Well and indeed, Patricia MacLachlan’s featured text for her 1991 picture book Three Names most definitely manages to decently enough show what rural farming life was generally like one hundred years ago and that the young boy’s great grandfather affection and love for his dog Three Names was delightfully strong and all encompassing (with the diverse anecdotes of Three Names mostly positively, fondly depicted and presented by MacLachlan and with a sense of wistfully longing back to the so-called good old days of yore, but also and a bit frustratingly for me, with negative scenarios like for example that potentially extremely dangerously destructive tornado too quickly being skimmed over and made to look rather insignificant by MacLachlan, as though the past was all peaches and cream with never really any negativity worth considering).
But personally, I am most certainly also and sadly finding both MacLachlan’s writing style and her featured contents as they appear in Three Names not altogether to my liking and to my reading tastes (and in fact if I am to be honest, sometmes rather convoluted and confusing). For in my humble opinion, it is rather annoyingly difficult to figure out who is narrating what, and which parts of Three Names are taking place in the past and which in the present, leaving a sweet enough but also rather oddly disjointed text that is sometimes just (at least for me) not all that interesting and not all that pleasant for me to read, a decent enough reading experience perhaps full of much nostalgia, but the rather confusing and back and forth from the present to the past account makes Patricia MacLachlan’s narrative flow in Three Names not all that smooth and often a bit overly jumpy.
Now as to Alexander Pertzoff’s accompanying artwork for Three Names, yes, I do think that his illustrations (or rather his paintings, as in my opinion these are more than just some random illustrations) are aesthetically delightful and thus and of course provide a more than suitable visual mirror to and for Patricia MacLachlan’s writing, to and for her presented story of reminisce and nostalgia. And in fact, I do have to admit that personally speaking, I kind of find Alexander Pertzoff’s artwork for Three Names even a bit more enjoyable and engaging than Patricia MacLachlan’s text, with me almost wishing that Three Names were a wordless picture book, that it only featured Pertzoff’s folk art like paintings and no written text at all, as MacLachlan’s writing in Three Names is simply not as strong as Alexander Pertzoff’s pictures.