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The Foxfire 45th Anniversary Book

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For almost half a century, Foxfire has brought the philosophy of simple living to hundreds of thousands of readers, teaching creative self-sufficiency and preserving the stories, crafts, and customs of Appalachia.  Inspiring and practical, this classic series has become an American institution.
 
The Foxfire 45th Anniversary Book continues the beloved tradition of celebrating a simpler life, this time with a focus on Appalachian music, folk legends, and a history full of outsized personalities. We hear the encouraging life stories of banjo players, gospel singers, and bluegrass musicians who reminisce about their first time playing at the Grand Ole Opry; we shiver at the spine-tingling collection of tall tales, from ghosts born of long-ago crimes to rumors of giant catfish that lurk at the bottom of lakes and quarries; we recollect the Farm Family Program that sustained and educated Appalachian families for almost fifty years, through the Depression and beyond; and we learn the time-honored skills of those who came before, from building a sled to planting azaleas and braiding a leather bull-whip.  Full of spirited narrative accounts and enduring knowledge, The Foxfire 45th Anniversary Book is a piece of living history from a fascinating American culture.


From the Trade Paperback edition.

608 pages, Kindle Edition

First published August 30, 2011

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About the author

Eliot Wigginton

97 books71 followers
Eliot Wigginton (born Brooks Eliot Wigginton) is an American oral historian, folklorist, writer and former educator. He was most widely known for developing the Foxfire Project, a writing project that led to a magazine and the series of best-selling Foxfire books, twelve volumes in all. These were based on articles by high school students from Rabun County, Georgia. In 1986 he was named "Georgia Teacher of the Year" and in 1989 he was awarded a MacArthur Fellowship.
Wigginton was born in West Virginia on November 9, 1942. His mother, Lucy Freelove Smith Wiggington, died eleven days later of "pneunomia due to acute pulmary edema," according to her death certificate. His maternal grandmother, Margaret Pollard Smith, was an associate professor of English at Vassar College and his father was a famous landscape architect, also named Brooks Eliot Wiggington. His family called him Eliot. He earned his Bachelor's and Master's degrees in English from Cornell University and a second Master's from Johns Hopkins University. In 1966, he began teaching English in the Rabun Gap-Nacoochee School, located in the Appalachian Mountains of northeastern Georgia.
Wigginton began a writing project based on his students' collecting oral histories from local residents and writing them up. They published the histories and articles in a small magazine format beginning in 1967. Topics included all manner of folklife practices and customs associated with farming and the rural life of southern Appalachia, as well as the folklore and oral history of local residents. The magazine began to reach a national audience and became quite popular.
The first anthology of collected Foxfire articles was published in book form in 1972, and achieved best-seller status. Over the years, the schools published eleven other volumes. (The project transferred to the local public school in 1977.)
In addition, special collections were published, including The Foxfire Book of Appalachian Cookery, Foxfire: 25 Years, A Foxfire Christmas, and The Foxfire Book of Appalachian Toys and Games. Several collections of recorded music from the local area were released.

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Displaying 1 - 2 of 2 reviews
6 reviews1 follower
October 17, 2022
When I started reading this book, I couldn't put it down. Halfway through, I found that I couldn't bear to finish it. The stories lost their lustre and I found myself wanting more from them.
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Author 2 books6 followers
November 18, 2019
Any project that is working to preserve the voices of elders and their culture from their youth and younger days deserves to be lauded. If you have enjoyed listening to your own grandparents and elderly family members talking about their youth and early adult days, whether they lead a rural, urban or somewhere-in-between life, you know how precious those stories are, and the appeal of the Foxfire stories won't at all be a surprise to you. This particular book is a good representation of what the series generates annually and regularly, and if you aren't familiar with rural white culture beyond stereotypes on TV and in movies, this is a good introduction - it's best to pop on a bluegrass soundtrack to get the full effect. And if you are familiar with this region and love its music and land and food culture - as I do (I'm from Kentucky), you also will love it as it lovingly, reverently talks about such - you may even find, like me, hearing the people in this book telling stories and situations you have heard from your own family members. It also is a great example of what could be done in regions all over the world: young people going out into their own communities and preserving the stories of their elders. If you are looking for a monologue for an audition or other drama performance, this provides outstanding source material. However, there are some uncomfortable insights that some readers will experience, at least I did: the presence of black Americans in the area is almost completely ignored, not only in the choice of storytellers but in the recorded memories of the storyteller. There ARE black Americans in Appalachia - Google it if you don't believe me. There are no mentions in this book of the ugly sides of historic mountain life, like child marriage or racism. There are also idealizations that just simply aren't true, not only by the storytellers but by the editors, like this from the start of the chapter entitled "Knoxville Girl: Crime Close to Home": "Crimes were rare and murders were virtually unheard of... " That is just patently not true. The overall perpetuation of poverty as "beautiful" in this book makes me uncomfortable. I appreciate what the book honors, but I just so wonder how many stories get left out because they might make local people not look quite so noble and honorable.
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