Aunque ya demostró en la anterior entrega que sirve para el “trabajo”, al intrépido Tim Drake aún le queda mucho entrenamiento por delante antes de convertirse oficialmente en el nuevo Robin… y también muchas desgracias que vivir. Sus penas comienzan cuando sus padres emprenden un viaje de negocios que tendrá un final imprevisible por culpa del siniestro Hombre Obeah y también cuando brota en Gotham City una oleada de crímenes provocada desde las sombras por uno de los enemigos habituales de Batman. Contiene: Detective Comics 618 al 621, Batman 455 al 457 y Sword of Azrael #1.
Alan Grant was a Scottish comic book writer known for writing Judge Dredd in 2000 AD as well as various Batman titles during the late 1980s and early 1990s. He is also the creator of the character Anarky.
Alan Grant first entered the comics industry in 1967 when he became an editor for D.C. Thomson before moving to London from Dundee in 1970 to work for IPC on various romance magazines. After going back to college and having a series of jobs, Grant found himself back in Dundee and living on Social Security. He then met John Wagner, another former D.C. Thompson editor, who was helping put together a new science fiction comic for IPC, 2000 A.D., and was unable to complete his other work. Wagner asked Grant if he could help him write the Tarzan comic he was working on; so began the Wagner/Grant writing partnership.
The pair eventually co-wrote Judge Dredd. They would work on other popular strips for the comic, including Robo-Hunter and Strontium Dog using the pseudonym T.B. Grover. Grant also worked on other people's stories, changing and adding dialogue, most notably Harry Twenty on the High Rock, written by Gerry Finley-Day. Judge Dredd would be Grant's main concern for much of the 1980s. Grant and Wagner had developed the strip into the most popular in 2000AD as well as creating lengthy epic storylines such as The Apocalypse War. Grant also wrote for other IPC comics such as the revamped Eagle.
By the late 1980s, Grant and Wagner were about to move into the American comic market. Their first title was a 12-issue miniseries called Outcasts for DC Comics. Although it wasn't a success, it paved the way for the pair to write Batman stories in Detective Comics from issue 583, largely with Norm Breyfogle on art duties across the various Batman titles Grant moved to. After a dozen issues, Wagner left Grant as sole writer. Grant was one of the main Batman writers until the late 1990s. The pair also created a four issue series for Epic Comics called The Last American. This series, as well as the Chopper storyline in Judge Dredd, is blamed for the breakup of the Wagner/Grant partnership. The pair split strips, with Wagner keeping Judge Dredd and Grant keeping Strontium Dog and Judge Anderson. Grant and Wagner continue to work together on special projects such as the Batman/Judge Dredd crossover Judgement on Gotham. During the late 1980s, Grant experienced a philosophical transformation and declared himself an anarchist. The creation of the supervillain Anarky was initially intended as a vehicle for exploring his political opinions through the comic medium. In the following years, he would continue to utilize the character in a similar fashion as his philosophy evolved.
Grant's projects at the start of the 90s included writing Detective Comics and Strontium Dog, but two projects in particular are especially notable. The first is The Bogie Man, a series co-written by Wagner which was the pair's first venture into independent publishing. The second is Lobo, a character created by Keith Giffen as a supporting character in The Omega Men. Lobo gained his own four issue mini series in 1990 which was drawn by Simon Bisley. This was a parody of the 'dark, gritty' comics of the time and proved hugely popular. After several other miniseries (all written by Grant, sometimes with Giffen as co-writer), Lobo received his own ongoing series. Grant was also writing L.E.G.I.O.N. (a Legion of Super-Heroes spin-off) and The Demon (a revival of Jack Kirby's charac
A collection of early 90's issues, this coming-of-age introduction (not quite an origin story) / first adventure of the Tim Drake's Robin was excellent. He proves his mettle as a sidekick to Batman in the former, and then conducts (experiences?) a globe-trotting investigation in the latter. The Dark Knight has only cameo appearances, but the Boy Wonder admirably holds his own throughout the book.
