The reader is drawn into the story right off by being plunged into the conflict by the very first line. The story proceeds with a chain of causes and effects. Each event sets off another. Because of the complex nature of the characters, there is ever an element of surprise. Lizzy’s nemesis Elinora, in particular, keeps things moving with her unpredictable actions and reactions. Occasionally the cause and effect connection seems contrived, like Jose’s decision to stay after Lizzy writes a letter to her father. The foreshadowing is deft and subtle, though.
The events and characters are many and varied. A few are inserted only to bring the time period alive, including characters such as the folk hero Jesse James and Indian warrior-revolutionary Lozen, and events such as an Indian’s visit to the wagon train and the lynching of a prisoner. All the characters mentioned are made to serve a purpose, though.
For most part, the events are all tied together by the common theme of faith and how it enriches one’s life. Faith in God is not dwelt upon so much by the protagonist, however, as faith in people. Lizzy’s struggle to have faith in her father, to believe that he cares about her, is the heart of the novel.
Her relationship with her father can be seen as symbolic of a person’s relationship with God. The father talks very little and does not reveal his plans to his child. He is concerned for her, wants her to learn, and provides for her, but he is unseen and mysterious. The analogy is not pushed in our face, however. Those uncomfortable with such symbolism can ignore it. Whether this symbolism is intentional or not, it is wise of the author to focus on the issue of having faith in people, especially in parents, since faith in God has its foundation in this.
The four adults who become Lizzy’s confidants each show her different ways of practicing their faith. Her favorite nun Sister Roberta is the practical one, interpreting Catholic doctrine according to the situation. A Martha figure, she takes an active role in looking after people’s physical needs and. Mrs. Lacey is focused on finding inner peace through atonement for her sins. She is impulsively friendly and generous, acting mainly on her feelings. The Bishop is concerned with reconciling God’s teachings, justice, and the greater good. Jose simply does as he is commanded to and accepts the way life works. These sincere ways of living the faith transcend the petty superstitious practices of her classmates and the narrow-minded, inconsistent attitude of the Mother Superior. Thus, though the use of Lizzy’s one-sided viewpoint requires the expression of harsh criticism of Catholics in general, the book still manages to show the goodness of sincere religious people, especially Catholics.
It can be seen that Lizzy is inconsistent, critical of others but unaware of the same fault in herself. This, along with her defiance to authority and resentment of her father, makes her a typical teenager. Perhaps she seems a little modern, but her casual upbringing as a doted-upon only child and the influence of her rough uncle make this plausible. The fact that she seems modern in her attitude is an asset since it makes it easier for contemporary young adults to identify with her, especially since she faces problems that they can relate with like struggles with identity and social bullying as well as with faith. Her modern outlook makes it possible for her to resolve her issues with faith in a way that a contemporary teenager would be comfortable with.
That this story of a crisis in faith is set in the late nineteenth century is appropriate despite the generally simple religious attitudes of the time. This shows that the questioning of God and religion is a timeless adolescent crisis. That the outspoken expression of it and reasoned attempts to resolve it were unusual at the time only makes Lizzy’s conflict more dramatic. The time setting also allows for an unusual but poetic resolution: The teenager who has lost her mother and resented her father comes of age by becoming a surrogate parent.
The book does not revise the folk story of the miraculous staircase, it adds to it. That the staircase was built through a miracle seems plausible given that the method of building is unique and the wood unavailable in the area. The main argument for the rational against it being a miracle would be why St. Joseph would perform a miracle just for the sake of completing a chapel when there are more worthy prayers that go unanswered. The story behind the story created by the author validates the miracle by giving a worthy motivation for it.
All in all, The Staircase is a skillfully written historical novel. Some period details seem unnecessarily dwelt on, such as the Indian in the camp and the lynching of a prisoner. Others are not so smoothly blended in: Sister Roberta’s description of the staircase sounds contrived, more like something said by a tour guide rather than the character. But the main character and her conflict fit the setting perfectly, and the novel gives us a refreshing look at nineteenth-century America by presenting a part of the U.S. that is rarely depicted in historical fiction. It does not romanticize, showing the hardships and dangers of the times along with the exciting details and it succeeds due to this very lack of romanticism. For against this background of harsh realities, the miracle of the staircase seems all the more wondrous. Although in the end it is left for the reader, along with Lizzy, to decide whether it was a miracle at all, a demonstration of respect for the reader that teenagers are bound to appreciate.