DAMAGE CONTROL
by Denise Hamilton
Scribner (September 2011)
Review by Linda S. Brown
Author Denise Hamilton has a unique way of “drawing” various parts of Los Angeles: glamorous or gritty, her style is positively melodic. One thing is clear, however, you can’t take the investigator out of the author, a former reporter for the Los Angeles Times. In Maggie Silver, protagonist of this new mystery,
DAMAGE CONTROL
, there are hints of Hamilton’s popular journalist character, Eve Diamond, from her earlier series. What makes
DAMAGE CONTROL
unique from Hamilton’s earlier works are the interesting time jumps between 1993 – when Maggie and Anabelle were teenaged best friends – and 2009 (the period Hamilton has set as present day). History, particularly social events and technology, made great leaps during that brief span of time.
The opening scene is poetic in cadence, with an early hint of danger and intrigue. The setting is the summer of 1993, with Maggie as a high school student hanging at a party with some very cool kids in a very cool (if seedy) beach scene. As Maggie and her friend Anabelle approach the scene, they stop under a palm tree “for a lip gloss boost. Above us, something rustled, but when I looked up, it was only dead gray fronds trembling in the breeze. The air smelled of coconut oil, spilled beer, and Mr. Zog’s Sex Wax.” (The wax, by the way, is for surfboards.) “From the party bungalow came hoots and jeers, then the knifing soprano of a girl’s laugh. Black Flag blasted from fuzzy speakers. As the song ended, a wave crashed in perfect time just beyond the dunes.”
In late summer 2009, the now adult Maggie Silver works for The Blair Company, a public relations firm that specializes in cleaning up messes in which celebrities and politicians find themselves caught. Her boss, Jack Faraday, is a rather frightening figure, ruthless in his protection of the firm’s clients and relentless in his use of his employees. In addition to Maggie (public relations specialist), there is Fletch (resident computer geek), and Matt Tyler (company investigator). And there is the almost mythical Thomas Blair, the genius and power behind the curtain.
As mastermind Blair points out, “The Internet abhors a vacuum,” Blair said. “If you don’t talk, others will, and within hours you’ll have an electronic echo chamber of gossip and innuendo.” And in 2009, TMZ, Twitter, Facebook, MySpace and other blogs and online media outlets were taking the lead in releasing news to the public, particularly the public’s avaricious following of celebrity news and scandal.
DAMAGE CONTROL
is about crisis management on a celebrity level, and Hamilton shines a very bright light on scandal. Blair sets up what the company calls a “truth squad” to confront media about attacks on their clients and “press mentions.” When they find a mistake they call up the culpable journalist, casting themselves as “crusaders for journalism ethics.”
Maggie thinks of it more as working magic. Occasionally, however, the magic turns nightmarish, as when she finds herself having to work “damage control” on the family she knew so well as a teen, the family of her teenaged best friend, Anabelle Paxton.
The methods of crisis management can be appalling to those being “managed”: the new client, U.S. Senator Henry Paxton, comes to The Blair Company when his young aide, Emily Mortimer, is discovered dead. The Blair CM team suggests a press conference with the Senator and the aide’s grieving parents. “Henry Paxton stared at Faraday with revulsed fascination.” Apparently, it doesn’t suit the senator’s East Coast prep school background and Pacific Palisades present-day lifestyle to use the tragedy of others’ to further his own cause. It does not, however, prevent him from holding the press conference.
There are times in this novel when the author appears uncomfortable with dialogue. It is almost as if dialogue is employed by reluctant necessity, as if the author has already allowed the reader to venture so far into the characters’ heads that spoken words should not be required.
Hamilton’s experience as a reporter shows in the thoroughness of her research: her character’s use of Adderall as a performance (neuro) enhancer, as well as politics, intrigue, and of all things, perfume, the special idiosyncrasy of Maggie.
There is, of course, romance, in addition to intrigue and murder: Maggie, Anabelle, Anabelle’s police captain husband Randall, Anabelle’s handsome brother Luke, the Blair investigator Matt – all find themselves in varying roles that need untangling throughout the novel, some past-tense, some in present time.
But the over-arching theme in
DAMAGE CONTROL
seems to be scent. Fragrance. Aroma. Perfume… This is the sense that plays the most significant role to Maggie. This reviewer asked the author about that topic in an online blog exchange:
LB: Denise, I'm fascinated by your use of perfume -- and other fragrances, scents, aromas -- in
DAMAGE CONTROL
. It's an incredible book, and almost causes sensory overload … What made you focus on scent as a motif?
DH: Hi Linda, I'm so glad you enjoyed my book. Regarding sensory overload, well, I guess that's how I experience the world on a daily basis - on the verge of sensory overload. I've always used a lot of sensory images in my books. In
SUGAR SKULL
, Eve Diamond is crawling through the dirt basement of an abandoned building damaged by an earthquake and I tried to imagine what it smelled like, that damp, dank smell of earth, of rotting wood, the chalky dust in the back of your throat from the plaster falling off and decaying. I also think that in LA we live in an olfactory paradise - the fragrant orange blossoms, night blooming jasmine, sage and thyme and rosemary of the hills...the salt tang of the sea. So that was all natural scents, and then with my interest in perfume, I added in more complex blended scents. I think that smell is the least appreciated and utilized of our five senses, and it was time to bring it back to the fore, especially in solving a mystery!
Hamilton excels in her use of various types of sensuality in her descriptions of surroundings – the sight of particular architecture, the smells of certain flowers, the sounds of music or the ocean – but in the sensual world of
DAMAGE CONTROL
there is no romance or relationship that hasn’t been tainted or spoiled or thwarted.
The question is can Maggie Silver stay in control of her own senses long enough to solve the murders – and protect herself from the “damage control” sought by others?