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Autumn Spring
“No one creates so many memorable, saucy aphorisms-piquant, bitter-sweet, arousing.” -Pat C. Hoy II, New York University
Sam Pickering's essays are funny and wise-and always intoxicating, eggnog to warm glazed winter nights and juleps to cool sweltering summer days. He wanders Connecticut, Canada, and the South, seeding his old farm in Nova Scotia with words and scattering paragraphs in and about classrooms at the University of Connecticut. He describes the great flowerings of summers and falls. He mulls over vanishing friendships, then hunts for buried treasure in a library. He endures a massage, ponders the genteel, and explores shadowy alcoves and books. For him home is where heart and heartache thrive together. Students make him laugh and weep, and in part his book is a teaching manual crammed with anecdotal good sense.
He buries his old dog George and picks up Bert, a rescue dachshund addicted to unmentionable munchies and cloddish doggy behavior, an animal who obstinately refuses to cross the Rainbow Bridge. Pickering runs road races, although he says anyone in a motorized walker could leave him far behind. In “Premortem” he anatomizes his vanishing muscles and then decides to have a knee operation in hopes of shuffling fast enough to keep a heeltap ahead of the pale rider on the white horse.
This is a book about love and happiness-a restorative collection that shows readers how to enjoy life's small glories even among its indignities. When the going gets sour, Pickering tells a joke and transforms the sour into sweet delight.
Sam Pickering teaches English at the University of Connecticut. The inspiration for the teacher in the movie Dead Poets Society , Pickering is a member of the Fellowship of Southern Writers and a master of the essay form. Among his dozen collections of essays are A Little Fling and The Last Book , both published by the University of Tennessee Press.
Sam Pickering's essays are funny and wise-and always intoxicating, eggnog to warm glazed winter nights and juleps to cool sweltering summer days. He wanders Connecticut, Canada, and the South, seeding his old farm in Nova Scotia with words and scattering paragraphs in and about classrooms at the University of Connecticut. He describes the great flowerings of summers and falls. He mulls over vanishing friendships, then hunts for buried treasure in a library. He endures a massage, ponders the genteel, and explores shadowy alcoves and books. For him home is where heart and heartache thrive together. Students make him laugh and weep, and in part his book is a teaching manual crammed with anecdotal good sense.
He buries his old dog George and picks up Bert, a rescue dachshund addicted to unmentionable munchies and cloddish doggy behavior, an animal who obstinately refuses to cross the Rainbow Bridge. Pickering runs road races, although he says anyone in a motorized walker could leave him far behind. In “Premortem” he anatomizes his vanishing muscles and then decides to have a knee operation in hopes of shuffling fast enough to keep a heeltap ahead of the pale rider on the white horse.
This is a book about love and happiness-a restorative collection that shows readers how to enjoy life's small glories even among its indignities. When the going gets sour, Pickering tells a joke and transforms the sour into sweet delight.
Sam Pickering teaches English at the University of Connecticut. The inspiration for the teacher in the movie Dead Poets Society , Pickering is a member of the Fellowship of Southern Writers and a master of the essay form. Among his dozen collections of essays are A Little Fling and The Last Book , both published by the University of Tennessee Press.
160 pages, Paperback
First published August 30, 2007
2 people want to read
About the author
Samuel F. Pickering Jr.
36 books9 followersSam Pickering is Professor Emeritus of English at the University of Conneticut.
Samuel F. Pickering Jr. (also known as Sam) was born in Nashville, attended Montgomery Bell Academy and the University of the South, and took advanced degrees at Cambridge and Princeton on his way to becoming a scholar of children's literature. In addition to scholarly books and articles, his writing life has been built on the familiar essay, where his wit, crusty affability, and sense of wonder often tinged with mischief shine through what he calls "forthright, workaday sentences." His topics range from wildflowers in Nova Scotia to small town gossip in Tennessee to the fusty pretensions of university life. As exercises in "gilding the mundane," Pickering's essays discover subtle ironies, juxtapose delight and melancholy, and wander afield but always return home.
Pickering's allegiance is always to the essays themselves, which are often based in fact but are not slaves to it. In "Composing a Life" from his first collection, A Continuing Education (1985), he writes, "The trouble is that I'm not sure if the things I remember actually happened." His blend of the madcap and mundane, as he says in another piece, can "thrust him against the actual." Pickering sees truth as composite, to be picked apart by language. His books include May Days (1987), Still Life (1990), and Walkabout Year: Twelve Months in Australia (1995). His life, he says, is like his writing: "slow, relaxed, punctuated by fits of pique and occasionally lust, but all in all meandering and gently contemplative."
Samuel F. Pickering Jr. (also known as Sam) was born in Nashville, attended Montgomery Bell Academy and the University of the South, and took advanced degrees at Cambridge and Princeton on his way to becoming a scholar of children's literature. In addition to scholarly books and articles, his writing life has been built on the familiar essay, where his wit, crusty affability, and sense of wonder often tinged with mischief shine through what he calls "forthright, workaday sentences." His topics range from wildflowers in Nova Scotia to small town gossip in Tennessee to the fusty pretensions of university life. As exercises in "gilding the mundane," Pickering's essays discover subtle ironies, juxtapose delight and melancholy, and wander afield but always return home.
Pickering's allegiance is always to the essays themselves, which are often based in fact but are not slaves to it. In "Composing a Life" from his first collection, A Continuing Education (1985), he writes, "The trouble is that I'm not sure if the things I remember actually happened." His blend of the madcap and mundane, as he says in another piece, can "thrust him against the actual." Pickering sees truth as composite, to be picked apart by language. His books include May Days (1987), Still Life (1990), and Walkabout Year: Twelve Months in Australia (1995). His life, he says, is like his writing: "slow, relaxed, punctuated by fits of pique and occasionally lust, but all in all meandering and gently contemplative."
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