A provocative overview of the questions raised by theatrical encounters between performers and audiences, drawing on examples that have sought to generate active audience involvement from Brechtâ s epic theatre to The Blue Man Group. It argues for more audience-responsive approaches to what theatre does for those who witness, watch or participate.
This book saved my life throughout my BA, and it helped me out a lot during my MA too. It’s a really easy read for an academic book, and many of the topics are interesting and thought provoking.