In twenty-third-century England, young Clive Anderson is imprisoned in an attempt to mold him into a docile member of society but escapes to the Outlands where he is befriended by Wild Jack's outlaw band.
Samuel Youd was born in Huyton, Lancashire in April 1922, during an unseasonable snowstorm.
As a boy, he was devoted to the newly emergent genre of science-fiction: ‘In the early thirties,’ he later wrote, ‘we knew just enough about the solar system for its possibilities to be a magnet to the imagination.’
Over the following decades, his imagination flowed from science-fiction into general novels, cricket novels, medical novels, gothic romances, detective thrillers, light comedies … In all he published fifty-six novels and a myriad of short stories, under his own name as well as eight different pen-names.
He is perhaps best known as John Christopher, author of the seminal work of speculative fiction, The Death of Grass (today available as a Penguin Classic), and a stream of novels in the genre he pioneered, young adult dystopian fiction, beginning with The Tripods Trilogy.
‘I read somewhere,’ Sam once said, ‘that I have been cited as the greatest serial killer in fictional history, having destroyed civilisation in so many different ways – through famine, freezing, earthquakes, feral youth combined with religious fanaticism, and progeria.’
In an interview towards the end of his life, conversation turned to a recent spate of novels set on Mars and a possible setting for a John Christopher story: strand a group of people in a remote Martian enclave and see what happens.
The Mars aspect, he felt, was irrelevant. ‘What happens between the people,’ he said, ‘that’s the thing I’m interested in.’
این کتاب موجب شد با بهترین دوستم، دوست بشم. دوم دبیرستان بودم. ردیف آخر نشسته بودیم. بخاطر ظاهر مذهبی و خشکی که داشتم اون جاشو عوض کرده بود و دو تا صندلی اون طرف تر من نشسته بود (خودش بعداً بهم گفت). وسط کلاسا کتاب میخوند. دقت که کردم دیدم داره یه کتاب به اسم جک جنگلی میخونه. نمیدونستم جک جنگلی چیه ولی اسم جان کریستوفر رو که روی جلدش دیدم خوشحال شدم. بهش گفتم: جان کریستوفر میخونی؟ بزن قدش! با تعجب دوتا دستشو آورد بالا و زدیم قدش. دوستی رو که تمام عمر نتونسته بودم پیدا کنم، بالاخره پیدا کردم. امروز بالاخره بعد از گذشتن هشت سال از اون موقع، خوندمش.
جان کریستوفر نویسنده خوبیه. مثل ژول ورنی که در زمان معاصر زندگی کنه. با اینهمه دغدغه هاش ملموس تر و انسانی تره. داستانهاش فانتزی صرف نیست. آدم رو به فکر میبره و مباحث اخلاقی رو توش مطرح میکنه. نگرانیهایی از تغییر اخلاقیات در زمان سلطه تکنولوژی. نگرانی از اینکه تکنولوژی مارو به بند بکشه و اخلاقیاتمون رو تحت تاثیر قرار بده. چندی پیش تلاش کردم کتاب اگر خورشید بمیرد اوریانا فالاچی رو بخونم. نتونستم. به نظرم دغدغه های نویسنده ابتدایی و کودکانه بود. اما این یکی... راستش ترجیح میدم کتابهایی رو که جان کریستوفر برای نوجوانان نوشته بخونم. نمیدونم شاید نوجوانان معاصر خیلی عاقلتر از بزرگسالان دهه های گذشته هستن. شاید...
