Joe Schreiber is perhaps one of the most divisive writers in the “Star Wars” franchise. I enjoyed “Death Troopers” as a fun zombie adventure, something a little different in the Galaxy Far Far Away that utilized common horror tropes very effectively, but I was more than a little trepidatious about starting “Red Harvest,” Schreiber’s second spooky “Star Wars” offering. See, whenever this book seems to come up in “Star Wars” conversation, it’s often derided as the worst installment in the Expanded Universe, which isn’t a particularly comforting endorsement. Having now finished the novel, I’m scratching my head over this claim by a lot of fans. While I didn’t enjoy it as much as “Death Troopers,” “Red Harvest” succeeds at capturing both the entertainment and issues of a horror B-movie, and despite its flaws, it still ends up being entertaining. Spoilers follow.
Darth Scabrous, Sith Lord and leader of the Odacer-Faustin Sith Academy is cooking up a sinister plan to obtain immortality. Key to achieving it is the acquisition of the Murakami orchid, a rare, Force-sensitive flower that is housed in the Jedi Agricultural Corps facility on the planet Marfa. Scabrous has a bounty on the orchid, and it’s Whipid bounty hunter Tulkh who finally brings the Dark Lord not only the flower, but also Hestizo “Zo” Trace, the Jedi Padawan that the orchid had bonded to and without whom couldn’t survive. When Scabrous’s plan is revealed, it unleashes a horrifying virus upon the academy, killing everything it encounters and then reanimating its victims into mindless monsters that both hunger for flesh and spread the virus. Zo and Tulkh find themselves fighting for survival, but for Zo, the nightmare has only just begun – she also has a prime role in Scabrous’s plan, one that promises a gruesome end for her. It soon becomes clear that the only person that she can rely on is herself…assuming she can survive the horrors coming her way.
“Red Harvest” is the epitome of a horror B-movie. It’s fun and exciting, meant to be enjoyed at face value with a bag of popcorn. The story clips along at a good pace with plenty of action to keep the reader eagerly turning the pages. The pace tends to be very fast with few “slower” scenes to break up the excitement, but that actually works really well for this sort of novel since it successfully evokes an overwhelming “fight or flight” sort of helpless survival feel that a good horror story should. It pulls in a lot of horror film tropes that are blatant, but not unwelcome (I would argue that they fit quite well in a franchise that already incorporates many classic tropes and themes). It’s an easy, fun read that keeps you entertained and flipping through the pages and doesn’t pretend to be anything more than what it is: a tropey horror romp in our favourite Galaxy Far Far Away. A little cheesy sometimes with the zombie motifs? Sure…but what B-film isn’t?
I’ve seen a fair number of complaints about how “Red Harvest” doesn’t really “fit” into the “Star Wars” franchise, and I’ll admit to being a little perplexed by that statement. It’s immediately apparent that this is perhaps one of the more unique installments in the series, but when I think back to the many novels and media that the EU is comprised of, there are other events and stories that stand out in my mind as being out of place more than this one (Waru in “Crystal Star” comes immediately to mind, as does the time travel element that’s central to the plot in “Crosscurrent”). “Red Harvest” is certainly all set around a very strong theme and unabashedly calls on many well-known horror clichés to aid the story, but that doesn’t immediately make it stand out as “not Star Wars enough” in my mind. Given the unstable nature that we’ve seen portrayed in Sith Lords in the past, it seems reasonable that someone like Darth Scabrous could be plotting something this insane at a far-flung Sith academy somewhere. The story is also reasonably well-contained, giving a convenient explanation to why this event hasn’t popped up elsewhere in the EU. There are issues with the novel, sure, and the strong horror motifs won’t be everyone’s cup of tea, but I don’t think it deserves the scorn that it’s getting for not fitting in when this franchise is honestly fairly notorious for going a little “out there” sometimes.
I did sometimes find myself wishing that the zombies had a little more “Star Wars” pizzazz in addition to their more generic monster qualities. I mean, this is an academy full of Sith hopefuls…let’s get some demented Force use or lightsaber battles! Mindless flesh-eating zombies are already pretty scary, but why not up the ante by having them use their Force abilities to wreak havoc? You know, call on those horrible Sith powers to trap victims or something. The lightsabers sort of get used, I suppose, but only in the way that a brain-dead zombie would utilize any weapon. Perhaps the point is that the monsters are supposed to be husks with nothing left of their former selves, but I so desperately wanted to see some more “Star Wars” uniqueness to their gruesome qualities.
So, as I said above, I very much enjoyed the tropey, monster horror film vibe that his novel gave and was happily reading along…until I hit the “heart of the Jedi” thing. I’m not entirely sure what about it rubbed me the wrong way, but it just felt like the cliché that took the previously enjoyable “cheese” factor a little too far. I’d have been much happier had it stayed as a simple zombie survival story complete with telepathic plants – I can get behind and have fun with that as something light and entertaining. The “heart of the Jedi” twist was silly and over the top, and I think the novel would have induced a few fewer eyerolls without it.
