What could West African history and cosmology, the Queen of Sheba and early Christianity possibly have to do with a simple, blind, old woman, who is only moderately educated and has lived all her life in Richmond, Virginia? Quite a lot, you will find when you read Randall Robinson's thought-provoking and persuasive novel. With Makeda Robinson ventures into a world of fiction that transcends any genre definition of a traditional novel. It integrates a fictional memoir, a coming-of-age and a very tender love story with elements of magical realism and a moving account of a personal and spiritual journey. Interwoven into these different narrative strands are discussions on African-American socio-political issues and a refresher course on aspects of African history.
At about ten years of age, Gray March "decided" to become a "writer". Having listened to his grandmother's stories since early childhood, "I began preparing to give this account of the fascinating events of my grandmother's life." Mattie (Makeda) Gee Florida Harris March is indeed a very special person and her life's experiences not only enchant Gray, they provide much emotional and historical depth for this astounding and highly engaging novel. Gray, growing up in the nineteen fifties and sixties feels lonely and insecure; his parents appear to be emotionally stunted, weighed down by circumstances he will only come to understand much later. His grandma is the only person he trusts.
Grandma Makeda, blind since birth, dreams - like a time traveler - "in pictures - color pictures, pictures of people, pictures of odd places - though she had never in her life seen a human soul..." Recalling her dreams in great detail, she will only allow Gray, her "spirit child", to write them down.
Makeda's "special" dream places are all in Africa, in regions that have a special spiritual connection to African-American history. The dream stories are so vividly told, and, with each dream recurrence, grow in more intricate detail, that they easily pull us into Makeda's belief in "past lives", letting us forget that they may be "just a dream". She remembers clearly where she was and who she was in each dream, but do these places exist in reality or did they at some time in the past? Is there any surviving evidence of them today? What are the connections of those people to her own life and time? She knows, for example, that her name "Makeda" is the Ethiopian name for the historical Queen of Sheba and one dream series takes place in Lalibela, known as the centre of early Christianity in Africa...
At Makeda's urging, Gray travels to West Africa, not too far from the fabled city of Timbuktu, to the Dogon people... Robinson superbly captures the landcape, the Dogons' traditions and extraordinary knowledge of the stars Sirius cosmology). Makeda's dreams are, however, more than a key for Gray's personal journey in search of identity and love. They are like virtual spiritual doors that Robinson opens to lead us into his multi-layered vision of a broad-based African-American identity that, while recognizing its contemporary challenges, is intimately connected to its African roots and its African historical and spiritual heritage. Robinson is an exquisite writer and stylist, who brings the different themes harmoniously together and into one fascinating and enriching reading experience. This novel may not be as engaging for every kind of reader as it is for me. (see for a fuller review in Mostlyfiction.com)