A pretty decent overview of international Dada. I feel like a lot of recent Dada literature has deliberately shied away from a geographical approach, but I have noticed this often comes at the expense of Dada artists/groups/movements outside of Paris, New York, and Zurich. By structuring his comprehensive look at Dada around geography, Kuenzli forces his audience to recognize frequently overlooked artists in Central and Eastern Europe, Japan, and Germany outside of Berlin.