Extremely informative for the amateur classical guitarist. Pakening started young (11) but put in relatively short hours, 1.5 hours in the morning and another 1.5 hours after school. He had wonderful instruction (Romero family, Andre Segovia), connections (mother’s cousin was big shot at Capitol records and married to Ginger Rogers), came from the necessary upper class back ground and got in on the ground floor of the classical guitar taking root in America.
He was a burn out retiree at 30. His descriptions of being nineteen years old and out on the road touring by himself, a lonely sensitive kid, are genuinely sad. He tells a story of being shaken down in New York by grifters-he was from Brentwood and no match for street toughs. Somehow not finding fulfillment in his prodigious talent, (heaven knows it must be a trial being one of the greatest classical guitarists in the world) he found Jesus and is now seemingly at peace. His description of Segovia at 94 puttering around his studio above his apartment in Madrid is really wonderful. And he does a good job getting across the amount of hard work, and the emotional difficulty, of playing at that level. Segovia put in five hours a day to the end of his life. Chris mentions a fellow student in the dorm room next to him playing ten hours a day but, it seemed to Chris at the time, not really getting any better. The “monotony” of it helped the young Parkening, America’s own virtuoso, fall asleep. Such a strange world we live in. Thank you Maestro Parkening for what you did for the instrument for some beautiful music.