An exploration of the journey to become Robin that highlights the key strengths that make Tim stand out amongst his namesake peers. Whilst the narrative is rather cliché, it’s Tim’s arc that sells this story. Watching him grow both physically and mentally away from Batman really allows the writers to hone in on what makes the character so interesting. With two solid supporting names that represent different life lessons backing the titular hero up, this is a must for Tim and general Batfamily fans alike.
Tim Drake is the most adorable. What a cutie, hahaha. Now I feel like reading Red Robin (Yost) again and see how far he's come along from being this kid who was terrified to let Bruce down. (He was also terrified of Lady Shiva, too.)
Between "Gothic" and this, we get a pretty cool Penguin story which introduces the Batman audience to Harold who is a minor character, but important later. There's also a Joker story which is fine and has one of my favorite covers of all time:
It's quite misleading since the Joker doesn't have a Tommy Gun, and no bats get injured in the story, but deceptive covers are typical in the comic book game. I used to draw this picture of the Joker all the time 30 years ago, or thereabouts, and coincidentally I came across one of them last night while looking for something for another completely unrelated book review on here.
After that was "Dark Knight, Dark City," a rather dark tale involving the Riddler prospecting in daemonology, followed by "Prey," an awesome story from the Legends line. I have just the first two comics of that one and had to get the last three on Comixology, a pretty cool site that let's you purchase and read comics online. The real ones were like six plus bucks a pop! These were just $1.99 each. Prey is often praised to the hilt, and now I understand why; it's great. Plus, Catwoman has a bit part in it, so yeah, I just did the big four all in a row!
"Penguin, Joker, Riddler... and Catwoman, too! The sum of the angles of that rectangle is too monstrous to contemplate!"
And some days you just can't rid of a bomb. Also, in one of those books was this ad:
Have Nickelodeon anywhere. It was a magazine. That's how we did apps back in the old days, you spoiled whipper-snappers.
Original review, 9/12/17:
Disclaimer:
There are many non-review elements in here relating to memories of this book. Feel free to muddle through it all to find review components interspersed throughout. I'm afraid I don't feel like marking them this time since they aren't in two clearly defined sections. Sorry.
Review/non-review:
I just had to pull this out of the comic book boxes after a wave of nostalgia hit me as I was looking through someone else's shelves on here and ran across a Batman/Superman section and saw Robin Vol. 1: Reborn which is a reprint of this that also includes the "Rite of Passage" story in which . Luckily I have the original comics for that arc (Detective Comics 618-621), so I just read those too for the sake of completeness. And let me tell you, it was a treat to see the old advertisements for Nintendo games (original NES, thank you very much) including Double Dragon and Super Contra, the Atari 7800, muscle building scams, and... THIS!
And now I need to watch that movie again; it's a fave. (The novelization was great too.) Was 1990 really 27 years ago? Great googly-moogly.
The paperback collections don't include the advertisements, of course. Normally I'm just fine with no ads, but I enjoyed them today. I remember several for TurboGrafx 16, though they weren't in the "Rite of Passage" books. Does anyone else remember that mess and its ridiculous price tag?
I think the first time I read this was when my family went to check out a timeshare at Massanutten. The rents had no intention of getting one (none of us skied, nor did we have any inclination to pick up the hobby), and they managed to fight off the timeshare peeps after several hours. We went because it was just down the road from JMU which I was checking out as a potential school, and the timeshare thing just happened to be on a touring weekend. Free room FTW! Looking back I realize what a sacrifice this was for my parents. I probably owe them restitution considering that I decided to go somewhere else. I would rather have my gums scraped than endure a timeshare presentation. So while they were attending that, I stayed in the room and read this and probably fought with my sister. I hope I took another book, because this was hardly long enough to keep me entertained while the parental units were away. I definitely finished it there.
