Eros presides over the operatic spectacle of these poems, and Melancholia over their ravenous clarity. The tragic and comic dispute a border, a margin that divides death from resurrection, separation from reunion, renunciation from celebration, and the spirit from the body. The poems themselves are pilgrimages back and forth between Eden and this green world. This new collection more than confirms what David Baker in The Kenyon Review said in response to Pankey's last "He is outstanding among an emerging generation of talented and accomplished poets."
Eric Pankey is the author of eight previous collections of poetry, most recently The Pear as One Example: New and Selected Poems 1984-2008 and Reliquaries. He is the recipient of a Walt Whitman Award, a Library of Virginia Poetry Prize, and fellowships from the National Endowment for the Arts, the John Simon Guggenheim Memorial, and the Ingram Merrill Foundation. His work has appeared in The New Yorker, The Iowa Review, The Kenyon Review, Field, Gettysburg Review, and Poetry Daily, as well as numerous anthologies including The Best American Poetry 2011 (edited by Kevin Young). He is currently Professor of English and Heritage Chair in Writing at George Mason University. He lives in Fairfax, Virginia.