Science-fiction has often been disregarded as a sub-genre of fiction, a sideline to the mainstream literature that most readers will know and love. It comes as no surprise, given that most of the world's literary prizes such as the Man Booker Prize, the Costa Award and the Nobel Prize in Literature often go to "mainstream" fiction rather than to the lesser known sub-genres of literature. Science-fiction, however, has always had a cult following who find pleasure in the works of Iain M. Banks, Isaac Asimov and Philip K. Dick. It is a genre that produces the most memorable and, perhaps, absurd plots and stories in literature and it does so with pleasure. Science-fiction provides writers with an opportunity to explore the deepest recesses of their minds, to tap into the wealth of dark and sinister ideas that are hidden and locked in a mental vault.
Shadow of a Dead Star fits this bill to the core. In this thrilling and captivating novel, Michael Shean creates a dystopic and post-apocalyptic vision of the world where libertarianism has been taken to the extreme, where biological implants are the norm and society is dominated by the idea of consumerism and commercialisation. It's a world we all know and have seen before but the messages that Shean brings across in this novel haunt us.
The opening chapters of the novel introduces us to Thomas Walken, a federal agent in the Investigative Security Bureau, a division of the police force that explores and protects people from contraband and illicit technology. Like many science-fiction novels, the protagonist is "different" from his fellow men. He sees the world differently. He refuses to accept the changes to society, remaining distinctly natural in a world where the unnatural is the accepted - sexual fetishes involving mascot heads, nerve implants that blur the line between pain and pleasure, recreational drugs in excess. It's a world that, for some, is perfection but this isn't what makes this novel distinct from other science-fiction or dystopic works. H.G. Wells did it in A Sleeper Awakes, Aldous Huxley in Brave New World, George Orwell in 1984.
What makes this novel distinct is how vivid and graphic this world is. Shean portrays a world that is shockingly brutal and Walken is in the centre of this brutality. In Shadow of a Dead Star, Walken faces another attempt to bring contraband technology known as "Princess Dolls" into Seattle which are bio-implanted robots that were once small girls. For the ultra-rich, they are presents for their children. For sexual deviants, they are paedophilic toys to be abused and enjoyed. When Walken gets involved in this case, he soon discovers that these Princess Dolls are different and, as he becomes more involved in the case, it becomes a twisted and decadent example of how people will do anything to achieve their interests.
Shean, like most other science-fiction writers, has created a world that is bordering on the apocalyptic and, in doing so, is drawing parallels to the current. Shean is engaging in a social commentary about technology and its advances, whether consciously or not. What's more, the novel reeks of an author's political views engaging in the novel - socialism versus consumerism and libertarianism. That's not something unusual in science-fiction but it soon becomes frustrating. At every turn, Walken seems to be the voice of socialism in a world where local government has been replaced with corporate business, where policing has been sub-contracted to private security firms.
Fans of Iain M. Banks and his Culture novels will find the voices similar. The truth of the matter is that, even despite the political under-tones, it's a powerful and brilliant novel. It revels in the glorification of sexual fetish, the dystopian being utopian to some. Michael Shean is a promising writer who could very well be a future star in the science-fiction genre if he continues in this line of writing. An excellent debut novel with technological fetishism and sexualisation as its forefront - too graphic for some, delightful for others, a thrilling read for all.