This particular book contains the "Identity Crisis" story (Batman 455-457) where Tim Drake solves the crime, saves Batman, and earns the right to put on the suit and Robin 1-5 which introduces us to the new Robin and his first adventure with lady Shiva and the King Snake. (This is a mini-series and shouldn't be confused with the monthly Robin title that came out a couple of years later.)
I collected comic books for about eight to ten years in the 90's. Four Superman titles, and four or five Batman ones plus occasional special side stories. The monthly Robin book was the one I looked forward to the most. That's not to say he's my favorite hero in the DC universe which is a toss up between Superman and Batman, but he's right behind them. I also think I had a bit of a crush on Tim Drake... Okay, okay, fine; there's no "think" or "bit of" about it. I was totally crushing on this kid when I was in high school. He was cool without trying to be cool, and he was pretty frickin' hot. The fact that he was about the same age I was when I started reading them probably had something to do with it as well, and I couldn't wait to see what he was getting into each month... and if he was going to wander through a couple of panels shirtless...
Get out of here, girlfriend, your story line was always annoying. He was also pantless a few times, and I remember I approved when I noticed he had switched from briefs to boxers.
The Robin stories were more fun to read than the Batman stories which got pretty gritty at times. I love reading both of them for different reasons, but as far as the fun factor goes Robin wins hands down. They weren't silly; they just added the perfect touch of levity to counter Batman's darkness. And of course Robin was in many of the Batman titles (although never in the Dark Knight books if I recall), but Batman made only brief cameos in the Robin titles from time to time, and Robin was able to have his own stories even if they continued from the other titles.
This book introduced me to all that was to follow, and I love it. I recognize that it's not the best story of all of them, and I noticed a couple of inconsistencies this time from one issue to the next . But, it got everything started, and I've read this I don't know how many times, though this is probably the first time in 10 or more years.
This story also introduced me to Lady Shiva though she had been in previous stories. She's one of my favorite villains/antiheroes. Her part in this is nothing special compared to Batman's training after Bane busted him up, but like I said it's where I first encountered her. I also kind of like the King Snake (Sir Edmund Dorrance). In the end he's kind of a run of the mill villain, but he's still Robin's first baddie, and you always hold a special place in your heart for your first. Plus and how awesome is that?
I guess if I were being objective I'd give this 3.5 stars, but where's the fun in objectivity? Fuck that shit, it's getting all the stars for being rockin' Robin.
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Part of me wishes someone else had handled Robin's side-adventure, cavorting around the world with his pals Shiva and Clyde Rawlins, for three main reasons:
1) Chuck Dixon's writing is inconsistent (although still largely enjoyable) 2) His Tim is slightly different from Alan Grant's Tim, which was weird... 3) I disagree with Dixon's personal views (which is a sad bias, but yes)
Anyway, it was still pretty fun to read. I give that mini-series 3/5.
Batman #455, #456, #457 and #465 were pretty damn great though. I loved #465 in particular. Four for you, Alan Grant. You go, Alan Grant.
I'm a big fan of Chuck Dixon's Robin, it's too bad little of his long run on Robin has been collected. His run starts here (more or less). He understood Tim Drake more than any other writer, I think, and despite a few tragic turns here and there, kept the series fun. That's a good description: fun. Not only that, but he wrote the first 100 issues, that's almost 10 years on the same book. Not too shabby. And he came back later on, too. Just a great overlooked series. One of these days I'll have to read his Nightwing, too.
Tim becomes Robin and goes off to train to be able to do the job. He runs into trouble and has to stop drug runners. This is a good story that introduces the aspects of Tim's Robin very well. He definitely thinks more than previous Robin's. In a sense, it is a coming of age story. A good read.
Robin: A Hero Reborn is a trade paperback that collects three issues (Batman #455–457) of the 1940 Batman series and collects all five issues of the first Robin miniseries.
