Good. Grief.
This had SO much potential and I can tell Ms. Monroe has a lot of potential for storytelling. But it did not come to fruition in this book, lol.
For one, I had to assume that the way she had Reno & Co. speaking was her attempt at maybe a NY/Bronx/Italian wise guy accent?? I don't know. But it was like wiseguy + hoodrat rolled into one. Inconsistent and kind of sorry.
Two, what is UP with the persistent, repetitive, COMPLETELY overzealous usage of the freakin word "pound" with this book? I mean, literally it got to the point where I started laughing hysterically every time they went to bed because I knew it would be a matter of two or three lines in before the almight POUND came at my eyeballs. And she didn't even restrict it to using it once-per-sex scene. It was used multiple times in EVER...SINGLE...ONE! Please, give me a break! It really was ridiculous. And irritating.
This writer has some talent in terms of telling a story. But she was in way too big a hurry to get to what I imagine she considered the meaty parts and completely ignored the rest. We keep hearing how Reno considers Trina such a good person, but to be honest, I saw zero evidence of why he thought that way about her. None whatsoever. In fact, I got NO sense of who Trina even was, let alone that she was some angel.
2 stars because 1 wouldn't credit the fact that it really did have great potential and Reno COULD be a fascinating character if better developed and fleshed out. But 3? Nah. Fuhgetaboutit. lol