That Dangerous Energy opens on an intriguing snippet of family history. Morgan's great-grandmother escaped Spain and her husband in the dead of night, the only option available to her since women couldn't seek a divorce. And then with a hard pivot, we're dropped right into the middle of another escape. Morgan's on the move with ~something~ in her pocket. Two security guards are tailing her until she gets wise and drops her million-dollar engagement ring on the subway tracks. The what and why of it all aren't clear to us. We're just along for the ride. Then we jump back two months.
This book has such a strong beginning, from the interwoven snippets about the women in Morgan's family to the first hint of whirlwind romance when Morgan and Kevin connect as strangers stranded in St. Louis on a flight delay. The family history shows us the resilience of the women in Morgan's family even as it captures the impact of racism and sexism on their lives throughout the 20th century. None had a storybook happily ever after. Men did them wrong, and society did its worst. These flashbacks are balanced out by the promise of Morgan's potential love story. It's cute, banter-y, and feather-light-- just a connection that could become something.
Amid these moving parts, we also learn about Morgan's hustle, something that prevents her from acting on her interest in Kevin-- a billionaire who her friend is training her to snag. As a struggling fashion designer who really wants to focus on the quilts that are her life's passion, Morgan can't afford to turn away a golden opportunity to focus on her art. And so her best friend Dashawna, an experienced sugar baby, guides her through the process of keeping an oil mogul's attention once she's caught it.
The story draws a clear through line between climate change and racial violence. Here, Morgan's boyfriend Sebastian sits on his piles of money while greenwashing the family business to his benefit. It's only once Morgan catches wind of some of Sebastian's lies that she decides to take what she knows to The Movement, aka Kevin, who it turns out is an activist. Morgan's tip isn't enough, so she agrees to spy on him and get evidence that could make a difference. The tension of spying, keeping up with her art, and having to perform for Sebastian takes a toll on Morgan, and that comes through on the page. Her trials are many. She's starting to see the cracks in her relationship, even if she never mistook it for love, and she's fully disenchanted with Sebastian's lies about taking his father's company in a more responsible direction.
As Morgan agrees to spy and gets fully invested in climate activism, the story completely fell apart for me on multiple fronts. I was shocked and disappointed given my enjoyment of one of de Leon's other books and how well things were going so far with this one. So let me explain where things went wrong.
My first problem is that this book is billed as not only a thriller but a romance, and I was increasingly uncomfy that Kevin sees Morgan as a means to an end for the movement, and her safety is something he largely worries about in relation to his own interest in her. At one point, he suggests she use her "feminine wiles" to get invited to an event where she needs to spy, ignoring the daily trauma of what she's already putting herself through to keep up the ruse. The physical intimacy that was once a chore is now something worse-- something she has to survive for the cause, no matter her loathing. The good news is we do get to see Morgan call him on all this, which was VERY satisfying. The bad news is how Morgan reacts to this falling out... and also how Kevin is still endgame. If things had escalated between them naturally from their first meeting, which was so cute, I think it could have been this wonderful love story. But the spy situation complicates it-- especially because Kevin's hatred of Sebastian first extends to Morgan and then becomes something that clouds his judgment and his feelings for her.
On Morgan's end, she doesn't lose sight of the end goal, but she does lose sight of who Sebastian is in light of her fight with Kevin, and it's a frustrating pivot. Just when it seems the spying is rapping up and Morgan can go free, we receive the unwelcome gift of a love triangle where we already know the ending because of the opening scene. While Morgan lounges on the beach with Sebastian and starts to build a connection with him, we see her entertain the alluring mind game it's so easy to play: maybe I CAN have it all without breaking my moral compass. And that's the fairy tale she has a hard time letting go of-- more than any romantic one. It's a powerful message, and I only wish it weren't tainted by all the last-minute romantic shenanigans tying up the latter half of the book.
We get one more round of thriller vibes when we reconnect with the opening scene in the timeline. And then the end is kind of a court drama? Which I was on board with as far as finding solutions to the problems at hand. But it was a hard swerve tone-wise and recapped the story in detail at some points, further slowing down what was once a snappy, focused story. Worse, Morgan reconnects with Kevin after he apologizes for his behavior, but I wasn't ready to be on his team again as they ride off into the sunset. In its final moments, the book also manages to solve climate change, so wow. It was a lot.
It's so hard to know what to feel about this whole thing. Because I like a book that dares to envision a better future for us, but everything else is a bit of a jumble. So many kernels of strong story elements are ultimately awkward or annoying in execution. The romantic elements, I've covered. There's also this weird moment of attempted trans solidarity where Morgan notices a woman's big biceps and wonders if she's trans and is basically like "If so... cool." The sentiment? Nice. The whole scene? Awkward to the point of defeating its purpose. In terms of the broader message, I became increasingly bothered that the book portrays "The Movement" as if it's a flattened, unilateral beast instead of a multifaceted, not always harmonious hydra of a thing. So while Morgan's actions serve the greater good and an oil tycoon is an obvious target for all kinds of activists, Kevin and increasingly Morgan start seeing things in a moral black and white that keeps them motivated but feels kind of naive. Since I was on board with their politics (see: climate, racism, wealth disparity), it created this weird dissonance that I wasn't as enthusiastic about their clarity around a messy situation. It smacks of fanaticism. And maybe that level of dedication is necessary to get the results they did? So you see, I'm conflicted.
This book kicked off with brisk writing, an intriguing premise, and multiple layers. But once it shed the story of Morgan as an artist, as a daughter, and as someone struggling to get by in favor of the story of Morgan The Activist, it left space for an unnecessary love triangle and other questionable romantic decisions, traumas left unaddressed, and somehow, the nitty-gritty of a legal battle. And that's just a taste of the whiplash I felt reading it. So here I am, struggling to explain why this book wasn't what I needed it to be in the end.