The Italian Traditions and Puccini: Compositional Theory and Practice in Nineteenth-Century Opera

by Nicholas Baragwanath

In this groundbreaking survey of the fundamentals, methods, and formulas that were taught at Italian music conservatories during the 19th century, Nicholas Baragwanath explores the compositional significance of tradition in Rossini, Bellini, Donizetti, Verdi, Boito, and, most importantly, Puccini. Taking account of some 400 primary sources, Baragwanath explains the varying theories and practices of the period in light of current theoretical and analytical conceptions of this music. The Italian Traditions and Puccini offers a guide to an informed interpretation and appreciation of Italian opera by underscoring the proximity of archaic traditions to the music of Puccini.

Genres: Music

407 pages, Hardcover

First published July 1, 2011

Reviews

[HT · Rating 5 out of 5]

The singers and composers of the standard Italian operatic repertoire were trained in ways that differ significantly from the way post-modern music students are taught. This book is an eye-opener and explains so much about how Italian vocal music (mainly but not only opera) is structured and how they were able to so easily compose and ornament music. This is great work. I will be referring back to it over and over and of course exploring the many 18th and 19th century works referenced. Bravissimo to Nicholas Baragwanath!