Orson Welles, el genial director, productor, guionista y actor de cine estadounidense, sigue siendo un personaje ambiguo y sobredimensionado. Con esta biografía crítica, Peter Conrad indaga en la enigmática personalidad de este gran mito para explicar las fuentes de su don polimórfico a través de un examen pormenorizado de los diferentes personajes que Welles adoptó en su vida, desde Fausto hasta Falstaff.
"The critic Eric Bentley said that Welles did not act, he simply allowed himself to be photographed. But only if he couldn't help it: he preferred the storyteller's invisibility on the radio, or the director's unseen vantage-point behind the camera. He passed this personal scruple on to Arkadin, who refuses to be photographed. If menaced by a camera, he breaks both it 'and the head of the photographer'. Arkadin does not want to be exposed by others. Neither did Welles, who hid behind his infamous kit of putty noses. In 1981, on the set of *Butterfly*, Stacy Keach watched as he prised one of these off his face. It was exactly the same shape as the real nose underneath it..."
I was interested in reading about Orson Welles, and this book gave some very interesting facts and information. It was a long and drawn out biography that I felt read worse than a textbook. The reading was dry and I had to force myself to finish it. Welles seemed to be put on a pedestal by the author, and to me it did not come off very good. I would read another book about Orson Welles, but I would not reread this book.
While it may prove true that Conrad is engaged in less-than-explicative or perhaps creative retelling/creating of these tales of Welles..I'm hoping the insightful critique into self-manifestation (persona) in a climate of myth (theater, Hollywood) deepens and sharpens.
making orson welles' life story interesting is not exactly difficult, but this is a very well organized collection of what the man was in deed and memory.
This was a really fun run-through of the Welles Myth. Conrad deftly avoids YET ANOTHER biography and goes after the true and not-so-true stories by and about Welles. What a fresh angle! And it works!