When local solicitor Will Rockne is found in his car by his wife - shot through the head - it seems a baffling and motiveless murder. However, Scobie Malone, newly assigned to the case, has his suspicions. Despite his daughter Claire's shy romance with young Jason Rockne, Scobie and his wife Lisa's encounters with Will and Olive Rockne at school functions have always been a little disconcerting...Will had been determined to convince them that he was more than just a suburban lawyer. But when a huge amount of cash is found in a safe in Rockne's office, Scobie discovers that he wasn't just boasting; he would seem to have been caught up in something big - big enough to involve Bernie Bezrow, Sydney's largest bookmaker, the mysterious Shahriver offshore bank, and an elusive, undoubtedly dangerous Russian. Somewhere in this labyrinth lies the key to a ruthless murder, and Scobie is determined to pursue it to the end...until his investigation is thwarted by an unexpected source and he is met with a wall of deceit and evasiveness. To break it down will demand all of his skills and experience and will put the lives of young Claire and Jason in terrible danger. Bleak Spring contains all the hallmarks of Jon Cleary's masterful a gripping murder story, wonderfully shrewd observations on the dark underside of contemporary world events, and a remarkably vivid portrait of modern Australian society.
Australian popular novelist, a natural storyteller, whose career as a writer extended over 60 years. Jon Cleary's books have sold some 8 million copies. Often the stories are set in exotic locations all over the world or in some interesting historical scene of the 20th century, such as the Nazi Berlin of 1936. Cleary also wrote perhaps the longest running homicide detective series of Australia. Its sympathetic protagonist, Inspector Scobie Malone, was introduced in The High Commissioner (1966). Degrees of Connection, published in 2003, was Scobie's 20th appearance. Although Cleary's books can be read as efficiently plotted entertainment, he occasionally touched psychological, social, and moral dilemmas inside the frame of high adventure.
Jon Stephen Cleary was born in Sydney, New South Wales, into a working class family as the eldest of seven children. When Clearly was only 10, his father Matthew was condemned to six months' imprisonment for stealing £5 from his baker's delivery bag, in an attempt have money to feed his family. Cleary's mother, Ida, was a fourth-generation Australian. From his parents Cleary inherited a strong sense of just and unjust and his belief in family values.
Cleary was educated at the Marist Brothers school in Randwick, New South Wales. After leaving school in 1932, at the age of fourteen, he spent the following 8 years out of work or in odd jobs, such as a commercial traveler and bush worker – "I had more jobs than I can now remember," he later said of the Depression years. Cleary's love of reading was sparked when he began to help his friend, who had a travelling library. His favorite writers included P.G. Wodehouse. Before the war Clearly became interested in the career of commercial artists, but he also wrote for amateur revues. In 1940 he joined the Australian Army and served in the Middle East and New Guinea. During these years Cleary started to write seriously, and by the war's end he had published several short stories in magazines. His radio play, Safe Horizon (1944), received a broadcasting award.
Cleary's These Small Glories (1945), a collection of short stories, was based on his experiences as a soldier in the Middle East. In 1946 Cleary married Joy Lucas, a Melbourne nurse, whom he had met on a sea voyage to England; they had two daughters. His first novel, You Can’t See Round Corners (1947), won the second prize in The Sydney Morning Herald’s novel contest. It was later made into a television serial and then into a feature film. The Graham Greene-ish story of a deserter who returns to Sydney showed Cleary's skill at describing his home city, its bars, and people living on the margin of society. Noteworthy, the book was edited by Greene himself, who worked for the publishing firm Eyre & Spottiswoode and who gave Cleary two advices: "One, never forget there are two people in a book; the writer and the reader. And the second one was he said, 'Write a thriller because it will teach you the art of narrative and it will teach you the uses of brevity.'" (In an interview by Ramona Koval, ABC Radio program, February 2006)
This is the second book by this author that I've read and it is the 10th book in the Scobie Malone series. I enjoy crime/mystery novels. The books in this series are easy reads. I like the Australian setting. The MC is also very likable.
As a whole, the plot felt slow in places. There was a lot of talking about the crime, but not much action. The plus side of that, is that the dialogue was well written. The characters often said things that were completely unexpected. I liked that. So 3 stars.
Interesting murder story of a husband killed for his wife's affair and lots of Russian money that comes into play threatening his family and Scobie's daughter Claire.
I have become a fan of Jon Cleary who writes with a rather cynical eye toward Australian society. They are not high literature, just good solid stories with interesting characters. No point is recapping the plot as I'd have to write spoiler all over it anyway. I'm gradually working my way through the entire Scobie Malone series..
Listened to unabridged audio version. First in series for me and I enjoyed it. Wish library had the whole series on audio. Not quite Wallander standard, but the characters are interesting, even if the plot is a bit far fetched. Listening to book 12 now and it's not disappointing.
The 10th entry in this always enjoyable series featuring Scobie Malone, a Sydney homicide inspector, who solves crimes while still being an involved family man.