Wild jack,when reading an"into the future book series"is just ur regular day at the office,selected few urban populations owning everything in a world that is cleanesed numerically due to wars,there always have to be a fringe group of so called Barbarians living in the wilds,in the old way u might say,so far nothing s new Nd then to spice things up u just have to put a few benovelant teenager into their mix,i mean why not? To demonstrate :hey they aint so bad and adversly the cities are corrupt..still all of this being a cliche..the book doesnt offer much depth,the idea could have been more enriched,but its left unmade rly.. And ofcourse the old"Equality"conondrum..it feels like human kind dances in that circle..we all like to be Equal nd in the end..we kinda dont..so its an ideal goal to reach but it leads to disaster..in other words, in Equalism,most of times the processs of cure is worst than the disease
!تعجب میکنم که جان کریستوفر چطور می تواند انقدر خوب برای نوجوانان بنویسد؟
داستان های پساآخر الزمانی کریستوفر همیشه با ایده هایی شگفت انگیز شروع میشوند و با موعظه هایی صادقانه ای به پایان می رسند. و این همان چیزی است که یک نوجوان ماجراجو به دنبال آن می گردد. شاید اگر ساده گویی ها و ضعف های روایی داستان را کنار بگذاریم، جک جنگلی اثری فوق العاده است که پایان بندی قابل قبولی دارد. چیزی که همیشه امضای کارهای جان کریستوفر بوده است. پس اگر نوجوانید حتما این کتاب را بخوانید و اگر احساس میکنید زمان ماجراجویی های شما به پایان رسیده است، باز هم جک جنگلی را بخوانید و به درون چاه عمیق خاطراتتان شیرجه بزنید.
Actual rating: 2.5 خب مثلا قرار بود این کتاب مثلا سال 2300 باشه. ولی از اونجایی که سال انتشار این کتاب خیلی قبلتره قابل قبوله که خود موضوع کتاب و اینا خیلی پیشرفته نباشه. درواقع انچنان فرقی با این عصر نداره :/ خود موضوع اصلی داستان هم راستی برام تکراری بود. فقط با این تفاوت که این کتاب مثلا تو عصر پیشرفته س و پایان متفاوتی داشت
نظرم درباره ی جک جنگلی : یه کتاب آموزنده که دنیای ۳۰۰ سال بعد رو شرح میده اینکه چطور آدما از راحتی بیش از حد زندگی و تکنولوژی فوق پیشرفته مریض میشن و آزار میبینن و همچنان آزادی خودشون رو قبول دارن مردم این کتاب به هم سطح های خودشون وحشی میگن و اونهارو بدون هیچ امکاناتی توی جنگل ول میکنن با این خیال که جد های دانشمندشون خیلی برتر از اونها بودن این کتاب زندگی پسری رو تعریف میکنه که پدرش از جمله اعضای قابل اعتماد و مهم شورای شهر لندن هست
خوندن جک جنگلی برای من که با سهگانهی کوههای سفید و شهریار آینده بزرگ شدم جذاب بود و نوستالژیک. بنمایهی داستان همون بنمایهی همیشگی کتابهای کریستوفره؛ زمان آیندهای که بیعدالتی و کنترل روی آدمها بیداد میکنه و یه بچهای هست که در این ساختار خلل ایجاد میکنه. من جک جنگلی رو از این لحاظ دوست داشتم که شخصیت اصلی داستان، کلایو، سریع تغییر نکرد و تا فصل آخر هم رفاه و تمدن قلابیای که مردم ساختن رو دوست داشت.
کسایی مثل جان کریستوفر، ایزاک آسیموف، ژول ورن، بعد هزار سال ساده ترین رمانهاشون رو هم که بخونی، باز جذابیت خاص خودشونو دارن. داستان جک جنگلی جامعه ی درگیر در قید و نظم و نظارت پلیسی بعد از فروپاشی دنیا رو نشون میده اما شاید اگر از قید تحقق داستان در آینده چشم بپوشیم، وقایع داستان از وضع فعلی جهان زیاد دور نباشه. بعد از نگهبانان و ۴گانه سه پایه ها، شاید دوست داشتنی ترین اثر کریستوفر باشه.
I remember when I was a kid, always hoping he would turn this story into a trilogy like the others. Been a long while since I read it, but something about it resonated strongly in groping my way through life. His other series did as well, except this one I wanted more. Left me wanting.
The summary on the back of the book pretty much summarises the whole story so don't read it!
This book is aimed at teenagers and is a relatively short book. There's no swearing or sexual content, but some (not graphic) violence.
