This wasn’t a bad read, but it was mostly episodic, without a noteworthy narrative arc, so it felt too idle. It had some very witty writing, and the insularity and inescapability of life in a close-knit community on a remote island was very well conveyed. I spent a few days in Stornoway once, a few summers ago, and I still have very mixed memories about the place. It’s certainly beautiful, but I’m glad I don’t live there. (Too cold, too isolated, too religious.)
I was very intrigued by what the narrator had to say about being Scottish in the early 21st century. Without speaking a single word of Gaelic, I’m very interested in its workings and its status (I met so many Scots who seem to have a sincere aversion to it…), so I enjoyed the occasional use of Gaelic terms in the footnotes. However, it’s of little use if you don’t know how to pronounce it. (And how many of those words were just made-up?)
I wonder, though, what was the point of the story? The death of a culture? The ties that bind you to your home, restrictive though it may be? Or just plain self-destruction?
I wish the story had a bit more to offer than just the alcohol-drenched doom and gloom, that whatever the writer’s point was, he should have made a more significant statement.
The last third of the novel was too jarring. In this part, we find out how his heart was broken in Edinburgh, after he left his home as a very young man. I wish the book had ended a bit more upliftingly. I don’t mind dark or morbid stories, I just thought this book deserved a better, saner ending.
#spoiler alert # Come on, at the age of 30, he decides to kill himself because he can’t get over the fact that back when he was 18 or so, his girlfriend of only a few months decided to have an abortion, without informing him first. Well, I can’t say I took to the male perspective, there was too much self-pity. Sorry, I could not empathize, and suicide seemed like such an over-reaction.