David Nolan takes on the daunting task of writing a biography about a man who has remained rather secretive about his personal life for the entirety of his professional career. Bernard Sumner is, therefore, an unauthorized biography, but managed to win me over as a reader with its inventive approach: he offered the final draft to Bernard Sumner himself, then included any comments or differing opinions he may have had on the interviews of other people regarding the history they have shared. What this achieves is a curious combination of objective/subjective, leaving the reader plenty of room to make their own assumptions on what may or may not have come to pass.
While a fan of Joy Division and New Order, I too knew little of Barney prior to reading this book; while most of the material is dedicated to mapping his background, the book does not read like a tabloid tell-all on a person who would rather keep his matters private. Instead, Nolan treads a delicate ground on subjects such as Sumner's parents, or unearthing factual evidence for seemingly unimportant things like his real surname or location of birth. Many of these topics could, in the hands of the wrong writer, easily come off as exploitative and tabloid-hounding, but Nolan manages to strike a fair balance between offering the reader interesting details on Sumner's life while retaining a healthy respect for his privacy.
Bernard Sumner (that seems to skip pretentious headlines, huh) offers much more than glimpses into Sumner's past, though: it also highlights his career in music on several accounts, analyzing his fluctuating roles such as those of a guitarist, producer, singer, and a lyricist. Nolan does not give into blind praise, but does not undermine his subject matter where praise is due. The same is true of interviews regarding Sumner's personality; he gives voice to the good and bad alike. Hooky's jibes could in particular be jarring, but given the context and general attitude of the book, they only serve to make Sumner sound human, subject to whims, tantrums, and personality clashes like anyone else. His own attitude makes up a great deal of this impression, given that Sumner rarely attempts to defend himself from critique; he will cynically respond to some of the erroneous or otherwise debatable comments but keep his point short, for which he comes off as level-headed and professional. Again, this is commendable for the purpose of acknowledging that "truth" is as subjective as the people sharing it.
I really enjoyed reading Bernard Sumner; it helped me better appreciate all the musical endeavors Barney has engaged in over the years, as well as pinpoint his handprint on some of the records I had not particularly paid much attention to. The book offers his colleagues outside the Joy Division/New Order range plenty of exposure, which helps establish Sumner as more than the sum of his two most well-known bands while not degenerating into skeevy gossip material.