In the relatively near future (although the book is around 40 years old) a lack of energy sources has driven a small portion of the population into walled cities. A ruling class lives in comfort while served by a group of lesser citizens. Outside the walls are bands of savages and wild animals, so the citizens rarely leave their home towns, even by aircraft.
The main character is the teenage son of a leading politician. As you might have guessed, he ends up outside the city of London, where he lives with his family.
It was an enjoyable story, but fairly predictable (except maybe the ending which was at first a bit surprising and then a bit of a let down, in my opinion). I would still recommend the book to anyone interested in sci-fi and post-apocalyptic fiction.
Wasn't his greatest book, but was a good read. It is set in the future when earth runs out of fossil fuel and civilization has to scale back to survive. And of course, as all John Christopher books do, the overall theme is FREEDOM.
Inhalt: Clive lebt etwa 100 Jahre nach dem Untergang der Zivilisation wegen des Kampfs um übermäßig beanspruchte Ressourcen. Er tut dies sicher und komfortabel in einem London, das hinter Stadtmauern wieder aufgebaut wurde und seine Bewohner*innen vor den Wilden und den Bestien schützt, welche die der Natur überlassenen Bereiche außerhalb der Stadtmauern unsicher machen. Auf der ganzen Welt gibt es solche Städte, die wie Inseln in der Wildnis liegen. Sieht man genau hin, dann bemerkt man, dass diese Oasen jedoch nicht Glück für alle bedeuten. Es gibt die Diener, die als Abkömmlinge der Wilden eigentlich versklavt sind und bis zum Totenbett arbeiten müssen. Auch Clive muß bald am eigenen Leib erfahren, dass die Zivilisation nur scheinbar sicher ist. Er wird, wie er glaubt irrtümlich, verhaftet und zur Umerziehung in eine Art Boot Camp gebracht. Doch richtig überrascht wird Clive, als er das Straflager hinter sich lässt...
Bewertung: John Christopher hat sich wieder einmal mit der Frage befaßt, was nach unserer Zivilisation kommen könnte. Und obwohl er das Thema mehrfach in verschiedenen Romanen bearbeitet hat, ist es ihm gelungen, eine weitere, spannende Zukunftsversion zu entwerfen. Es gibt Parallelen zu seinen anderen Romanen, trotzdem ist die Idee dieses Buchs eine ganz eigenständige. Wieder einmal geht es um einen impulsiven Jungen, der schnell beleidigt ist, sich etwas zu großartig vorkommt und der auf seiner Reise nicht nur den Blick auf die Welt, sondern auch auf sich selbst verändert. Man könnte sagen, dass er am Ende ein Stück weit erwachsener ist. Auch der Schreibstil ist, wie man ihn von John Christopher erwartet: einfach, kurz und bündig, nüchtern. Mir gefällt er sehr gut und der Autor schafft es bei aller angemuteten Schlichtheit, Zwischentönte zu setzen. Diese deuten es an, bevor es erstmals angesprochen und dann deutlich ausgesprochen wird. Dass wieder einmal das Leben, in das die Hauptfigur hineingewachsen ist, ein anderes ist, als sie glaubt. Wieder einmal geht es um das Thema Sicherheit versus Freiheit. Dies zu entdecken, scheint mir das Anliegen, der Auftrag an den Leser zu sein. Denn das Ende ist ein offenes. Das fand ich passend, denn zu zeigen, wie man eine Welt letztlich ändert, halte ich nicht für wichtig. Dafür gibt es sicher keine allgemein gültige Anleitung. Ich glaube, dem Autor ging es stattdessen darum, die Menschen anzuhalten, sich die eigene Realität anzusehen und darüber nachzudenken. Erzählt wird die Geschichte aus Clives Perspektive. Auch aufgrund des distanzierten Schreibstils kann man sich nicht direkt mit ihm identifizieren. Man sieht ihm jedoch immer interessiert zu. Für mich war die Geschichte so unterhaltsam, dass ich sie an einem Stück gelesen habe. Zusammengefasst hat mir das Buch rundherum wirklich gut gefallen und es erhält von mir 5 Sterne.
