A one-stop record containing everything Dodger fans want to know about their favorite baseball team, this resource is packed with anecdotes, history, explanations of traditions, statistics, trivia, and photos.
Travers didn’t conduct a single interviews or consult a solitary piece of primary source material. As such, he doesn't contribute any new information, insight or analysis. This is glaringly obvious in the final chapter on Vin Scully, where he just summarizes and quotes extensively from a single (and superior) article written by King Kaufmann for Salon.com.
But, when Travers does try to inject his own personality into the proceedings, he just makes things worse. He veers from groan-inducing puns to stomach-churning social commentary. The most troubling (and, the more I think about it, infuriating) moments for me have to do with the author’s apparent attitude toward Latinos. While discussing the building of Dodger Stadium in Chavez Ravine, he glosses over and casually dismisses the controversy surrounding the relocation of the area’s residents by essentially saying: Bah! Who cares? They were a bunch of illegal immigrants anyway.
This shows not only a lack of journalistic integrity and non-bias, but also a lack of journalistic instinct. There’s a big, important story there and the author just dismisses it out of hand. I was willing to give him the benefit of the doubt on the grounds that maybe he considered it to be outside the scope of his book. But then I read the chapter on Fernando Valenzuela. Fernando gets a token 3-page chapter where the author mostly talks about the 1981 players strike and how statistics from that year are meaningless. He implies that Fernando just got off to a lucky start and calls him a “one-shot wonder.” Again, there’s no analysis to back up these claims and no insight into the cultural, social, or political ramifications of the Fernandomania phenomenon. But Travers also just doesn’t give the man his due, even as he spends the next chapter effusively puckering up to Orel Hershiser’s hindquarters.
Granted, the author is a sports writer, not an economist, sociologist, political scientist, or even a legitimate journalist, apparently. Luckily for us, he’s not a play-by-play announcer, either. His writing is impassioned when he’s breaking down key moments in important games, but that passion comes at the sake of clarity. I had to re-read his play-by-plays just to understand what was going on, until I finally gave up and started skimming through them. The last chapter focuses on Vin Scully, whom he calls “the poet.” To me, Scully's more like a painter. Especially when you're listening to Vin Scully call a game on the radio, he can instantly paint a picture of exactly what’s happening on the field at Dodger Stadium. I’ve always known that was a rare gift, but Traver's bumbling proves just how rare a gift it truly is.