I like to read a good romance novel now and again, but unfortunately this was nothing like a good romance novel. The contrived meandering plot didn't draw me in and I found Grace to be a character that I cared nothing about, if not actively disliked.
Grace promises her dying sister, Mary, that she will take Mary's newborn baby son to his father. Then decides that she isn't going to and it's just too bad for the father. Really? She keeps justifying it because of one single thing Mary said about him, but she also said he would love his son, be a wonderful father and she wants him to have his child. Nope, Grace decides before ever meeting the man that she will totally disregard her sister's last request. Seriously.
Then Grace makes a point of constantly telling every man she meets how she's as able as any man, but any time she gets into trouble, she expects some buff, studly man to come help her out. Example, she finds baby things, crib, cradle, in her attic and brings down the cradle, thinking to herself, that she'll ask one of the men to bring down the rest when they stop by. She flounces out of the hero's home in a temperamental hissy fit and runs her truck into a snow bank, getting it stuck. So she walks to the home of the baby's father(from whom she is still keeping the fact of his son a secret) and asks him to come help her. What about how independent and capable she is? Yeah, not so much.
The plot is a mess. Grace is a rocket scientist and the company she works for has launched a satelite in order to do I don't know what, but the company's ultimate goal is commercial space travel. Don't worry about this because this plot line goes nowhere, other than possibly destroying the world because another company of baddies want to use her technology to create weapons. The baddies come to kidnap her and instead of picking up something from the tool box to use as a weapon, she decides she will burst in and kick them in the shins. I'll repeat that: kick them in the shins. Ridiculous. By this point my head is aching from the near constant eye-rolling. The whole kidnapping plot is foiled(the men rescue her again) and nothing more is ever said about it.
Then there is the magical element which I thought was the real basis of the story, but that even seems more of an afterthought. When Grace, the rocket scientist, finds out magic is real, she accepts it all far too easily. Her mathematical mind wouldn't turn that easily, but then she's all zoned out on the never ending lust anyway.
Speaking of the lust, the love scenes pop up out of nowhere. Grace is arguing in the snowcat with Grey, the hero, and she jumps out in yet another hissy fit. He comes after her, grabs her, lip locks her and she is suddenly shouting I love you, I love you and they traipse off to a conveniently located summit house to consumate their love. After this behavior and at the end of the book, she gets all Victorian, saying she must be properly courted and romanced. Kind of a little late for that, imo.
The reasons Grace is always thinking of why she can't be with Grey are so artificial, so contrived as to be laughable. She can't be with him because she has this baby, she can't because she has her job to think about, she can't because he might be from the past, she can't because he makes her all gooey inside and not feel smart, she can't simply because he's too gorgeous for real life. Okay, I made that last one up, but you see my point?
Grey is Alpha male X 10. He is marginally more entertaining then Grace; his character being a bit more consistent in his behavior. Their relationship is based solely on their sexual attraction and his ability to always be there to rescue her from whatever stupid thing she's done now.
Lastly, for a book all about highlanders, I'd have liked to get some idea of their speech, other than the occasional aye, nay or lassie.
All in all, a mess.