My first Elizabeth MacPherson novel, I think, because I haven't quite grasped her character. This book seemed almost like a collection of short stories until it pulled together a grieving girl friend or wife, an unsolved local murder shortly after the civil war and a budding law practice, MacPherson and Hill. Although most of the characters are MacPhersons, I felt like AP Hill the attorney was the most focused character in terms of getting to know her. The law practice is handling two current murderers. A dowdy woman, Donna Jean, whose husband has dropped dead of arsenic poisoning is William's case while A.P. Hill is defending Eleanor Royden. She is the ex wife of a powerful attorney, very ex because she went and shot her husband and his new wife as they slept. He and "Gisele" had humiliated Eleanor, through legal means but still quite viciously. She plummeted from being a trophy wife serving her husbands career to living in a small apartment furnished from the Goodwill, working for a living, alienated from her social set. AP gets the case because none of the local attorneys, friends of the recently decease want to take her case. They don't understand or don't want to understand how weak little Eleanor suddenly snapped because it makes them nervous at the breakfast table. AP does understand her wise cracking client, but is concerned about how she can defend her. William on the other hand takes on Donna Jean before Chevry keels over. She's trying to compel her husband to leave his second "wife" a 16 year old he's picked out of his church congregation on a divinely inspired revelation that God grants him the right to polygamy. As the wronged party, living with a teenager her husband is bedding, she's the most likely suspect. The case is complicated because she is the descendent of Lucy Todhunter, a woman who walked from a murder charge after the War. I won't go any further with spoilers, and instead turn to the characters I've placed and add a few more.
Eleanor is under care by a psychiatrist who is trying to help her cope with the loss of her beloved Cameron. Her brother is struggling with his storefront law firm, graced by his colleague AP Hill, a high octane partner. He's willing to hire his sister, Dr. MacPherson because she's s forensic anthropologist and because his sister needs work. She needs it not only financially, she needs it emotionally. But her major distraction comes when her mother announces over lunch that she's become a political lesbian and is now involved with a university professor, Dr.Casey. Eleanor is squeamish at this late in life transition to such a radical departure from housewife and mother, another startling development life has thrown at her. William seems to be oblivious at the academic saturated house party her mother throws to celebrate her new domestic circle. McCrumb satirizes the college folk in way that reminds me of the film "Citizen Ruth" spoofing the activists. McCrumb certainly has insight into the promotional politics of universities, and the diet of the ultra -radical. If she wasn't so even handed at dishing the back woods minister with two wives her analysis of retirement conversion might seem less than accepting, but she's pulling an Eleanor Royden move here. The acknowledged murderess makes a speech about Southern women, who turn things that upset them into jokes so they can continue smiling, passing at out of earshot range as happy women. For those within hearing distance it becomes entertaining, or tiresome depending on the gifts of the storyteller. But Eleanor betrays herself in her stand up comedy routine-she no longer knows how she feels about the late Mr. Royden, and seems unclear that he's really gone gone gone. She's joked herself out of her real emotions. We don't clearly know how Eleanor feels about her mother shacking up with Casey, and no real idea how McCrumb feels about the rise of the gay community.
What we are clearly presented is that the traditional women, Lucy the poisoner, her great granddaughter Donna Jean, Eleanor Royden the murderess are all traditional women accused of murder. Lucy case resolves itself on an incline, the way a voice rises in question. Did she murder her husband? McCrumb seems to convict her on the grounds that her husband's insistence on getting an heir quickly granted her the motive to kill Toddhunter, lest she die by too many miscarriages. She has motive, arguably self defense today, and means and opportunity. But did she know what would happen? Here we get into an interesting piece of medical history which I'll leave to the novel, but I am still a little incredulous about Lucy medical comprehension. It does bring up the question about Viagra- are women as happy about that as men? Does it lead to more divorces if the male climatic is enhanced by a little blue pill? Donna Jean seems too stupid to be a poisoner and is still in love with the idiot she married. Arsenic is now a controlled substance, so how does it get into Chevry? The second wife seems to be smarter, because she's tricked Donna Jean into taking on all the onerous housework, while she remains a "handmaiden" only. Again, the traditional obedient wife is the pariah, because the common folk see so clearly how she has motive for taking out the Reverend. Eleanor Royden, self acknowledged murderess is hard for people to understand, because they like her shark-like husband, who has always thrown a good party. They never thought about the means of how those dinner parties were staged, all the work of Eleanor. In her "liberated" state, post divorce poverty she has become a loose-tongued raconteur who makes everyone uncomfortable with her barely veiled anger. No one wants to look at the common betrayal of the aging wife, or contemplate that she might become murderous if pressed too far. Even a high society lady like Eleanor. So various forms of betrayal endured by women-being pressed into pregnancy, being betrayed by a secondary relationship and being dismissed from a marriage are presented as motives for murder. None of these characters were as creepy as murderess in Pretty Peggy-O, it's more like a survey on why women kill, beyond the obviously battered wife. Lucy has a good deal in common with the protagonist of one of the short stories I read, who shoots her husband after coming to the understanding that he has impregnated her as insurance that he will always be able to use the child to gain her compliance. In that story she arranges it to look like he's died from misadventure, and in Lucy's case she literally gives him a taste of his own medicine-neglect. I always enjoy her explorations of power dynamics, I just wish I was more deeply invested in these characters.