Probably one of the last books that I'll finish for the year, but certainly a cracker of a way to end the fiction-reading year. Easily the most gripping novel that I've read this year.
For those who came in late, Robin Jarvis was my favourite childhood author, but due to the passage of time, it's been one of those things where I've missed a few of his middle period books when I was off at uni/starting work, etc. but have been catching up on his latest stuff. And what a progression. In the early 90s, in comparison with much other YA fiction that was out there, his stuff was pretty dark. Then along came J.K. and Hogwarts and Stephanie and Twilight and all of a sudden, darkness became mainstream.
So Jarvis has responded by taking it to a whole other level in his latest trilogy, Dancing Jax. So as a result, while his earlier books would have been suitable for about age 10 and up, these ones are definitely for more mature readers.
In the first book in this trilogy, an evil book called Dancing Jacks written by an early 20th century occultist, Austerly Fellows, is discovered and starts to pass around the small coastal town of Felixstowe. Almost - and that's an important word "almost" - anyone who reads or hears the book gets sucked into the slightly twee, technicolour world of Mooncaster, where they find themselves as one of the characters in the fantasy world. (Which is kind of a cross between an Alice in Wonderland playing card world and a dark Disney fairytale world.) Meanwhile, they just regard the real world as a sort of dream state that they have to endure before being able to escape back into the fantasy.
When we begin this second volume, Freax and Rejex,the book has taken over nearly all of Britain, except for a handful of people. So at the start of the story, a small group of children, "aberrants" as they are known, on which the book does not work, are rounded up and taken to a weekend camp where every last effort will be made to convert them over.
This second volume rather caught me by surprise. For starters, apart from a couple of cameos, nearly all the characters in this story are brand new. That's a brave move to start with, bringing in a whole bunch of characters for a sequel - the only other stories that do that are usually straight-to-DVD sequels for popular slasher films and they're not renowned for being all that great - but here it works beautifully.
The aberrants, drawn from a wide cross-section of British locations and classes and ethnic groups (all of which add to the distinct Britishness of the story which I, as an Australian, really quite enjoy), take a while to warm up to. They're either traumatised, obnoxious, or some combo of both. But as we start to understand these kids and the horrors they've seen, watching everyone they know and love turn into zombie-like mindless followers of the kingdom of Mooncaster, we start to glimpse their extraordinary inner strength.
And once the "camp" really ramps up - and I don't want to give away any major plot spoilers - the kids are tried and tested in extraordinary ways. As a thriller, once Freax and Rejexis in full motion, it's difficult to put down. Also, Jarvis has reached a new level of genre-combining in this story.
In one sense, it's a good old-fashioned British POW story. But then this is combined with a YA dystopian future story (à la The Hunger Games) of a small group holding out against a world gone mad, combined with the crazy fantasy element of Mooncaster (which is not dissimilar to the TV show Once Upon A Time in the way the fantasy world overlaps and resonates with the real world).
Finally, there were some sequences dark enough to belong in a horror novel (much as Jarvis doesn't like to be described as a horror writer). Like a Stephen King novel, and less like a lot of lesser horror authors, this is not because he's trying to have horror for the sake of it, but actually because it is when the evil seems so dark, that the courage and tenacity of his heroes shines through. (Though the sacrifices and decisions they have to make are truly harrowing, and there are some horrific and quite moving scenes throughout.)
Freax and Rejex is that rare beast - a sequel that's better than the original. In fact, it was so well executed, that I'm somewhat afraid to read the third book (don't worry, I will read it), for fear that it'll be like the third Hobbit movie - somewhat anticlimactic, even though it does tie up all the loose ends.
That said, I'm rather curious to see how one plot strand develops in the third novel, and that's the Mooncaster character of the Bad Shepherd. I won't go into detail here - again, trying to avoid spoilers - but as a Christian reader, the religious implications of this character are somewhat disturbing and uncomfortable. However, we're not left with enough detail to know how all of this will play out.
Actually, the religious implications of the Dancing Jax story are overall disturbing, especially at this stage in the trilogy. If you hearken back to the original Deptford Mice trilogy, Jarvis' first books, the spiritual world in which the characters lived contained the Green Mouse (somewhat of a pagan life force for the mice) vs the evil Jupiter, god of the rats. In other words, in the world of the Deptford Mice, there were good supernatural forces and evil supernatural forces.
But in Jax, no such "good" forces have emerged. There is the strong occult world of Austerly Fellows and his book (and more sinister forces behind that), but on the side of good, there are only a handful of rather normal human beings operating entirely out of their own strength, with no force or spiritual realm looking out for them. It's somewhat akin to the modern trend for demon possession movies, where the demons can do all sorts of stuff, but no force of good seems to be able to overthrow them. It makes sense in a horror film, because letting evil win and the darkness take over is always a guaranteed way to freak out your audience, but I want to think that there are more forces at work than that in this incredibly bleak vision of Britain that Jarvis has created.
Well, I guess we'll see in Book 3. As you can see, the fact that I'm even inclined to want to speculate about the deeper implications of a work of fiction just indicate what a strong world this book conjures up. Not for the easily frightened, not for fans of the light and fluffy, but if you've got the stomach for it, this is a riveting read.