I also feel that it’s worth mentioning to any parents or squeamish readers out there that the blood and gore level in “Red Harvest” is pretty insane. Personally, I’m ok with this (hey, if we’re gonna go full-on horror flick in theme, I think some zombie gore is a must), but I can easily see it turning away some readers. It’s all thematically appropriate and I think it’s generally assumed that zombies are going to come with gratuitous amounts of blood, but there are plenty of moments that could be described as more than a little disturbing. Just to give a heads up.
And before I move on, I have one little nerd nitpick. Admittedly, my in-depth knowledge of “Star Wars” lore isn’t what it once was, so it’s entirely possible that I’m mistaken here, but Zo being referred to as a Padawan doesn’t seem to jive with her position as a member of AgriCorps. My understanding of AgriCorps is that it’s comprised of Initiates who failed their Trials and therefore weren’t chosen as Padawans. Zo’s background itself isn’t really explored much, but her Force abilities seem often tenuous (beyond her connection to the Murakami flower) and hard for her to access, which points to the possible reason that she’s at AgriCorps instead of continuing her training as a Padawan. At the end of the novel, she decides to return to Coruscant to continue her Jedi training. Is that how it works? Again, my recollection of the Jedi training hierarchy and its flow isn’t as sharp these days, but I wasn’t aware that one could just choose to leave AgriCorps to try becoming a Padawan again. It’s a minor thing and doesn’t have much impact on the story, but it stood out to me as something that didn’t feel quite right.
Regrettably, where “Red Harvest” starts to lose some serious points is the characters. I suppose you could say that that’s perfectly in line with the B-movie theme that I’ve been comparing this novel to, but when I read, I read for characters, so this is sort of a problem for me. Beginning with Zo, our protagonist, we’re off to a bad start. She’s one of the most helpless, passive main characters that I’ve encountered. I was initially hopeful for her character because I tend to like characters that aren’t just “strong Jedi” and I looked forward to seeing a member of AgriCorps (a failed Padawan, if this novel is following my understanding of the lore) dig deep into herself to find the courage to push forward in the face of great odds. Instead, I got a whiny, useless character that spends most of the book being saved by someone else (usually Tulkh) and generally being too paralyzed by fear and confusion to really do anything. This sometimes isn’t a bad thing if there’s character development to be gained through it, but Zo’s character is so thin that it’s hard to glean anything from her. When she does manage to tap into her Force abilities, she’s pretty darn impressive, but it takes her so long to do it that it’s less of a breakthrough moment and more of a “finally!” sort of reaction. As I read “Red Harvest,” I ended up going through the actions that I also experience during plenty a bad horror flick, practically screaming at the main character to come to her senses and bloody do something!...only this was more frustrating because, unlike a scary movie, I wanted to like this as more than a simple popcorn flick. I just wish that Zo had embodied a little more personality, a little more courageousness, more confidence, and more relevance to the plot beyond the orchid needing her to survive.
Most of the other characters don’t fare much better. The entire academy of Sith apprentices are very nondescript, serving primarily as zombie fodder. I suppose I’d hoped that since, at least in the beginning, several are set up as distinct characters, they’d matter a little bit as individuals, but in the end it doesn’t really matter. They all meet the same end and none of them are very memorable. Darth Scabrous, is an over-the-top evil mastermind to the point that he’s almost laughable (in that endearing, horror cliché way). He serves his purpose, sure, and he sets everything into motion, but he’s nothing more than that, really. Rojo Trace has an intriguing premise: a Jedi that has completely distanced himself from all emotions aside from the devotion he experiences for his sister in her time of need. This has the potential to be very interesting, but since this novel is focused more on monsters and gore than character, he’s underdeveloped and falls flat, seeming to just move through the motions rather than demonstrating any personality or character growth. I guess I just wanted to see more out of the characters. I’m content with a cheesy plot if it’s fun, but I desperately wanted some more developed characters to take this story from “horror romp” to a unique, complete “Star Wars” installment.
The one exception to this is Tulkh, the Whipid bounty hunter that succeeds in kidnapping both the orchid and Zo. His perspective is so unique, both because he’s a bounty hunter (which is always fun in this universe) and a Whipid (a race that I had to google…which I always enjoy!). He’s something that we haven’t really seen in the “Star Wars” franchise, and I enjoyed his part for that…yet I couldn’t help but wonder if this characterization is more accidental than intentional. Schreiber strives at writing a riveting story, but he sort of stumbles when it comes to characters, so I’m not entirely sure that the intriguing character that we see in Tulkh is genuine intention on the author’s part or something that just happened to fall in place. And I feel terrible for saying that. Still, seeing Tulkh go from heartless bounty hunter to protecting Zo to begging Zo to kill him because he has the Sickness is riveting and exciting, and his presence is the shining star in this novel.
“Red Harvest” is very much the B-Movie of the “Star Wars” Legends franchise. Like a horror flick, it has an exciting, action-driven plot that’s propelled by gore, tropes, and yes, a certain amount of cheese. Sometimes the corniness is a little much for even me, but it still feels like it fits in the “Star Wars” franchise as something a little different. The characters are largely lackluster, save for Tulkh, who manages to be a shining beacon in a sea of bland characters. “Red Harvest” is the epitome of a “Star Wars” horror flich. It is an exciting (if tropey), unique installment in this long-running franchise, rife with horror clichés and one-dimensional characters. Three stars.