After being deemed worthy by Bruce Wayne as Batman to become the new Robin, Tim Drake sets off for France to study specialized fighting techniques under an ancient master. However, Robin's training is sidetracked when he finds himself working together with a maverick D.E.A. agent and a deadly female assassin in order to stop the modern day release of the Bubonic plague. Learning street fighting and martial arts from his new companions, Robin endures a baptism of fire as he discovers the danger of living a life based on anger and revenge.
Chuck Dixon (Robin #1–5) and Alan Grant (Batman #455–457) penned the trade paperback. For the most part, it is written rather well. It is divided into two parts: Grant penned a story during Tim Drake's training with the third issue being finally deemed worthy to become Robin. While Dixon story deals with Robin's first solo adventure to independently continue to train, while fighting crime. It is a story of self-discovery and a coming of age story rolled into one.
Tom Lyle (Robin #1–5) and Norm Breyfogle (Batman #455–457) penciled the trade paperback. For the most part, the pencilers complement with each other rather well, which makes a rather seamless artistic flow. While the penciling style is a tad dated – it is done rather well and brings a nostalgic aspect to the trade paperback.
All in all, Robin: A Hero Reborn is a wonderful trade paperback of the coming of age story of Tim Drake as Robin.
Of all the Robins, Tim Drake is the one I've encountered the least. So when I came across this collection, I was excited to get a chance to read this coming-of-age tale of the third Boy Wonder trying to find his niche in the Robin legacy. The first story arc had as much emotion as action, and I really liked the theme of masks woven throughout the narrative: both for the heroes and for the villains. It was also a pretty solid mystery, even if it was pretty obvious who the main culprit was. But (no spoilers) he's one of the most interesting Batman baddies, so you're not going to hear any complaints from me. The second arc was also really good, with each chapter getting more complicated as this Rookie Robin realized he was involved in a case that very well may have been over his head. But he saw it through and succeeded--which proves that Tim Drake is not a Robin to be overlooked. In fact, I'm definitely going to go out of my way to find more stories with him at the center. I also liked the foils created between the three main characters: Rawlins, Lady Shiva, and Robin. Rawlins' motive was revenge; Lady Shiva's was ambition; and Robin's was the protection of innocent life. The final scene, where Robin asks Batman if anything they do is actually worth it, was a powerful one following the interactions among those three characters. It also paved the way for more character development with Tim: This may have been his coming-of-age story, but the road to the hero he will become has only just begun. If you're a fan of the Robin mantle, then this is easily a must-read.
Tim Drake goes through a couple rites of passage while becoming Robin. A mystery with masks and a surreal dreamscape which alternately menaces and aids Tim is the first challenge he faces. Tim uncovers a trap which has been set just for Batman, which forces him to face his darkest fears. The second challenge begins when a trip to Paris becomes a trip around the world with Robin uncovering a deadly plot, acquiring a couple of enemies of his own, and to training with deadly martial arts master with an agenda of her own. Both of these stories develop Tim Drake as Robin, his unique style and skill sets, as well as his character. The first story was done in the beautiful, eerie Gothic style of Norm Breyfogle, which I once fell in love with and still adore, playing with the theme of the power and menace of the mask. Some of the panels in this story are among my favorites in DC history. The second is a more bright colored, earthy, almost Bond-like adventure. The characters were well rounded and balanced in both stories, although I did frown at what one character said in the second, while smirking at the words of another. Overall, this is an excellent read, giving a strong sense of Tim Drake, developing an attachment to him as Robin, along with establishing itself as a strong, memorable story in the Batman archives. For all of these reasons, I give this four stars.
A collection of issues detailing Tim Drake becoming Robin, through earning the title by helping Batman to stop a pattern of masked killers, and undergoing training on a globetrotting adventure. I preferred the first story, as Tim used his detective skills and took the first steps to becoming the next Boy Wonder, as the second story was uneven in places (prominent characters are randomly dropped in, or forgotten about, so easily). But I still loved the second story, as Tim got first-hand training experience, and proved himself a worthy successor to the iconic mantle. I hope to read more of Tim Drake in the coming future.