Summary Clive lives in a world depopulated by societal and environmental crashes and now split into high-tech luxurious cities and 'savage' wild lands. He's the privileged descendant of the scientists who created and protected the city enclaves, served by a servant class who may or may not be happy about their status. When political machinations put Clive in brutal detention, he learns more about how savage the wild lands really are.
Review Much as I like John Christopher, his YA stories have a certain sameness to them. That’s exacerbated here, in what’s more a sketch or introduction than a full novel.
The book, slim as it is, is an enjoyable read, but at a scant 100 pages, it mostly just sets up a story that we’re then not told. I’m not sure whether Christopher always intended we imagine the rest (which we can readily do), got bored with the idea (though it’s not very thoroughly explored) or his publishers just didn’t buy the continuation. This very much feels like a proposal/sample for a full novel or series – it introduces the world and characters, sets up the major conflict, and then stops. It has enough resolution that it’s not really frustrating, but it does also clearly feel unfinished.
The plot itself is fairly standard Christopher – young, privileged man is betrayed, finds out that the ‘savages’ aren’t really so savage, etc. The remainder of the story would presumably have been his struggle to reform society, including conflict with his father (who I surmise might have been in favor of slower change). As always, Christopher does a great job of creating an engaging, interesting protagonist who is nonetheless sometimes a bit dim (which makes the reader feel smarter).
I enjoyed this, but recommend it principally for Christopher completists who would enjoy seeing a YA trilogy that might have been.
Back in the paperback pile and reading some older science fiction. This one was originally published in the 1970s, although I have this incredibly stiff people with good airship in background cover from the 1990s (does Clive look comfortable waving good-bye to Jack? what was the artist doing here?). Airships show up in most of the various book covers for this one, so the readers will know that this is science fiction by the author of the Tripods trilogy (splendid books, go find them and read them!). Like Tripods, this book deals with a post-apocalypse England where our naive hero (Clive! see boy waving awkwardly) figures out that his privileged lifestyle relies on involuntary labor of servants (okay families like his pay the servants but not enough for them to ever escape their life of servitude). Into this tale of wage slaves and techno-crats (Clive is descended from the scientists who saved the cities only for themselves, perhaps like certain tech billionaires of today), there's also political double-dealing and betrayal. Clive ends up accused of a crime. Our hero has to hightail it to the countryside populated by outlaws who turn out to be much nicer people than Clive expected. Yes Clive is incredibly innocent, but Christopher excelled at writing young men who think they know what is going on and then have very rude awakenings. Also this is pretty subversive stuff for YA literature, all about challenging authority and doing what is right rather than what is easy. Which Christopher also did so well in the Tripods trilogy (do read those books so we can have a long conversation about brain-controlling aliens). Enjoy and maybe slip a copy into a young person's hands.
Got halfway done. And despite having this on my wishlist for a long time, finally getting a copy from paperbackswap, I'm too disappointed to continue. Esp. because it's first of an uncompleted trilogy.
Anyway, a good enough story for some young person who doesn't understand the cost of security, the price of freedom. Or one who can't get enough of survival stories. But I've read the themes and the tropes so many times before I just can't be bothered now.
I loved this book as a teen. I haven't reread it recently but I'm sure I've read it at least twice years ago. It feels very nostalgic to me. The ending had potential for a sequel, which was never written. Still, it's a good read.
This was my favorite author in about 3rd grade. 1 of his books is still on my GOAT list. So I bought them all. I remember liking this one okay and that’s how I felt reading it, too. It was pretty good and fairly entertaining.
A good, short read, suitable for tweens (unlike Death of Grass / No Blade of Grass which is a bit too brutal to recommend for the younger set). Interesting premise about future society, and amusing to read in 2015 to see which futuristic ideas hit or missed the mark.
Not Christopher's best by a long shot, but still an interesting read if you have an hour or so to spare. The description of an energy stricken world run by the 1% sounds all too prescient