Angeline Boulley is officially an auto-read author for me. I don’t want to spend this whole review comparing this to Firekeeper’s Daughter, so let me just say at the start that this book isn’t as polished as that one, and I doubt that it will get anywhere near as much acclaim – but it’s written with just as much heart, and I still loved it!
We follow Perry, whom we briefly met in Firekeeper’s Daughter as one of Aunt Teddie’s daughters. Perry is impulsive and a little immature: she drives too fast, likes to take risks, and is more interested in fishing than school – and (somewhat improbably!) I adored her. She just has so much love for her community and her culture, and her care and good intentions are evident, even when she’s making bad decisions. She grows so much over the course of the book, and I loved seeing her learn and mature, and figure out how she can fight for her community most effectively.
The cast of secondary characters was also great. Perry’s twin sister, Pauline, is her exact opposite, and the way they disagreed constantly, but still loved and protected each other so fiercely, felt so real. We also get plenty of cameos from characters from Firekeeper’s Daughter, including the inimitable Granny June, and of course Daunis herself!
This book can mostly be read as a standalone, but it does spoil a couple of things from Firekeeper’s Daughter if you haven’t read that (though it’s legitimately one of the best-written books I’ve ever read, so I don’t know what you’re waiting for!) One of my favourite parts of that book was Daunis’ relationship with Aunt Teddie, so I loved getting to see Daunis in the aunt role now, and generally as an adult and mother. (Daunis and Perry are technically cousins, but the age gap is such that they have more of a materteral relationship.)
The plot of this book is centred around NAGPRA, the Native American Graves Protection and Repatriation Act, a US law that requires institutions like museums and universities to return cultural items (often including human remains) to Indigenous tribes. I hadn’t heard of NAGPRA, but was unsurprised to learn that institutions have spent the last thirty years dragging their feet and making excuses.
The discussion of how Indigenous history and sacred practices are seen as less valuable, or less worthy of care, than their white equivalents, was so clearly laid out, and so powerful. It’s all conveyed through the emotional reactions that Perry has when encountering the stolen items, and her distress is such an effective way for Boulley to show how brutal the theft of all these items has been, how deeply it affects Indigenous tribes, and why it’s so important that they be returned. It’s all also backed up by some really powerful epigraphs, which provide real-world context for everything happening in the story. There’s also discussion around Missing and Murdered Indigenous Women, which is a smaller plot but no less effective.
I also love that not all the Ojibwemowin is translated: there are always enough context clues to figure it out, but the writing feels so much more natural and fluid than if it has to stop every few sentences to translate itself.
However, I think the plot overall is where the lack of polish shows the most, particularly towards the end. The climax of the story is so gripping, but the more I think about the story, the more loose ends and unanswered questions I still have. There are a lot of moving pieces that don’t all tie up, and some of the antagonists’ actions still don’t fully make sense to me.
The romantic subplot also felt under-developed. Perry begins a relationship with someone she first meets during the course of the story, and it all feels very early, so the level of heartbreak we’re told she feels when it’s not working out feels disproportionate to the interactions we’ve seen between them.
Overall, this may not be quite the masterpiece that Firekeeper’s Daughter is, but it’s no less important or powerful (and is also a less harrowing read, if the list of content warnings in Firekeeper’s Daughter is putting you off.) I hope Perry gets at least some of the love that Daunis did, and I will be waiting impatiently for whatever Angeline Boulley writes next!
CW: abduction, murder, grief, racism & cultural insensitivity, anxiety and trichotillomania, references to sexual assault
Thank you to NetGalley and Rock the Boat for sending me a copy of this book in exchange for an honest review