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Uno nunca sabe
Spanish
- GenresHumor
318 pages, Paperback
First published June 30, 2005
6 people are currently reading
76 people want to read
About the author
Roberto Fontanarrosa
175 books153 followers "People would say that I'm comic writer, at most, and that will be true. I don't care too much how people will define me as a writer. I don't want to be a Nobel laureate. It will be enough for me if anyone tells me 'I laughed my ass off with your book.'"
Fontanarrosa began his career writing and drawing comic strips and later branched out into writing narrative with short stories, especially about football (soccer). His better known strips are Inodoro Pereyra, featuring a gaucho and his talking dog Mendieta, and the hitman Boogie el Aceitoso (which came to life as a Dirty Harry parody).
Fontanarrosa went on to write three novels (Best Seller, El área 18 and La Gansada), and seven books of short comic stories (Los trenes matan a los autos, El mundo ha vivido equivocado, No sé si he sido claro, Nada del otro mundo, El mayor de mis defectos, Uno nunca sabe and La mesa de los galanes). There are also a number of book compilations of his newspapers' strips.
His work has been seen in different Latin American newspapers including Argentine Clarín, Colombian El tiempo, Uruguayan La República, and Mexican magazine Proceso. In 1977 he was approached by Les Luthiers (the famous Argentine humour/music group), who wanted him to collaborate on a script they were writing for a film starring the six group members; the film never bore fruit, but he instead became a creative partner, often writing jokes and situations for them, and most of their shows from 1979 onwards feature his input alongside Les Luthiers'.
In November, 2007 a posthumous work of Fontanarrosa was made public. The script of the animated film Fierro was co-written by Fontanarrosa and the characters designs came also from him.
[edit] Illness
In 2003 he was diagnosed with amyotrophic lateral sclerosis and was bound to a wheelchair. He continued to work, and participated in the meetings of the Third International Congress of the Spanish Language, in 2004, where he gave a humorous lecture about taboo words and the final speech. On 26 April 2006 the Senate awarded him the Domingo Faustino Sarmiento Mention of Honour for his career and his contribution to Argentine culture.
In January 18, 2007 he announced that he would be no longer drawing his own strips because he had lost full control of his hand, but stated that he would go on writing the scripts for his characters.
On 19 July 2007, Fontanarrosa suffered a respiratory failure, and was taken to a hospital. He died there about one hour later. His funeral service and the funeral procession on the next day were attended by thousands of common citizens, writers, actors, and political authorities. The procession stopped beside the Gigante de Arroyito stadium (home of Rosario Central, a team of which Fontanarrosa was possibly its most notable fan) and then continued north to the neighbouring city of Granadero Baigorria, where Fontanarrosa was buried at the Parque de la Eternidad cemetery.
The main national news services and printed media of Argentina devoted special segments to Fontanarrosa's legacy and to the funeral service. The national government declared a Mourning Day for National Culture, and the municipal government of Rosario ordered flags to be flown at half mast.
Fontanarrosa began his career writing and drawing comic strips and later branched out into writing narrative with short stories, especially about football (soccer). His better known strips are Inodoro Pereyra, featuring a gaucho and his talking dog Mendieta, and the hitman Boogie el Aceitoso (which came to life as a Dirty Harry parody).
Fontanarrosa went on to write three novels (Best Seller, El área 18 and La Gansada), and seven books of short comic stories (Los trenes matan a los autos, El mundo ha vivido equivocado, No sé si he sido claro, Nada del otro mundo, El mayor de mis defectos, Uno nunca sabe and La mesa de los galanes). There are also a number of book compilations of his newspapers' strips.
His work has been seen in different Latin American newspapers including Argentine Clarín, Colombian El tiempo, Uruguayan La República, and Mexican magazine Proceso. In 1977 he was approached by Les Luthiers (the famous Argentine humour/music group), who wanted him to collaborate on a script they were writing for a film starring the six group members; the film never bore fruit, but he instead became a creative partner, often writing jokes and situations for them, and most of their shows from 1979 onwards feature his input alongside Les Luthiers'.
In November, 2007 a posthumous work of Fontanarrosa was made public. The script of the animated film Fierro was co-written by Fontanarrosa and the characters designs came also from him.
[edit] Illness
In 2003 he was diagnosed with amyotrophic lateral sclerosis and was bound to a wheelchair. He continued to work, and participated in the meetings of the Third International Congress of the Spanish Language, in 2004, where he gave a humorous lecture about taboo words and the final speech. On 26 April 2006 the Senate awarded him the Domingo Faustino Sarmiento Mention of Honour for his career and his contribution to Argentine culture.
In January 18, 2007 he announced that he would be no longer drawing his own strips because he had lost full control of his hand, but stated that he would go on writing the scripts for his characters.
On 19 July 2007, Fontanarrosa suffered a respiratory failure, and was taken to a hospital. He died there about one hour later. His funeral service and the funeral procession on the next day were attended by thousands of common citizens, writers, actors, and political authorities. The procession stopped beside the Gigante de Arroyito stadium (home of Rosario Central, a team of which Fontanarrosa was possibly its most notable fan) and then continued north to the neighbouring city of Granadero Baigorria, where Fontanarrosa was buried at the Parque de la Eternidad cemetery.
The main national news services and printed media of Argentina devoted special segments to Fontanarrosa's legacy and to the funeral service. The national government declared a Mourning Day for National Culture, and the municipal government of Rosario ordered flags to be flown at half mast.
Ratings & Reviews
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Displaying 1 - 7 of 7 reviews
August 2, 2020
Nunca había leído cuentos de Fontanarrosa. Y con esta especie de misión que me planteé de leer más literatura de mi país (Argentina), se me dio por comprarme varios libros de sus cuentos. Me encontré con una sorpresa, al darme cuenta de lo buenos que son. Hay humor, hay ocurrencias, hay drama, hay situaciones inesperadas. Pero sobre todo, hay naturalidad. "Uno Nunca Sabe y Otros Cuentos", editado por primera vez en 1993, presenta eso mismo: una radiografía de Argentina, del porteño, del que va a un café y discute con sus amigos durante horas. O de aquel partido de futbol en donde las cosas no salieron bien, y siendo todos hombres, terminan a los insultos en el vestuario. Leí otra reseña de este mismo libro, y destaca el don de Roberto Fontanarrosa en tomar el habla popular de la gente, y conseguir volcar esa charla en textos. Y, a la vez, absorber y convertir en literatura aquel pensamiento de la gente común. Tengo dos libros más de sus cuentos, así que... se vendrán más reseñas del rosarino. ¿Y ustedes? ¿Leyeron cuentos de él? ¿Qué cuentos/novelas recomiendan?
April 9, 2021
Solo voy a decir que es ARTE.
August 25, 2022
De esos cuentos que te sacan sonrisas siempre y en los que te encuentras con tus propios amigos
December 5, 2024
Una obra maestra
November 7, 2021
El mundo de Fontanarrosa es tan diverso que es difícil encontrar un título por dónde comenzar. Tanto este como cualquier otro de su colección sirve para amarlo desde la primera página.
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August 12, 2011Una joyita del Negro Fontanarrosa. Me lo prestó mi amigo Juan Morita, lo devoré en un fin de semana de 2007
April 4, 2017
Gran obra del entrañable Fontanarrosa. Como toda antología de cuentos puede haber alguno mejor que otro pero son todos muy recomendables y si bien no carcajadas, la sonrisa está asegurada. Personalmente disfruto más los cuentos que tienen a la charla de amigos en un bar (preferentemente El Cairo) como escenario.
Displaying 1 - 7 of 7 reviews