Benjamin Markovits is brilliant and he doesn’t show off his brilliance quite like most young writers, although he certainly is a show off. This debut novel is an anthology of forms and voices, and Markovits makes the great majority of them work, even though he's tried the common form of historical figure being researched by a quirky young man of our own time. It’s a marvel. The form I liked the least was the faux 19th-century novel in the voice of a young German geologist who comes to America; so many writers do this that it came across as stale.
But alas, this novel has some negatives, the biggest of which is the small, light italics used for the German geologist’s journal, the most italics I’ve ever seen in a book. It undermined the reading experience for me. As did the fact that the novel went on too long; I found most of the last 100 pages flat and dull. But I recommend the first 400 pages of this singular debut.
Here's a taste of Markovits' prose:
"What struck me most forcefully, in the fields of Ruth's penmanship, was how much like fields they appeared: the grasses of her alphabet swaying in the soft breath of her eloquence, always forward, a little forward, as she thought of a new thing to write. Trees and hedgerows grew where a date stood out; names occasionally appeared in capitals, alongside the titles of plays attended, and, as we soon discovered, performed. Little hills rose when she was drunk, I believe; large letters gave scope to her wandering hand, to slip and find its course after all, and a few lines filled the page, and comforted her with the thought that a day had not passed by unreflected upon."