El volum recopila tres històries, però que són consecutives i són considerats arcs argumentals clau en el camí de Tim Drake per a convertir-se en el tercer Robin, després de la tràgica mort de Jason Todd a mans del Joker. Totes comparteixen el mateix equip creatiu, Grant i Breyfogle.
Una historia violenta, amb una composició de vinyetes interessant, però un dibuix fluix. L’argument va millorant a mesura que passem d’una història a la següent. La darrera és, sens dubte, la millor de totes, amb un to esperançador, totalment diferent a les dos anteriors.
“La génesis de un heroe” 2,5* “Crisis de identidad” 3* "Debut"4*
A good comic and a great read as a prelude to the grandiose knight fall story arc which includes a lot of Tim Drake's Robin. This collection of comics has a cool little story of Tim finally being worthy of putting on the suit by proving himself integral to Batman's Crusade by stopping Scarecrow's Christmas reign of terror over Gotham. The other half has Tim going across the world - From Paris to Kowloon- trying to stop a cool enemy named King Snake, an expert martial artist who is blind. Together with Lady Shiva and Clyde Rawlins they try to take him down. Both comics were a good read and serve as a good intro just before knightfall. This TPB shows why Tim is one of my favourite robins.
A collection of the first storyline in which Tim Drake first appeared as Robin, and his first mini-series/trial by fire in Paris. This stuff has aged very well (especially when compared to a lot of other mainstream comic books from this time), and does a great job of mixing Hong-Kong style action with all of the elements which have made Tim Drake such an enduring character.
Genuinely so good! The art is my favorite kind, the lettering is classic, and the story itself is filled with action and so much character depth. Tim Drake means literally everything to me so I'm happy I got to read his origins.
When I picked this comic up, I didn't realise it was the origin of Tim Drake being Robin! It was fun, although a little outdated in its unconscious misogynism. All round it was nice to read the actual comic instead of reading about Tim Drake origins online.
The well-worn edition I found in the $5 bin came out in 1990, shortly after the mini-series, back when trade paperbacks of the most popular books were a privilege and not a right. Between this, 'Death in the Family' and 'A Lonely Place of Dying,' it's clear that the DC brass wanted to make sure as many readers as possible had a chance to meet the new Robin, Tim Drake. Robin had been something of a punchline in the comics, but now there was a new teen hero with a new costume and a new story of his own, and writers Chuck Dixon and Alan Grant were gonna stick the landing.
'A Hero Reborn' collects eight issues and two story arcs, one from Batman #455-457, the other from Robin's five-issue solo mini-series (a first for any Robin character). Both are very good of course (the mini-series is the best one of all) but if you want to read Tim's initiation into the Bat-family, you're probably better off seeking out the longer 'Robin Vol. 1: Reborn.' That includes both stories plus a third (and arguably most important) case from Detective #618-621 that concerns the fate of Tim Drake's parents. And from there you can move right on to Vol. 2, 3, 4 and 5 where Chuck Dixon makes Robin into a young hero for the ages, arguably more popular with readers than he had ever been.
Starting up my Tim Drake Robin run here, and I thought it was a good read. I really enjoyed how they approached Tim's struggles with becoming Robin and the issues with Shiva were good.
Haaaave you met Tim? Tim Drake takes over the mantle of Robin in this story from the early nineties. I never read it originally and I think its done pretty well. The Batman portion of the book is a little more grounded and captivating than the intro into Robin's solo book. The villains and perils in that are kind of laughable. The art holds up pretty well and is totally reminiscent of the era. Overall, a decent introduction that lacked a little back story but holds up over time pretty well.
Tim Drake's first two tales as the third Robin. In the first one the Scarecrow attempts to poison Gotham with his fear gas on Christmas Eve, to have the city rip itself apart. Robin saves everyone's asses. In the second story, Drake goes to Paris to train with a mysterious martial artist and ends up trying to stop a plan to release the Black Death in Hong Kong.