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The Wonderful World of Dissocia
Life's full of clatter, but none of it matters, only who'll hold your paw when you die.
What would you do if you lost an hour from your day? How far would you go to rescue what you've lost?
In search of a lost hour that has tipped the balance of her life, Lisa Jones is on a quest through a surreal world, filled with insecurity guards, flying cars, singing polar bears and wild-goose chases. The inhabitants of Dissocia are a curious blend of the funny, the friendly and the downright brutal.
Anthony Neilson's cult play is a poignant and comical delve into the nature of mental illness. This edition was published to coincide with the major London revival at Theatre Royal Stratford East in September 2022.
What would you do if you lost an hour from your day? How far would you go to rescue what you've lost?
In search of a lost hour that has tipped the balance of her life, Lisa Jones is on a quest through a surreal world, filled with insecurity guards, flying cars, singing polar bears and wild-goose chases. The inhabitants of Dissocia are a curious blend of the funny, the friendly and the downright brutal.
Anthony Neilson's cult play is a poignant and comical delve into the nature of mental illness. This edition was published to coincide with the major London revival at Theatre Royal Stratford East in September 2022.
161 pages, Kindle Edition
Published September 26, 2022
5 people want to read
About the author
Anthony Neilson
28 books4 followersAnthony Neilson (born 1967) is a Scottish playwright and director. He is known for his collabo rative way of writing and workshopping his plays. Much of his work is characterised by the exploration of sex and violence.
Neilson has been cited as a key figure of In-yer-face theatre, a term used to characterise new plays with a confrontational style and sensibility that emerged in British theatre during the 1990s. He has been credited with coining the phrase "in-your-face theatre" but has rejected the label and instead describes his work as “'experiential' theatre”.
Neilson has been cited as a key figure of In-yer-face theatre, a term used to characterise new plays with a confrontational style and sensibility that emerged in British theatre during the 1990s. He has been credited with coining the phrase "in-your-face theatre" but has rejected the label and instead describes his work as “'experiential' theatre”.
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