy, Matthew Hittinger, James Kangas, Raymond Luczak, Frank J Miles, Stephen Mills, and Eric Norris. The name of the journal was chosen because according to mythology Assaracus was the brother of Ganymede, the handsome youth swept up by an eagle from the earth for the pleasure of Zeus. Assaracus remained earthbound, and since poets are earthbound, it is up to their poetry to lift us in to the heavens as Ganymedes!
The goal of the quarterly journal according to Borland is as follows; 'ASSARACUS has no formula. This quarterly journal will not contain a particular kind of poetry, only that the poems are authored by gay men.' And from this first issue it is obvious that Borland will have many submissions to join his ascent into the heavens. Many of the poets are already very well known: Matthew Hittinger, Stephen Mills, Shane Allison appear regularly in other places, but then so do each of the poets congregated for this initial launch. And while it is unfair to select one poem to represent the group, the works of the deaf poet Raymond Luczak provide an indication of the sophistication of the contents:
NEAR NORRIE PARK
Montreal River smoother
its brown ripples, sprung
free of wrinkles, over the cement
dam. Everything was a giggle.
There was never a stain of desire.
Straddling my bike at fifteen, I stared
for hours, wondering how people could
hide their aches to touch each other,
and how a wall could restrain
slinky spurts with such grace.
ASSARACUS is a fine initial offering of gifted poets and deserves our attention and our applause for the launch of Bryan Borland's brave new world.
Grady Harp
Bryan Borland, a gifted port and judge of fine poetry, has created a small publishing house called Sibling Rivalry Press and for its first years in existence it is proving to be a very fine, classy leader in ferreting out excellent writers to publish. The current publication is Issue No. 1 of ASSARACUS: A JOURNAL OF GAY POETRY and contains a generous sampling of the poems by Shane Allison, Jay Burodny, Gavin Dillard, Christopher Hennessy, Matthew Hittinger, James Kangas, Raymond Luczak, Frank J Miles, Stephen Mills, and Eric Norris. The name of the journal was chosen because according to mythology Assaracus was the brother of Ganymede, the handsome youth swept up by an eagle from the earth for the pleasure of Zeus. Assaracus remained earthbound, and since poets are earthbound, it is up to their poetry to lift us in to the heavens as Ganymedes!
The goal of the quarterly journal according to Borland is as follows; 'ASSARACUS has no formula. This quarterly journal will not contain a particular kind of poetry, only that the poems are authored by gay men.' And from this first issue it is obvious that Borland will have many submissions to join his ascent into the heavens. Many of the poets are already very well known: Matthew Hittinger, Stephen Mills, Shane Allison appear regularly in other places, but then so do each of the poets congregated for this initial launch. And while it is unfair to select one poem to represent the group, the works of the deaf poet Raymond Luczak provide an indication of the sophistication of the contents:
NEAR NORRIE PARK
Montreal River smoother
its brown ripples, sprung
free of wrinkles, over the cement
dam. Everything was a giggle.
There was never a stain of desire.
Straddling my bike at fifteen, I stared
for hours, wondering how people could
hide their aches to touch each other,
and how a wall could restrain
slinky spurts with such grace.
ASSARACUS is a fine initial offering of gifted poets and deserves our attention and our applause for the launch of Bryan Borland's brave new world.
Grady Harp
January 18, 2016
A wide range of writing styles, and if many of the poems seem to be about similar topics, they are topics I want to read about, from unique perspectives. The poems of a couple of the poets were opaque to me, but they also make me want to read the issue again, as do the poems that were more immediately understandable. I'm not exactly sure what Jay Burodyny was writing about, for example, but the language is so lovely and the images so vivid that his poems are worth the effort.
I particularly loved Raymond Luczak's work; what he does with trees in "White Pines" and "The Cutting" is fascinating. Shane Allison's work was blunt and open and often very sly; "High School Epithalamion" had me grinning ear to ear and imagining creating something similar from my high school yearbooks. The work of Gavin Dillard begins with an earnest and lovely poem about love, and continues with often very humorous and insightful "Aphorisms".
I'm eager to read more issues.
I particularly loved Raymond Luczak's work; what he does with trees in "White Pines" and "The Cutting" is fascinating. Shane Allison's work was blunt and open and often very sly; "High School Epithalamion" had me grinning ear to ear and imagining creating something similar from my high school yearbooks. The work of Gavin Dillard begins with an earnest and lovely poem about love, and continues with often very humorous and insightful "Aphorisms".
I'm eager to read more issues.
August 7, 2022
A lot of camp, which is all fine and dandy, but quite off-putting if there's nothing else going on. I understand the impulse of cramming as many a minute detail about a sudden encounter or the sting of unrequited love or some instance of desire, so long as the poems offer something for (poetic) discourse. Not a lot of poets in this collection have that in mind — this anthology feels more like group therapy. Different only in particulars, but complacently, inescapably homogenous in thought.
Displaying 1 - 3 of 3 reviews